there are a
few ideas in my discography that i've explored from multiple angles,
but nothing else at all like this track, which has been through multiple
complete rethinks involving multiple people over the course of sixteen
years. as the revisions are so diverse, i think that a comprehensive
collection of interpretations is a proper entry within my discography.
in the end, this emerges as my seventh symphony.
the collection is to be arranged chronologically in four discs consisting of two 2xcd sets, with the first two discs consisting of mixes that were meant for inclusion in band projects and the third and fourth consisting of mixes that were created after the track was moved into my own various one-person projects. i've placed the third disc at the front of the sequence to stress the july, 2002 release date.
further discussions of the various incarnations of the tracks appear on the track pages, or are linked out from the track pages. please click through.
written over 2001 and rethought repeatedly over 2002, again in 2007, a third time in 2009 and one last time in late 2014. final mixes were completed over the last week of november and the first week of december, 2014. the concept was rethought on nov 3, 2017, which led to the inclusion of five more mixes and an expansion from two cds to four cds. as always, please use headphones.
the album version of the track (track 9), reconstructed in 2014, appears on my seventh record:
jasonparent.bandcamp.com/album/ftaa
the 2002 vocal mix appears on the rabit is wolf demo:
jasonparent.bandcamp.com/album/rabit-is-wolf
this release also includes a printable jewel case insert and will also eventually include a comprehensive package of journal entries from all phases of production (2002, 2004, 2006, 2007, 2009, 2014, 2017).
in the end, this emerges as my seventh symphony.
the collection is to be arranged chronologically in four discs consisting of two 2xcd sets, with the first two discs consisting of mixes that were meant for inclusion in band projects and the third and fourth consisting of mixes that were created after the track was moved into my own various one-person projects. i've placed the third disc at the front of the sequence to stress the july, 2002 release date.
further discussions of the various incarnations of the tracks appear on the track pages, or are linked out from the track pages. please click through.
written over 2001 and rethought repeatedly over 2002, again in 2007, a third time in 2009 and one last time in late 2014. final mixes were completed over the last week of november and the first week of december, 2014. the concept was rethought on nov 3, 2017, which led to the inclusion of five more mixes and an expansion from two cds to four cds. as always, please use headphones.
the album version of the track (track 9), reconstructed in 2014, appears on my seventh record:
jasonparent.bandcamp.com/album/ftaa
the 2002 vocal mix appears on the rabit is wolf demo:
jasonparent.bandcamp.com/album/rabit-is-wolf
this release also includes a printable jewel case insert and will also eventually include a comprehensive package of journal entries from all phases of production (2002, 2004, 2006, 2007, 2009, 2014, 2017).
credits
released july 4, 2002
the rendered electronic orchestra on track 12 includes tuba, saxophone,
flute, clarinet, orchestra hit, piano, violin, viola, cello, contrabass
and various full string sections.
numbers refer to the physical tracklisting, rather than the bandcamp ordering.
j - electric & acoustic & classical guitars, analog & digital effects & processing, electric bass guitar, synthesizers, drum programming, orchestral sequencing (12), drum manipulation, vocal manipulation, voice (9), digital wave editing, loops, equalizers, soundscaping, sampling, composition, production, cover art
sean - vocals/lyrics (2,5,7), ring modulator (7-9, 11, 13-14, 16)
greg - drum performance sample source (4, 6-9, 11, 13)
bob - hammering (3)
numbers refer to the physical tracklisting, rather than the bandcamp ordering.
