publishing thru (inri070)

i've also finished inri047 today, which is a 2xcd compilation of scored electronic music written between 2001-2003 and completed from 2013-2015. this falls outside of my record list enumeration, but it's a substantial release. influences range across the electronic music spectrum from varese to rdj and everything in between - and also to early forms of classical music - but these are all scored pieces, and very much connected to ideas of written music with the notes and the time signatures and the aaaaaaaaaahhhhhhhh.....

there's plenty of weird electronic music in my discography, but this is a reprieve from that.

it's arranged in two discs that mirror each other. the first is soundblaster mixes. these mixes sound sort of 8-bit, but they're actually 16-bit; it's next gen 8-bit technology, before the game changed from wavetables to larger sample databases and software synthesizers. disc two rearranges disc one for vst software synths, which gives it a huge facelift in terms of sound quality.

this is pretty much comprehensive in terms of this style, for me. i left to hitch across the country in the spring of 2003; there's very little scored soundcard music in my discography after i came back.

so, this is a musical statement. it's a little weird, but there's a niche audience waiting for it.

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back in 2001, and bleeding into about 2003, i wrote a number of tracks into a scorewriter with the explicit intent of eventually having them performed by live ensembles. at the beginning of 2014, i decided that this wasn't likely to ever actually happen and went about completing the tracks in finalized forms - which happened over 2014 and 2015.

my initial plan for this compilation was to produce a record of midi compositions mapped to modern vst instruments as a "chiptune" (not literally) project, and have it double a record of fully realized versions of the tracks. as i went about completing the project, i began to realize that these vst versions were not sufficiently different enough from the finalized versions to justify a separate album and consequently aborted the project.

however, something that's happened since 2001 is that a more mature market has developed for midi-generated music, largely on the back of the success of the gaming industry. people have nostalgia for the sounds that their childhood gaming consoles made and an interest in listening to original music in the style of the soundtracks to those games.

i need to be clear that these are not gaming soundtracks - they're a mix of various types of classical and jazz, taking in influences from across the musical spectrum but essentially none from gaming. gaming isn't a thing i've ever really done, and the little bit i've done has tended to act as an excuse for listening to music (i had a mild civ2 obsession in early high school).

however, i feel that compiling a record of soundblaster mixes is something that could appeal to a specialized, niche audience and am going to put this record together for those people. i also feel it captures the headspace that i was in at the time. i've decided to mirror this soundblaster disc with the vst disc i was initially contemplating, to demonstrate where the technology has arrived at.

all of these tracks also appear on a set of cross-listed singles, and most of them are sequenced into a record at some point. there's more info on the track pages.

i've included the raw midi files in the download for further listening and modification.

these tracks were written from 2001 until 2003 and in some cases rearranged over the course of 2014 and 2015. all disc 1 tracks rendered through a soundblaster live! wave device that was manufactured c.1999. all disc 2 tracks created in cubase with vst software synthesizer technology. the compilation date is may 14, 2015. as always, please use headphones.

credits:
j - controller inputs, programming, composition, digital wave editing, effects processing, production

the various rendered electronic orchestras include acoustic bass, synth bass, electric bass, flute, clarinet, brass, trumpet, trombone, tuba, soprano saxophone, orchestra hit, violin, cello, string section (tremolo), drum machine, electronic drum kit, hand drums, finger snaps, nylon guitar, electric guitar (distorted, clean), steel string acoustic guitar, fret noise, sitar, banjo, pc card clavinet, music box, piano, organ, bells, synthesizers, mellotron and choir. 

released april 27, 2003

https://jasonparent.bandcamp.com/album/thru

reflections (vst mix)

this is the vst software synth mix that updates the soundfonts.

some time in late 2002, sean sent me a message over msn or icq requesting that we begin a song based on looped birds chirping. i thought his idea was kind of cliched, but i took to working around his suggestions by converting them into something more musically expressive. i didn't want to write a song that literally climaxes around birds chirping, but i was willing to write something tonal that evoked the feeling of birds chirping.

at the time, i had my sister's electronic piano downstairs. she had a miniature grand upstairs. it was initially written on the keyboard with a very strange timing, which the scorewriter had difficulties capturing - partly because i was inconsistent in performing it. the piece was greatly simplified as it was arranged.

however, i believe the piece sat for a long time before the second section was added to it.

written and recorded in early 2003. transcribed, slightly rearranged, remixed and re-rendered over may, 2015. this render is from may 14, 2015.

https://jasonparent.bandcamp.com/track/reflections-5

yeah. i'm feeling very introverted right now, and focused on the tunes. i think i'm staying in tonight.

that took way longer to write than i expected, but it was an eventual necessity. i'm falling over, but i should hit the stretch with this tomorrow.