but, should i do two c-clamps or one c-clamp with one of those guitar bridge things?

ok, so i've decided the neck on this guitar is very healthy. it's pointing at about a 30 degree angle downwards, which is surprising given the issues with the bridge. but, it might mean the truss was pulled all the way down. i suspect i'll have to adjust it, but that's ok - i just didn't want to have to reset it.

i'll need to get strings on, first.

regarding the bridge and how the guitar was/is made, somebody on one of the forums suggested i shine on a flashlight through the holes to determine what's in there, and the results are kind of inconclusive - the action holes look like solid top (although the wood grain is still moving in the wrong direction), whereas the string holes have clear layers (two for a reinforced bridge plate and two for the top, itself). on top of that, the age of the wood is visibly different.

so, it seems like somebody tried to reinforce the plate from the bottom and may have done some surgery to the top, although it's hard to tell. that means i want to avoid shaving it further, and rather want to continue with the reinforcement as best as possible.

i want this to be an acoustic guitar for recording, but i need to convince myself it can handle the tension, first. so, i'm going to start by stringing it with ball wound classical strings and see what happens. can i even hit that 21st fret? if it holds tune and plays well, i'll have to decide whether i want to keep it as a classical or move to the next higher tension, which is probably some heritage-designed steel string guitars that run a little less than 100 lb. and, if that's not good enough, i can look at silk & bronze, if i think it's workable.

so, i'm going to need the following:

- two c-clamps

- a small sanding block

- some title bond wood glue

- some ball end classical strings

unfortunately, i need a nap.

this is a landscape shot of the ottawa river, standing from the confederation alexandra bridge - gatineau is on the right and ottawa is on the left. it took me a minute to be sure about that, but i was able to cross reference it fairly well on google maps:

as she would have taken this picture in early 2004 (i have a set of doubles she gave me), it is probably a more appropriate front cover for the art show demo.

she used to climb that old rickety bridge like it was monkey bars, to try to get up to catch the view. it drove me nuts. that picture was probably taken climbed up the middle of the bridge a good ways...

this was taken in the lower mainland of bc, somewhere up the strip between osoyoos and penticton. i want to say penticton...

we were fighting over something (i don't remember what), and it started just pouring, so we had to stop and immediately seek shelter. we met working as employees in a coffee shop, so we had this kind of weird instinct to cooperate in strangely effective ways, and that just completely overpowered. when the downpour had subsided, this just absolutely vivid and surreal double rainbow popped into the atmosphere in front of us - and it was so close that it felt like you could reach out and touch it (although, of course, you could not). she's kind of a primitive, pagan irish girl at heart; that meant something to her that i can only analyze metaphorically, in terms of rebirths and new beginnings. 

the picture only captures the moment vaguely. if this was done right, it would be dripping with paint, like something out of what dreams may come, or perhaps pleasantville. but, it's a nice shot, nonetheless.

i wish i had something better and am going to ask her a second time...

i couldn't sleep this morning because it was so dry and dusty (and smoky) in here that my body just wouldn't let me go. i can't sleep in dry, dirty air like that - i need clean and most.

tonight, i need to determine what i'm doing with that neck...

but, i took the opportunity to sort through some period 3 era pictures when i woke up. that cover art with the statue of liberty is sort of neat, but it's not permanent. i sent sarah a text asking her to contribute, but she hasn't responded. she responds sometimes...and, it's always clear that she sees me as an ex-boyfriend, rather than as a friend. that wasn't always true, but you can only bring a horse to water.

anyways, i found a few shots for use with cover art.

i've tried to avoid posting pictures of sarah, but at this point it doesn't matter anymore, and i don't really know how to post this and manage to remove her from it - it seems impossible.

you probably wouldn't be able to recognize her today from 20 year old photos, and that's really been my main concern in not posting them.

so, this is a picture taken right before we left for bc. this was a total ambush - i had no idea it was coming. her intent (as explained by her), was to catch me hunched over and kiss me on the lips. so, the photo was intended to be of me leaned over the guitar, and her leaned over me; as she was kissing me, i was kissing my guitar. a love triangle, of sorts. it was a reflection of her insecurity around where my affections truly lay, as she frequently accused me of expressing and investing more passion and emotion into the guitar. why can't i play her like i play that guitar? well...she wouldn't stay in tune, to begin with....

but, i sat up when she embraced me (i had no idea what she was doing...) and sort of ruined the shot.

i think this is a good back cover for the acoustic project and am going to file it away for that purpose: