Sunday, November 22, 2015

one last night out before the major detox

so, i will fully acknowledge - despite rationalizations otherwise - that the reason i went to the show on friday night was to get a last night of smoking in. which, on the bright side, at least suggests i'm serious about stopping. i think i have to be.

that said, i also felt the headliner was worth documenting. to an extent, this is partly what a lot of these show reviews have always been about. now that i have the camera (however low quality it may be....), i feel an added sense of responsibility to be curating. because my taste is superior. of course.

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i wasn't sure if i was going to miss the opening act or not, and wasn't really concerned about it if i did. i kind of expected the show to start late, but not quite as late as it started - i did catch the opening act, and snapped a little bit of footage.

it very mildly piqued my interest in what it was, namely a splice of mathy indie rock with alt-country-pop-whatever. i don't know who to blame for it (wilco?), but indie rock turned into country music at some point a little over ten years ago and has basically been tedious and boring ever since. this act certainly demonstrated tedium and boredom, but the mathier aspects almost saved it...

i said almost. not quite. i'd say the rhythm section should drop the singer, if it can't convince her to drop the alt-country-pop-whatever schtick. there's nothing interesting going on there.


between sets i went out and had a smoke; i was feeling a little light-headed when i came back. probably the weather. but, it meant i watched most of the next set sitting down, and didn't get a chance to catch any footage.

the name of the band is exceedingly relevant: this is creepy shit. in an unsettling way. i think i'll leave it at that.

while it was meant to be comical, my general reaction was more that i felt embarrassed for them. which is no doubt in the range of intended reactions.

however, there was one song that had me doubled over laughing, and nearly crying. it may have been because i was feeling a little light-headed from the weather, but it was still one of the best laughs i've had in a while. i've found old footage of this track:


here is a full set:


the next band up was called nudie suits, and they seemed to be defined by a conflict: the violin player wants to do loop-heavy, post-gaze drone stuff whereas the keyboard player wants to do more conventional noir pop. the end result was that they were trying to play over each other. not always. they stopped and listened to each other a few times. but it was that conflict that overpowered.

i'm not entirely adverse to the idea of a riff-off in the context of gaze/drone vs. noir pop, but the truth is that neither had the chops to do it. the violin parts often just fizzled out into static feedback loops or two note patterns, and flopped on the builds. and the keyboard player often cycled around simple progressions, bent entirely on rooting herself in dynamics that were being completely paved over by the electronics.

the lack of footage was a conscious choice.

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it was the material on valley hush' bandcamp page that drew me out (and made the smoking night worthwhile). While certainly pop, and maybe operating somewhere close to a successful and critically acclaimed contemporary act like tune yards, the overall songwriting struck me as worth documenting.

i only film one song and tend to pull it from between the second and fourth track. there's always the nightmare that you screw up the first track, which is also often going to be chosen to let the scragglers in. two-four is usually the meat of  the set.

i pulled the third track, which meant i got one of the poppier numbers. overall, the set was a bit more developed than this, with more extended tracks that leaned into the realm of psychedelic rock without really falling into it.

it's pop. i know not everybody likes pop. i actually have a pretty hefty soft spot for it. but, realize i'm very picky about it, too. i'm only going to bite at a pop band if it's a really good one.



the show was late, as expected, but far more so than i realized. the last band was slotted for 11:15 - meaning they should have been done around 11:45. i knew it was later than that, but wasn't checking the time. the show wasn't done until 12:40; i would have guessed it was more like 12:15. but, had i been checking the clock more closely, i would have left a few minutes earlier.

while i do believe i got to rosa parks on time and should have been able to cut the bus off at the pass, i ended up  missing it (unless it came out of customs well after 2:00, which is unlikely) by what could not have been more than a few minutes. i can only understand how this could happen by concluding that the bus left early.

you can imagine why this should not happen. there's more on this topic in the day's vlog:


http://dghjdfsghkrdghdgja.appspot.com/categories/shows/2015/11/20.html