https://jasonparent.bandcamp.com/album/me-myself-and-the-time-i-thought-this-was-a-good-idea-2
the cynicide is running longer but it won't be more than another week - i just need to add bass parts that are already written, mix (that's the length) and write a fade out. i'm not going to add much further commentary (which is the reason i'm sending these links out, as an opportunity to allow you to request changes) to what's already here, so i'll be taking jon out for the remaining rabit updates.
https://jasonparent.bandcamp.com/album/to-spin-inside-dull-aberrations-2
j
Saturday, September 6, 2014
publishing me, myself and the time i thought this was a good idea (inri049)
i've been hard at work on a very vertically complex piece for over a month now and am taking a bit of a break this morning to jump ahead just a little. this is next in the list. it's the first track to come out of a project i shared with a singer through the end of 2001 and the first part of 2002.
none of the versions here are final, it's just a lot of demos, but i find all of them worthwhile in their own ways.
----
credits:
j - bass, guitars, synths, writing
sean - vocals, writing
jon - guitar performance (6)
https://jasonparent.bandcamp.com/album/me-myself-and-the-time-i-thought-this-was-a-good-idea
1) sean suggested the bass line ought to sound like this, from which the track was built. sept 1, 2001.
2) this is the first bass & vocal demo, recorded the day the track was written. sept 1, 2001.
3) i built this up on my own the friday night following the sunday it was written, in preparation for the next sunday jam session. sept 7, 2001.
4) as our guitarist was a no show two weeks in a row, we decided to do a joy division cover rather than write new material. i've left the track without drums to better fit the feel of the recording, as none of the renditions on this single contain drums by a very conscious choice to not include them. sept 9, 2001.
5) the song is thematically about somebody launching themselves off a bridge, so i thought it would be an interesting idea to produce a walk passage. this idea was never well received, as there were concerns that the synthesizer sounds too synthetic. but, i mean, it's a synthesizer, what the fuck do you expect it to sound like? sept 22, 2001.
6) the initial demo was a temporary mix to get some ideas across; it was realized from the start that the guitarist would want to do the guitars and the synths would need to be less rough. i didn't expect him to play the part i wrote, though, which was just a weird thing. in the end, this reconstruction did not end up being a final mix (i took most of the end out, which was only ever there on the insistence of the guitarist in the first place, and added an extra guitar part). oct 13, 2001.
none of the versions here are final, it's just a lot of demos, but i find all of them worthwhile in their own ways.
----
rabit is wolf arose accidentally from the cynicide project (jasonparent.bandcamp.com/album/to-spin-inside-dull-aberrations)
but produced far more material in the end. what happened was sean and i
showed up to a few jam sessions and the guitarist (jon - it was his
band) didn't, so we started writing some material without him...
initially, the intent was to include rather than exclude jon but he quickly developed a disinterest due to a variety of obvious if never fully articulated reasons. i was playing guitar parts on the demos, which he couldn't deal with. we were doing joy division songs, which were outside of his sphere of interest. we were writing without him, which made him feel unimportant. we were talking about songs without drums, which he wasn't interested in at all. etc. however, he did record a guitar part (that i wrote) that was never replaced.
this is a collection of demos from the first month of rabit is wolf, which includes multiple versions of the title track and a joy division cover. in the end, none of this would be released in the form it's in here (which is only available for download), but it creates a cohesive (if short) introduction to what follows that is self-contained in a historical context. stated differently, this is the first (post-punk) incarnation of rabit is wolf.
written and recorded in the fall of 2001. compiled on sept 6, 2014. as always, please use headphones.
initially, the intent was to include rather than exclude jon but he quickly developed a disinterest due to a variety of obvious if never fully articulated reasons. i was playing guitar parts on the demos, which he couldn't deal with. we were doing joy division songs, which were outside of his sphere of interest. we were writing without him, which made him feel unimportant. we were talking about songs without drums, which he wasn't interested in at all. etc. however, he did record a guitar part (that i wrote) that was never replaced.
this is a collection of demos from the first month of rabit is wolf, which includes multiple versions of the title track and a joy division cover. in the end, none of this would be released in the form it's in here (which is only available for download), but it creates a cohesive (if short) introduction to what follows that is self-contained in a historical context. stated differently, this is the first (post-punk) incarnation of rabit is wolf.
written and recorded in the fall of 2001. compiled on sept 6, 2014. as always, please use headphones.
credits:
j - bass, guitars, synths, writing
sean - vocals, writing
jon - guitar performance (6)
released october 15, 2001
https://jasonparent.bandcamp.com/album/me-myself-and-the-time-i-thought-this-was-a-good-idea
1) sean suggested the bass line ought to sound like this, from which the track was built. sept 1, 2001.
2) this is the first bass & vocal demo, recorded the day the track was written. sept 1, 2001.
3) i built this up on my own the friday night following the sunday it was written, in preparation for the next sunday jam session. sept 7, 2001.
4) as our guitarist was a no show two weeks in a row, we decided to do a joy division cover rather than write new material. i've left the track without drums to better fit the feel of the recording, as none of the renditions on this single contain drums by a very conscious choice to not include them. sept 9, 2001.
5) the song is thematically about somebody launching themselves off a bridge, so i thought it would be an interesting idea to produce a walk passage. this idea was never well received, as there were concerns that the synthesizer sounds too synthetic. but, i mean, it's a synthesizer, what the fuck do you expect it to sound like? sept 22, 2001.
6) the initial demo was a temporary mix to get some ideas across; it was realized from the start that the guitarist would want to do the guitars and the synths would need to be less rough. i didn't expect him to play the part i wrote, though, which was just a weird thing. in the end, this reconstruction did not end up being a final mix (i took most of the end out, which was only ever there on the insistence of the guitarist in the first place, and added an extra guitar part). oct 13, 2001.
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