publishing why (inri010)

audio permanently closed for inri010.

===

here's the biting, satirical, misanthropic anarchist jessica that you know and love! finally...

this is the first thing that shows up that's explicitly political in more than a social sense. the lyrics are clear, obvious and mixed very much to the front. here's the story on that: i'm emulating a beat-box situation. i'm a politician, tongue-in-cheek, with a sound system in the back. the paper crumpling sound in the middle is meant to represent me spoiling a ballot.

in hindsight, i suppose that the idea that i'm trying to get across is largely gramscian. in the language of modern memes, the track simply tells us to keep calm and vote for the status quo. but, you'll note that i'm focusing a lot on the deficit of discourse. this could be interpreted a few ways. you could think about how the function of advertising is to suppress thought, for example. however, what i was thinking at the time intersects most cleanly with the idea of the state functioning as the modern church. in this system, which does not only exist on the right, the politician is also a priest and enforces the same role of thought suppression that the church did in the middle ages. the politician herds the sheep into the polls to uphold the status quo; democracy consequently leads to stasis, and prevents any kind of real change. what i had actually read at this age was not gramsci or chomsky but orwell. yet, what's actually driving me is something closer to what we would today associate with dawkins - largely through asimov.

you'll note that i'm not particularly hopeful about the process, either - i don't have a lot of faith in humans to transcend this process of control. it's a deep form of misanthropy, with little way out. yet, my idea of human nature is that we are very malleable, not that we are fixed in perpetual assholery. even at this age, i realize that we are not doomed....

....we're just very poorly equipped to get our shit together.

initially written in 1996. recreated in april, 1998. a failed rescue was attempted in 2013. reclaimed july 12, 2015. vocals added july 15, 2015. sequenced, released and finalized on july 22, 2016. as always, please use headphones.

credits:
j - guitars, effects, bass, drum programming, drum kit, synthesizers, found sound (paper crumpling), pick scrapes, tapes, noise generators, cool edit synthesis, sampling, vocals, digital wave editing, production

released april 19, 1998

https://jasonparent.bandcamp.com/album/why


1) when i reclaimed this track in the summer of 2015, i output a vocal version for the fun of it and then left it to sit for several months. no single was constructed on the initial run through in early 2016 because i had made the decision to not release vocal mixes. however, with the creation of the epic "on sexual confusion in adolescence", i have reversed that decision and decided to release select vocal tracks as singles. this track makes the cut. initially written in 1996. recreated in april, 1998. a failed rescue was attempted in 2013. reclaimed july 12, 2015. vocals added july 15, 2015.
https://jasonparent.bandcamp.com/track/why-3


2) this version has been edited and sequenced for inclusion on my second record, inriched (inri021). initially written in 1996. recreated in april, 1998. a failed rescue was attempted in 2013. reclaimed july 12, 2015. sequenced and finalized on july 22, 2016.
https://jasonparent.bandcamp.com/track/why-album-version


3) version reconstructed in 2015 from tape. initially written in 1996. recreated in april, 1998. a failed rescue was attempted in 2013. reclaimed july 12, 2015.
https://jasonparent.bandcamp.com/track/why-2015-reconstruction-from-1998-source-tapes


4) this is a glitchy, instrumental remix of the track that i only vaguely recall putting together. initially written in 1996. recreated in april, 1998. converted to stereo on sept 24, 2014.
https://jasonparent.bandcamp.com/track/why-wtf-mix-2


5) from inricycled. initially written in 1996. remastered in 2013. dated dec 11, 2013.
https://jasonparent.bandcamp.com/track/phased-out-a-robots-lament-2


6) deleted 2013 remaster of the 1998 demo, which would later appear on my second record, inriched (inri021). initially written in 1996. recreated in april, 1998. a failed rescue was attempted in 2013. dated dec 24, 2013.
https://jasonparent.bandcamp.com/track/why-2013-remaster-of-1998-demo


7) deleted 1998 edit, which would later appear on my second record, inriched (inri021). initially written in 1996. recreated and edited in april, 1998.
https://jasonparent.bandcamp.com/track/why-original-1999-album-edit


8) 2013 remaster of 1996 demo cassette. initially written in 1996. remastered in 2013. dated oct 12, 2013.
https://jasonparent.bandcamp.com/track/why-2013-remaster-of-1996-demo-mix-2

9) deleted 1998 original, unsequenced mix. initially written in 1996. recreated in april, 1998. dated april 19, 1998.
https://jasonparent.bandcamp.com/track/why-full-1998-mix-2

10) deleted original 1996 mix. initially written in 1996. dated oct 20, 1996.
https://jasonparent.bandcamp.com/track/end-sequence-of-side-a-of-the-1996-demo-tape-2

ugh.

listen...

if you want a shitty, corporate-controlled model of music delivery then you'll have to learn to live with the shitty, corporate music that such a model is able to deliver. if you want independent music, then you'll have to seek out independent channels.

ok, this is done. i just need to do the write-up.

the first seven tracks are pretty final, for the physical cd. the last three uploads will be download-only bonus tracks.

re: the hip-hop thing - those are guitars, not tables. it's called "muting". you can hear the same sound in virtually any funk song. a related concept, the palm mute, is uses widely in metal. i acknowledge it sounds a little like a scratch, but it's again accidental - it's just meant to be a syncopated guitar muting.

so, i spent the morning rebuilding the vocal mix and then building the album edit. so, i think i at least have the pieces together for this, although i'm not at all sure which 98 mixes i want to use, yet.

i'm going to at least upload the parts, and then see how i want to put them together,

why (album mix)

this version has been edited and sequenced for inclusion on my second record, inriched (inri021).  initially written in 1996. recreated in april, 1998. a failed rescue was attempted in 2013. reclaimed july 12, 2015. sequenced and finalized on july 22, 2016.

https://jasonparent.bandcamp.com/track/why-album-version

21-07-2016: fixing inri007, closing inri009, working through april/98 and defining inri010

tracks worked on in this vlog:
https://jasonparent.bandcamp.com/album/i-did-your-mom-2
https://jasonparent.bandcamp.com/album/i-think-i-feel-much-better-now
https://jasonparent.bandcamp.com/track/convoy
https://jasonparent.bandcamp.com/track/wish
https://jasonparent.bandcamp.com/album/why
https://jasonparent.bandcamp.com/album/period-1

i stopped to do a show review, and i'm...

it might just be a nap. i'm not tired. i'm just not alert. i've been a little sleepy all day, really. this is going to require stronger attention, so i'm going to get some sleep and get back at it tomorrow.