now that the song is done, i'm going to take a quick break to finish reading leviathan and then start the process of shifting off facebook to my own site, over here:
http://dghjdfsghkrdghdgja.appspot.com/
i'll be using the network to check show listings, but i won't be posting here further. one of the things i'll want to do, shifting over, is set up various rss feeds.
the reason i'm shifting off is that i don't like facebook's decision to push the ui down from above. i want control over how my site looks. i want the ads removed. i'm sorry they don't agree with that.
but, there's lots of good reasons to get the data off facebook, too.
the best way to reach me is by email. if you don't have my email, i probably don't want you to have it. if you think i do want you to have it, msg me to find out if your intuition is correct.
i have several pages up, so it's going to take some time to transfer things. i'll be following a scorched-earth policy: delete everything as i transfer it to my own site. if there's something here you want saved, now's the time to save it.
what will remain will be a collection of rss dumps, because so long as people continue to use facebook it's kind of necessary to have something.
i think the long run solution has to be some kind of feed aggregator that works at the rss level. i think people are going to end up reading their twitter and facebook and youtube feeds all at the same time. it's probably actually a "woah. you can do that?" type thing. i'd guess almost everybody would switch to it if they knew it was possible. the idea was catching on for people merging msn, icq and etc right before facebook took over.
an interface that could cross-link the comments systems would be really ideal, especially if it could run standalone. and, it could conceivably kill a few sites off that don't want to play by the rules (facebook being the worst).
so, i also want greater control over the serving mechanism. right now, it sounds a little crazy, but wait for it.
i'm actually surprised that what i'm looking for doesn't exist in any kind of stable form. the idea has certainly been experimented with, but it's all for profit companies that fall apart when they realize there's no money in it. further development seems to be geared towards ipad type apps (which i'm never going to go for) and smart phones, which i'll never really get used to. i want a desktop product. fuck the trends...
i only use a handful of social media sites. if i were to build it myself, it would be very basic and never updated. but i'd be happy to throw the software out, open source, for further development.
one thing at a time. i don't even know how to get appspot to send out rss yet.
specifically: i don't want a ticker on a website, or multiple feeds on one page. just a simple, aggregated feed that i can interact with - and preferably through a standalone program that blocks ads and scripts.
it's the most basic, least visual, low return thing you could imagine.
and something like it is going to define how this shit works five years from now.
Saturday, June 7, 2014
uploading stuck in the middle of an alley closing in on all sides to youtube
and, it's up at youtube, too.
i was considering doing a screenshot capture of me running through the 83 cubase tracks that come together in this track and slowly collapsing the tree into an organized collection of ten group tracks to the main out because i thought it would be sort of epic to run through that level of complexity, but i decided in the end that it would just be an ad for the software.
https://www.youtube.com/watch?v=t9cIRP7ml5c
i was considering doing a screenshot capture of me running through the 83 cubase tracks that come together in this track and slowly collapsing the tree into an organized collection of ten group tracks to the main out because i thought it would be sort of epic to run through that level of complexity, but i decided in the end that it would just be an ad for the software.
https://www.youtube.com/watch?v=t9cIRP7ml5c
note that that is in addition to the compilation of midi/vst tracks,
which should otherwise have a similar tracklisting to the jjjjjjjjjjjjj
record.
http://jasonparent.bandcamp.com/album/thru
http://jasonparent.bandcamp.com/album/thru
stuck in the middle of an alley closing in on all sides (final album mix)
this completed live version will also front the 2001 "serious period" album. i was filing the serious shit under jjjjjjjjj (there's nine there) at the time. it's a sort of tongue-in-cheek self parody at the idea of writing serious music. 'cause if i was ever going to commission a piece, i'd have to get rid of surnames and superfluous syllables and just shorten it to the basic "j", just to get the point across about rejecting anything formal. i was tripping out into some rather silly number theory...
anyways, that's the opening track. the second will be some fun to try and put together, but the others should be done fairly quick now that i have some hardware/software that can deal with it.
written late 2000 & early 2001. minor instrumentation changes to facilitate a small wind section were implemented in late april, 2014. live guitars were layered into the final version over may 2014. completed on june 6, 2014.
anyways, that's the opening track. the second will be some fun to try and put together, but the others should be done fairly quick now that i have some hardware/software that can deal with it.
written late 2000 & early 2001. minor instrumentation changes to facilitate a small wind section were implemented in late april, 2014. live guitars were layered into the final version over may 2014. completed on june 6, 2014.
stuck in the middle of an alley closing in on all sides (final single mix)
this is the final mix, without as many lead parts as i was thinking at one point, and without the vocals i considered adding, but with more than enough atmospheric additions to make the live recording worthwhile. it will end up opening the ep of remixes of this track that i posted to jan 10, 2001 and also end up opening the front of this compilation of material written over 2001, which will be the main album of the period.
i had some bad luck recording this. hopefully, the other stuff gets out a little faster.
written late 2000 & early 2001. minor instrumentation changes to facilitate a small wind section were implemented in late april, 2014. live guitars were layered into the final version over may 2014. completed on june 6, 2014.
i had some bad luck recording this. hopefully, the other stuff gets out a little faster.
written late 2000 & early 2001. minor instrumentation changes to facilitate a small wind section were implemented in late april, 2014. live guitars were layered into the final version over may 2014. completed on june 6, 2014.
publishing stuck in the middle of an alley closing in on all sides (inri043)
this is one of the tracks that i can't date well. i do, however, remember working on it during the winter, which means it must have been late '00 or early '01. i'm going to consequently deduce that it must have been what i was working on over the 2000 christmas break and date it coming out right after it.
actually, i have another reason to date it in early '01 rather than late '00: the introductory piano part was recorded live into my notation program on my dx100, which i was given over christmas (maybe a little before; it was a cheap garage sale pickup) to act as a controller for my recently broken jx-8p, that i had tried to take apart over the summer to clean a sticky key (a common problem with mid-80s roland analog synths) but failed and left keyless. it's still keyless. yet, the dx still drives it....
that introductory piano part formed the basis of the track, which built itself up fairly quickly. somewhere, i lost the nwc file by saving it as midi, which ruined all the formatting. it's been sitting on my drive ever since.
why put together seven different midi versions of the same track, and sequence them after a polished recorded version? well, this was never actually meant to be computer music. i was just composing something the old fashioned way with the intent of later giving it to some musicians to play. that never happened. what did happen was that i found myself playing it back on multiple sound cards over many years, trying to make it sound as good as possible in the short run - until i could finally get the chance to sit down and actually record it. while each of the different renders has it's strong and weak points, i ultimately don't feel that they form a total order. something i thought about doing was recording tracks independently on different cards and then pasting them together, but that would have just created another dozen incomparable mixes. rather than arbitrarily pick one, i decided to just upload all of them.
in hindsight, i think the format is interesting in itself in terms of it being a psychological experiment with sound. the differences from track to track are sometimes inaudible and sometimes extremely noticeable. stringing it all together in a row like this is challenging to any listener in the sense that it rips apart the process of becoming familiar with a piece. it means listening to exactly the same song through multiple different sound libraries. i think your brain would have to interpret that as a sort of a trip, especially when it comes to trying to build associations in sound within tracks that are both similar and different sounding, soundcard wise. i think that might be part of the reason i had so much difficulty isolating tracks in the first place.
so, listening to the ep through all the way is likely to be a bit disorienting and might ultimately be a strange experience. however, if you like the track for what it is as a collection of overlapping sequences of notes then i hope you get something out of the process of comparing and contrasting the renders together.
i have included the original midi file as a bonus item in the download, if you want to play with it on your own. the added guitar sections in the final version are recent additions and have not been written out.
written late 2000 & early 2001. the renders present here are all from the early months of 2014. minor instrumentation changes to facilitate a small wind section were implemented in late april, 2014. live guitars were layered into the final version over may 2014. as always, please use headphones.
credits:
j - electric piano, programming, electric guitar, acoustic guitar, vocals, vocoders, digital effects & treatments, digital wave editing, composition.
the rendered electronic orchestras variously include piano, bass, synth bass, distorted electric guitar, clean electric guitar, steel string acoustic guitar, nylon string classical guitar, sitar, violin, viola, cello, contrabass, french horn, trumpet, trombone, tuba, oboe, english horn, bassoon, synthesizers, clarinet, flute, piccolo, xylophone, glockenspiel, tubular bells, jazz drum kit, hand drums and electronic drum kit.
released january 10, 2001
https://jasonparent.bandcamp.com/album/stuck-in-the-middle-of-an-alley-closing-in-on-all-sides
actually, i have another reason to date it in early '01 rather than late '00: the introductory piano part was recorded live into my notation program on my dx100, which i was given over christmas (maybe a little before; it was a cheap garage sale pickup) to act as a controller for my recently broken jx-8p, that i had tried to take apart over the summer to clean a sticky key (a common problem with mid-80s roland analog synths) but failed and left keyless. it's still keyless. yet, the dx still drives it....
that introductory piano part formed the basis of the track, which built itself up fairly quickly. somewhere, i lost the nwc file by saving it as midi, which ruined all the formatting. it's been sitting on my drive ever since.
why put together seven different midi versions of the same track, and sequence them after a polished recorded version? well, this was never actually meant to be computer music. i was just composing something the old fashioned way with the intent of later giving it to some musicians to play. that never happened. what did happen was that i found myself playing it back on multiple sound cards over many years, trying to make it sound as good as possible in the short run - until i could finally get the chance to sit down and actually record it. while each of the different renders has it's strong and weak points, i ultimately don't feel that they form a total order. something i thought about doing was recording tracks independently on different cards and then pasting them together, but that would have just created another dozen incomparable mixes. rather than arbitrarily pick one, i decided to just upload all of them.
in hindsight, i think the format is interesting in itself in terms of it being a psychological experiment with sound. the differences from track to track are sometimes inaudible and sometimes extremely noticeable. stringing it all together in a row like this is challenging to any listener in the sense that it rips apart the process of becoming familiar with a piece. it means listening to exactly the same song through multiple different sound libraries. i think your brain would have to interpret that as a sort of a trip, especially when it comes to trying to build associations in sound within tracks that are both similar and different sounding, soundcard wise. i think that might be part of the reason i had so much difficulty isolating tracks in the first place.
so, listening to the ep through all the way is likely to be a bit disorienting and might ultimately be a strange experience. however, if you like the track for what it is as a collection of overlapping sequences of notes then i hope you get something out of the process of comparing and contrasting the renders together.
i have included the original midi file as a bonus item in the download, if you want to play with it on your own. the added guitar sections in the final version are recent additions and have not been written out.
written late 2000 & early 2001. the renders present here are all from the early months of 2014. minor instrumentation changes to facilitate a small wind section were implemented in late april, 2014. live guitars were layered into the final version over may 2014. as always, please use headphones.
credits:
j - electric piano, programming, electric guitar, acoustic guitar, vocals, vocoders, digital effects & treatments, digital wave editing, composition.
the rendered electronic orchestras variously include piano, bass, synth bass, distorted electric guitar, clean electric guitar, steel string acoustic guitar, nylon string classical guitar, sitar, violin, viola, cello, contrabass, french horn, trumpet, trombone, tuba, oboe, english horn, bassoon, synthesizers, clarinet, flute, piccolo, xylophone, glockenspiel, tubular bells, jazz drum kit, hand drums and electronic drum kit.
released january 10, 2001
https://jasonparent.bandcamp.com/album/stuck-in-the-middle-of-an-alley-closing-in-on-all-sides
...or do i want vocals after all?
the track wasn't written with any. i didn't have plans to specifically include or exclude, but my work in the period was generally instrumental.
pretty much everything else on this midi music disc is going to be instrumental.
i was just thinking that some vocals would carry the piece, but it came out of humming a part. hence the melodyne thing. that extrapolated itself outwards into an idea about urban decay.
but this is cliched.
....and i don't think i have enough words to carry the length of the track, and the end is striking me as vocally daunting, because i am not a singer and do not generally sing. it's just these big power chords that would need "real singing" if any at all. leaving it empty negates the purpose.
i guess i was thinking of saturating it with guitars, but i'm avoiding that, too.
i'm going to listen to it 100 more times. sporadically, perhaps.
i'm getting the feeling, though, that this is done.
the track wasn't written with any. i didn't have plans to specifically include or exclude, but my work in the period was generally instrumental.
pretty much everything else on this midi music disc is going to be instrumental.
i was just thinking that some vocals would carry the piece, but it came out of humming a part. hence the melodyne thing. that extrapolated itself outwards into an idea about urban decay.
but this is cliched.
....and i don't think i have enough words to carry the length of the track, and the end is striking me as vocally daunting, because i am not a singer and do not generally sing. it's just these big power chords that would need "real singing" if any at all. leaving it empty negates the purpose.
i guess i was thinking of saturating it with guitars, but i'm avoiding that, too.
i'm going to listen to it 100 more times. sporadically, perhaps.
i'm getting the feeling, though, that this is done.
lyrics for stuck in the middle of an alley closing in on all sides
whisper:
claus
ter
phob
bic
lies (life) (1/5) - delay/decay - switching pan
centre - descending - vocals
to run and to hide and to
in a ball on the floor
descending countermelody:
how to be alive,
when it's all collapsing on all sides
WATCH IT FALL NOW
(HORNS KICK IN)
(background:
the falling debris feels like fear/love/pain/hope)
claus
ter
phob
bic
lies (life) (1/5) - delay/decay - switching pan
centre - descending - vocals
to run and to hide and to
in a ball on the floor
descending countermelody:
how to be alive,
when it's all collapsing on all sides
WATCH IT FALL NOW
(HORNS KICK IN)
(background:
the falling debris feels like fear/love/pain/hope)
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