i don't work well under pressure. i day dream. i procrastinate.
i'm a shitty employee, and not ashamed about it.
i'm
more interested in creating realities where people can create free of
coercive influence than i am in contorting myself into some mental
gymnastic that sees value in extorting people for profit...
...and i needed a nap.
that's what happens when i'm under pressure: i get sleepy.
it's
consistent, actually. predictable. dead line tomorrow? big project due
in the morning? i'm probably snoozing somewhere. and, i'm not going to
pretend i really care when i wake up, either.
call me
depressed, but i don't want your drugs. i want to abolish the conditions
that you think spur productivity, because they don't - they just create
unnecessary stress.
still no ruling.
i
hope the judge doesn't think she's doing me a favour in stretching the
ruling out, if she's going to give me 11 days at the end. i haven't done
a thing to prepare to move. and, i'm not going to do so until i get the
court order - because it's not the landlord that has the legal
authority, here, it's the judge.
if she's stalling into
november to give me until december 1st, i guess that's a net benefit.
but, if she thinks she's just giving me extra days, she's
misinterpreting my grasp of the scenario: i'm in this to win, outright.
i'm going to try to get back to filing, but i might fall back asleep. we'll see.
apologies to the guy with the order, but i'm kind of useless at the moment.
and, i'll remind you that if i win i will be immediately countersuing. if it's into november, that's another $670.
Thursday, October 26, 2017
i think i should take it as a good sign that i don't have the ruling in, yet.
i'm not talking about the mail; i can check the database in real time. she said tuesday or wednesday.
it's thursday afternoon; she's taking her time. i couldn't imagine why she would need to do that if she wasn't researching, and that only really make sense if she's dismissing, or at least sees an excellent reason to consider it.
there's another interpretation, though. the landlord decided to argue with the judge at the last minute about how she has "property rights" (she doesn't.), and tried to guilt her over her mom (i think she's full of shit.). that was stupid all around, and especially stupid in a case like this where the judge has reason to doubt her - to risk that the judge might conclude the complainant was essentially trying to sucker her into a quick ruling is another thing she didn't have to do, but did. if the judge comes around to my side, she may interact with that memory very poorly. but, she also might just be trying to smack a little but of humility down. she'll do this at her leisure, miss fucking pleb.
but, i didn't quite get that from the judge. she was haughty, but empathetic. that's a good judge. and, it's probably just taking a long time due to a good judge doing some good judging.
or, i hope, anyways.
that migraine set me back more than 24 hours. but, i've finally got this done.
====
i'm not talking about the mail; i can check the database in real time. she said tuesday or wednesday.
it's thursday afternoon; she's taking her time. i couldn't imagine why she would need to do that if she wasn't researching, and that only really make sense if she's dismissing, or at least sees an excellent reason to consider it.
there's another interpretation, though. the landlord decided to argue with the judge at the last minute about how she has "property rights" (she doesn't.), and tried to guilt her over her mom (i think she's full of shit.). that was stupid all around, and especially stupid in a case like this where the judge has reason to doubt her - to risk that the judge might conclude the complainant was essentially trying to sucker her into a quick ruling is another thing she didn't have to do, but did. if the judge comes around to my side, she may interact with that memory very poorly. but, she also might just be trying to smack a little but of humility down. she'll do this at her leisure, miss fucking pleb.
but, i didn't quite get that from the judge. she was haughty, but empathetic. that's a good judge. and, it's probably just taking a long time due to a good judge doing some good judging.
or, i hope, anyways.
that migraine set me back more than 24 hours. but, i've finally got this done.
====
purchasing this release does not come with a download.
inri013: written and demoed from 1994-1998. initially constructed in this form in june, 1998. a failed rescue was attempted in 2013. sequenced on jan 6-7, 2016 from parts that were rebuilt over 2013-2016. released jan 7, 2016. finalized on july 29, 2016. symph001.
inri016: created in the summer of 1998. released as a standalone ep on nov 16, 2013. audio permanently closed on oct 12, 2016. release finalized on oct 27, 2016.
inri019: written and demoed from 1996-1999. initially constructed in this form in january, 1999. a failed rescue was attempted in 2013. compiled on nov 13, 2016. sequenced on nov 22-24, 2016 from parts that were rebuilt over 2013-2016. audio permanently closed on nov 24, 2016. release finalized on nov 27, 2016. symph002.
inri029: recorded over 1997-1999. constructed in this form in june, 1999. published in november, 2013. aborted early version added as a hidden track on sept 13, 2017; release consequently finalized. symph003.
inri039: this was constructed over a little more than a month: from 7/7-8/20, 2000. it seems to have been recombined into one track around 2007 but has otherwise not been modified since it was completed. first released as an ep in jan 2014. release finalized as symph004 on oct 8, 2017.
inri046: written in the spring of 2001. lent out for a different project in jan, 2004. reconstructed in the first quarter of 2006, especially over march. the vst mix was added on jan 10, 2015 and the two guitar mixes were added on may 29, 2015. finalized as symph005 on oct 15, 2017.
inri047: written one day in june, 1998. re-created on another day in june, 1999. reimagined on yet another day in june, 2001. a failed remaster occurred at the end of 2013. slightly rearranged and re-rendered at the end of july, 2014. rearranged again at the end of may, 2015 and one last time at the beginning of jan, 2016. expanded and finalized over oct 15-16, 2017.
inri053: written late 2001 and early 2002. this file is ripped from a cd-r that was burnt around 2002, as that was the option that would produce the most accurate reproduction of the original composition. republished without modification in 2014. on oct 23, 2017, the poem was added to the disc as an introduction to the track and the disc was subsequently closed and finalized as symph006 and lp012.
originally created from 1996-2002. this compilation is dated to jan 25, 2002. slowly remastered, reconstituted, compiled, reconstructed, released and finalized from 2013-2017. compilation finalized on oct 26, 2017. as always, please use headphones.
inri013: written and demoed from 1994-1998. initially constructed in this form in june, 1998. a failed rescue was attempted in 2013. sequenced on jan 6-7, 2016 from parts that were rebuilt over 2013-2016. released jan 7, 2016. finalized on july 29, 2016. symph001.
inri016: created in the summer of 1998. released as a standalone ep on nov 16, 2013. audio permanently closed on oct 12, 2016. release finalized on oct 27, 2016.
inri019: written and demoed from 1996-1999. initially constructed in this form in january, 1999. a failed rescue was attempted in 2013. compiled on nov 13, 2016. sequenced on nov 22-24, 2016 from parts that were rebuilt over 2013-2016. audio permanently closed on nov 24, 2016. release finalized on nov 27, 2016. symph002.
inri029: recorded over 1997-1999. constructed in this form in june, 1999. published in november, 2013. aborted early version added as a hidden track on sept 13, 2017; release consequently finalized. symph003.
inri039: this was constructed over a little more than a month: from 7/7-8/20, 2000. it seems to have been recombined into one track around 2007 but has otherwise not been modified since it was completed. first released as an ep in jan 2014. release finalized as symph004 on oct 8, 2017.
inri046: written in the spring of 2001. lent out for a different project in jan, 2004. reconstructed in the first quarter of 2006, especially over march. the vst mix was added on jan 10, 2015 and the two guitar mixes were added on may 29, 2015. finalized as symph005 on oct 15, 2017.
inri047: written one day in june, 1998. re-created on another day in june, 1999. reimagined on yet another day in june, 2001. a failed remaster occurred at the end of 2013. slightly rearranged and re-rendered at the end of july, 2014. rearranged again at the end of may, 2015 and one last time at the beginning of jan, 2016. expanded and finalized over oct 15-16, 2017.
inri053: written late 2001 and early 2002. this file is ripped from a cd-r that was burnt around 2002, as that was the option that would produce the most accurate reproduction of the original composition. republished without modification in 2014. on oct 23, 2017, the poem was added to the disc as an introduction to the track and the disc was subsequently closed and finalized as symph006 and lp012.
originally created from 1996-2002. this compilation is dated to jan 25, 2002. slowly remastered, reconstituted, compiled, reconstructed, released and finalized from 2013-2017. compilation finalized on oct 26, 2017. as always, please use headphones.
credits
released January 25, 2002
j - guitars (electric, classical, acoustic), effects, ebow, bass, mandolin, synthesizers, electric piano, piano, organ, vocals, drum kit, drum programming, orchestral & other sequencing, flute, cool edit synthesis, sound raider, sampling, light-wave synthesis, generative synthesis, generative percussion, noise generators, sound design, loops, tapes, found sounds (washing machine), metronome, windows 95 sound recorder, treatments, digital effects processing, digital wave editing, coughs, a broken tape deck, a broken equalizer, composition, production
the rendered electronic orchestras variously include synthesizers, clavinet, kalimba, nylon guitar, acoustic guitar, electric guitar, bass guitar, piano, banjo, electronic drums, pc card, violin, cello, bamboo flute, flute, viola, soprano saxophone, tuba, trumpet, organ, orchestra hit, pizzicato strings, synth pads, contrabass, tubular bells and music box.
j - guitars (electric, classical, acoustic), effects, ebow, bass, mandolin, synthesizers, electric piano, piano, organ, vocals, drum kit, drum programming, orchestral & other sequencing, flute, cool edit synthesis, sound raider, sampling, light-wave synthesis, generative synthesis, generative percussion, noise generators, sound design, loops, tapes, found sounds (washing machine), metronome, windows 95 sound recorder, treatments, digital effects processing, digital wave editing, coughs, a broken tape deck, a broken equalizer, composition, production
the rendered electronic orchestras variously include synthesizers, clavinet, kalimba, nylon guitar, acoustic guitar, electric guitar, bass guitar, piano, banjo, electronic drums, pc card, violin, cello, bamboo flute, flute, viola, soprano saxophone, tuba, trumpet, organ, orchestra hit, pizzicato strings, synth pads, contrabass, tubular bells and music box.
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