i can't date this exactly. i know it was the first half of the second semester of grade 12, which was spring of 1999. further, i'm taking it forward to about midway because the first part of the course was about voice-leading and i spent it orchestrating the beatles' something. i don't have any files.

i was lucky: i went to a high school with a big music department. not an arts school, mind you. just a school that had enough funding to run a wide array of course options that are outside the basic core topics. there were three main assignments in the course, and while i don't remember the exact assignment questions, i do have two pieces to show for it.

this, here, is a conceptual piece about pop music. all of the sounds are created from pop cans. yes, puns are fun. the samples run from pouring water out of pop cans into the sink, to crushing and smashing pop cans, to opening them, to exploding them, etc.

i used the tab of a pop can as a pick as i played the ambient guitar parts. it's all thrown together, processed, warped and perfected in a wave editor.

constructed over a few days in april, 1999. ripped back to wav format from cd-r in late 2013. released as a one track single on nov 21, 2013. release finalized on sept 12, 2017. as always, please use headphones.

this track appears unmodified on my third record:
jasonparent.bandcamp.com/album/inridiculous

this release also includes a printable jewel case insert and will also eventually include a comprehensive package of journal entries from all phases of production (1999, 2013, 2017). 

credits

released April 15, 1999

j - guitars, effects, samples, loops, digital wave editing 

somebody asked me to do this for them for a school project in the second half of grade 12, which was early 1999. we're both italian. silly joke, no offense intended.

i never saw the final version, but the guy described it to me. it was an anti drinking and driving ad (think madd) for a marketing class. they sequenced it up with shots of one of them stumbling towards a car, getting in and driving off. very clownish, apparently.

i didn't spend a lot of time on this, so i didn't charge them for it or anything. i think i was more hoping that it would float around a little, but if it did i'm not aware of it.

streamed to disk in one take on the afternoon of march 9, 1999. ripped back to wav format from cd-r in late 2013. released as a one track single on nov 21, 2013. release finalized on sept 12, 2017. as always, please use headphones.

this track appears in slightly modified form on my third record:
jasonparent.bandcamp.com/album/inridiculous

this release also includes a printable jewel case insert and will also eventually include a comprehensive package of journal entries from all phases of production (1999, 2013, 2017).

credits

released March 9, 1999

j - hammerhead (909 emulator), digital wave editing

publishing inri026

i went through a string of extremely cold basements in the late 90s. it was half heating costs; on that level, i could even agree for environmental reasons. however, it was half because my step-mother legitimately prefers absolutely frigid, air-conditioner-level temperatures and didn't want hot air rising from the basement to ruin the freezing temperature upstairs. you can understand how that might get frustrating sometimes.

i was offered a room upstairs, but then i'd have to go to bed at 10:00 pm rather than stay up until 4:00 am recording music and chatting on the internet, which was clearly unacceptable.

the song is more than a surreal commentary, it is a morbid fantasy i was legitimately having. there wasn't any real chance that i was going to light the basement on fire; if i were to do that, i might ruin my guitar, and then i'd be worse off. the story runs a little off the rails, but that is it's charm.

this was the last song recorded for inclusion on my second record, inriched (inri021), and initially sequenced as the penultimate track (as the viewless/suicide sequence had already been decided upon as the ending track). the song was finished on the evening of the 5th; i finished the cover art on the evening of the 6th. it remained in that position, as the 14th track, from february, 1999 until jan, 2016 when it was split off for the technical reason that i wasn't able to remove the vocals because i didn't retain source material. this is frustrating, because it's by far the most interesting song on the record, from a musical perspective.

however, i've always viewed the track as transitional; i realized, even at the time, that i was starting something new rather than ending something, with this. in hindsight, the elaborate electro-prog explored by the track is certainly more similar to what would follow than what i was closing down. it is actually fitting that the track was removed due to a lack of source material, as that defines what i created over 1999 (which i'm retroactively labelling period 1.3).

as the track was still on inriched through 2013, it was remastered along with the rest of the record. a version was also produced for the deleted inricycled b compilation, which included some extra mastering and the removal of the opening sample. these versions were both mastered to fit into their respective sequences; while they're both improvements, neither really captured the essence of the track as it's own thing. so, a final standalone mix was constructed in sept, 2017 to permanently close the ep.

initially written and recorded in the winter of 1999. remixed in late 2013 and again in early 2014. this track was separated from my second record in january, 2016 but the single was not completed until it was remixed one last time in sept, 2017. as always, please use headphones.

this release also includes a printable jewel case insert and will also eventually include a comprehensive package of journal entries from all phases of production (1999, 2013, 2014, 2016, 2017). 

credits

released February 5, 1999

j - guitars, effects, bass, sequencing, drum programming, synths, vocals, loops, samples, digital wave editing