https://jasonparent.bandcamp.com/album/nope-2
https://jasonparent.bandcamp.com/album/on-sexual-confusion-in-adolescence-2
https://jasonparent.bandcamp.com/album/inri-3
https://jasonparent.bandcamp.com/album/i-did-your-mom-2
Wednesday, January 6, 2016
06-01-2016: reconsidering my first record
tracks worked on in this vlog:
https://jasonparent.bandcamp.com/album/nope-2
https://jasonparent.bandcamp.com/album/on-sexual-confusion-in-adolescence-2
https://jasonparent.bandcamp.com/album/inri-3
https://jasonparent.bandcamp.com/album/i-did-your-mom-2
https://jasonparent.bandcamp.com/album/nope-2
https://jasonparent.bandcamp.com/album/on-sexual-confusion-in-adolescence-2
https://jasonparent.bandcamp.com/album/inri-3
https://jasonparent.bandcamp.com/album/i-did-your-mom-2
prematurely publishing on sexual confusion in adolescence (inri013)
this one dates to june 6, 1998. the files were completed on june 4, 1998 but i no doubt did not sequence the record until later. this date is actually very consciously chosen to position it after a 20-minute sample collage i completed on june 5, 1998. that will allow me to renumber this piece as my first symphony without strange ambiguity.
the truth is that it is neither clear when i finished the sample collage nor when i completed sequencing this recording.
what this is is the first six tracks from the first record, as the first record will appear shortly. there was intent from the start to combine the tracks that were about transgressive sexual thoughts: rape, necrophilia and self-mutilation. the phantom cover was actually topical. it was all entirely fictional, of course. and, all the vocal content has been stripped out - for now, at least. i may work it back in for this release and flip side it...
the point is that this was conceived of as a song suite when i was making it back in 1998. i've long considered it a sort of proto-symphony, but the recording was just too terrible to allow into my symphonic series. that's been fixed...
...and it is therefore the new symphony one.
tracks one and three were remastered from the cd tracks. tracks two, four and six were rebuilt from source. tracks five and six feature substantial updates to the core of the tracks.
https://jasonparent.bandcamp.com/album/on-sexual-confusion-in-adolescence-2
the truth is that it is neither clear when i finished the sample collage nor when i completed sequencing this recording.
what this is is the first six tracks from the first record, as the first record will appear shortly. there was intent from the start to combine the tracks that were about transgressive sexual thoughts: rape, necrophilia and self-mutilation. the phantom cover was actually topical. it was all entirely fictional, of course. and, all the vocal content has been stripped out - for now, at least. i may work it back in for this release and flip side it...
the point is that this was conceived of as a song suite when i was making it back in 1998. i've long considered it a sort of proto-symphony, but the recording was just too terrible to allow into my symphonic series. that's been fixed...
...and it is therefore the new symphony one.
tracks one and three were remastered from the cd tracks. tracks two, four and six were rebuilt from source. tracks five and six feature substantial updates to the core of the tracks.
https://jasonparent.bandcamp.com/album/on-sexual-confusion-in-adolescence-2
publishing nope (inri011)
so, i''ve uploaded the last single from the first record. this is the new inri009.
this is the second and last vocal track from the period that really had any actual meaning to me on a personal basis - rather than as a political commentary, or from the psychological perspective of a character or even just randomly thrown together nonsense. in fact, it's the only real reason i'm putting this single up. that's different than any of the others.
this is also going to be the only single that didn't have an earlier demo version. i actually wrote this one in 1998. as such, it's actually one of the last conventional "songs" that i ever wrote.
the logic here is sort of complex. i was initially content to leave the vocal version on the record. but, now that the record is purely instrumental, i want a vocal version available - therefore a single must exist. but, i'm also toying with the idea of splicing some vocal parts up and releasing them on a separate ep. i wouldn't have previously wanted to do that, because the vocal versions were on the record...
if this happens, it will be at the absolute end of the sequence, so i'm not thinking about it right now. the single will continue to exist, regardless.
==
it's often remarked that there's a fine line between genius and idiocy. it's less often remarked that there's an equally fine line between wisdom and depression.
in early 1998, i was generating quite a bit of concern about my mental well being. ironically, i think this actually coincided with a period of very rapid mental development and maturation. i kind of just went to sleep one night as an immature teen and woke up the next morning as an overmature young adult. i can't really assign any kind of catalyst to it, either. while i haven't looked into this at all, i suspect it's a less uncommon phenomenon than might be imagined.
i should maybe give my parents, which at this point in time means my father and step-mother but primarily my father, a little bit of credit for at least being aware that my character underwent a fast and drastic shift from being kind of hyperactive and full of snarky wit to being quiet and sort of withdrawn. the immediate interpretation of such a shift is inevitably going to be that it is at least consistent with the onset of some kind of depression. so, i ended up dealing with the spanish inquisition for a while, regarding my shift in demeanour. was i alright? if i wasn't, would i tell him? would i agree to talk to somebody?
i did agree to talk to somebody, mostly to ease his own concerns. i mean, i just didn't see the need for him to be worrying about me like this.
the reality of the situation was that i had simply matured a little bit. sure: there were some real life concerns happening around me. life at 17 is not childhood any longer; it can be stressful. maybe that had affected me a little bit. but, depression? i didn't feel that i was suffering from anything. i just felt that my personality was asserting itself as something that was kind of stoic. i don't want to call myself a sociopath, exactly: stoicism gets the point across better. what's the point of getting irritable? what does it solve?
the doctor keyed in on some of the music i was listening to. now, it's the late 90s: right after grunge. people are still reeling from, like, kurt cobain copycat suicides. i was in a bit of a different musical head space than that, one defined mostly by nine inch nails (and including influences on nin and offshoots from it). that's actually considerably worse, on first glance, although i was aware of the fact that reznor was writing from the perspective of a character rather than from personal experience. the point is that i understood where the concern was coming from and was able to effectively articulate that point to the doctor. we agreed that i didn't necessarily need to be put on anti-depressants right away, but that i should accept a prescription and fill it at some point if i get overwhelmed.
so, i came home with a prescription and immediately hit the internet to research it. i didn't like what i found. i had explicitly told the doctor that i was experiencing a lack of emotional instability, not an excess of it. so, i didn't need to turn my emotions off; if anything, i would have benefited more from something that amplified my emotions more. the idea that i was depressed was just a misperception. nonetheless, the mere *idea* of taking drugs that would suppress my emotions and may have long term or permanent effects scared the hell out of me. the xfiles sample that appears on the original mix was something that i had put aside for future pro-atheist use but, after doing this research, became very relevant in a completely different context.
so, i wasn't keen on taking these drugs that were going to at best turn me into a zombie and at worst turn me into a mass murderer. nope. no thanks...
my dad pushed the point for quite a while, though. in his mind, i came home with a prescription and ought to fill it. this song is a reaction to his insistence, which i always knew was coming from a good place. in fact, he never really dropped the argument.
the doctor and i also talked a little bit about my own music, and how it was an outlet for various frustrations. i made the argument that, while i didn't feel depressed, i was nonetheless better off working out issues of the sort through art than i was taking pills. so, this song also exists on that kind of meta level.
in hindsight, i don't want to give off the impression that i reject psychology or the medicalization of depression. that is simply untrue. the honest truth is that i simply did not feel that i was suffering from any kind of depression. yet, i've also always been very uncomfortable with the way that this process unfolded. we talked for less than an hour, and i walked out with a prescription for a mind-altering substance that could have dramatically damaged me. why is there not more oversight in this process? one would think that i should have been given a blood test to determine if i actually had an imbalance or not. no doctor can determine an imbalance through intuition. that is flat out quackery! an imbalance must be measured. if it can be determined empirically, it ought to be reacted to. yet, i was never even tested.
as an artist, i'm glad that i had the presence of mind to reject the drugs at this age. i simply don't know what they would have done to me, or who i would be today had i taken them.
originally created in april, 1998. a failed rescue was attempted in 2013. reclaimed july 4, 2015. remixed july 15, 2015. vocals added jan 6, 2016. released on jan 6, 2016. as always, please use headphones.
credits:
j - guitars, effects, synth bass, synths, drum programming, sequencing, vocals, sampling, digital wave editing, production
released april 29, 1998
https://jasonparent.bandcamp.com/album/nope-2
1) there was a vocal version created in the summer of 2015, but this version was reconstructed in jan, 2016 to mathematically align properly with the instrumental/album version. i don't have the original date of render, but it was probably july 15, 2015. originally created in april, 1998. a failed rescue was attempted in 2013. reclaimed july 4, 2015. remixed july 15, 2015. vocals added jan 6, 2016.
https://jasonparent.bandcamp.com/track/nope-3
2) the album mix is the same as the version that was constructed from original 1998 source tape over the summer of 2015. originally created in april, 1998. a failed rescue was attempted in 2013. reclaimed july 4, 2015.
https://jasonparent.bandcamp.com/track/nope-album-version
3) the electronics only mix really just removes the guitars (and vocals). originally created in april, 1998. a failed rescue was attempted in 2013. reclaimed july 4, 2015. remixed july 15, 2015.
https://jasonparent.bandcamp.com/track/nope-electronics-only
4) deleted 2013 remaster. the dialogue is from the x-files. originally created in april, 1998. a failed rescue was attempted in 2013. dec 21, 2013.
https://jasonparent.bandcamp.com/track/nope-2013-remaster-of-1998-cd-mix
5) deleted 1998 original, unsequenced mix from a 112 kbps mp3. the dialogue is from the x-files. originally created in april, 1998. april 29, 1998
https://jasonparent.bandcamp.com/track/nope-1998-archived-112-kbps-mp3
this is the second and last vocal track from the period that really had any actual meaning to me on a personal basis - rather than as a political commentary, or from the psychological perspective of a character or even just randomly thrown together nonsense. in fact, it's the only real reason i'm putting this single up. that's different than any of the others.
this is also going to be the only single that didn't have an earlier demo version. i actually wrote this one in 1998. as such, it's actually one of the last conventional "songs" that i ever wrote.
the logic here is sort of complex. i was initially content to leave the vocal version on the record. but, now that the record is purely instrumental, i want a vocal version available - therefore a single must exist. but, i'm also toying with the idea of splicing some vocal parts up and releasing them on a separate ep. i wouldn't have previously wanted to do that, because the vocal versions were on the record...
if this happens, it will be at the absolute end of the sequence, so i'm not thinking about it right now. the single will continue to exist, regardless.
==
it's often remarked that there's a fine line between genius and idiocy. it's less often remarked that there's an equally fine line between wisdom and depression.
in early 1998, i was generating quite a bit of concern about my mental well being. ironically, i think this actually coincided with a period of very rapid mental development and maturation. i kind of just went to sleep one night as an immature teen and woke up the next morning as an overmature young adult. i can't really assign any kind of catalyst to it, either. while i haven't looked into this at all, i suspect it's a less uncommon phenomenon than might be imagined.
i should maybe give my parents, which at this point in time means my father and step-mother but primarily my father, a little bit of credit for at least being aware that my character underwent a fast and drastic shift from being kind of hyperactive and full of snarky wit to being quiet and sort of withdrawn. the immediate interpretation of such a shift is inevitably going to be that it is at least consistent with the onset of some kind of depression. so, i ended up dealing with the spanish inquisition for a while, regarding my shift in demeanour. was i alright? if i wasn't, would i tell him? would i agree to talk to somebody?
i did agree to talk to somebody, mostly to ease his own concerns. i mean, i just didn't see the need for him to be worrying about me like this.
the reality of the situation was that i had simply matured a little bit. sure: there were some real life concerns happening around me. life at 17 is not childhood any longer; it can be stressful. maybe that had affected me a little bit. but, depression? i didn't feel that i was suffering from anything. i just felt that my personality was asserting itself as something that was kind of stoic. i don't want to call myself a sociopath, exactly: stoicism gets the point across better. what's the point of getting irritable? what does it solve?
the doctor keyed in on some of the music i was listening to. now, it's the late 90s: right after grunge. people are still reeling from, like, kurt cobain copycat suicides. i was in a bit of a different musical head space than that, one defined mostly by nine inch nails (and including influences on nin and offshoots from it). that's actually considerably worse, on first glance, although i was aware of the fact that reznor was writing from the perspective of a character rather than from personal experience. the point is that i understood where the concern was coming from and was able to effectively articulate that point to the doctor. we agreed that i didn't necessarily need to be put on anti-depressants right away, but that i should accept a prescription and fill it at some point if i get overwhelmed.
so, i came home with a prescription and immediately hit the internet to research it. i didn't like what i found. i had explicitly told the doctor that i was experiencing a lack of emotional instability, not an excess of it. so, i didn't need to turn my emotions off; if anything, i would have benefited more from something that amplified my emotions more. the idea that i was depressed was just a misperception. nonetheless, the mere *idea* of taking drugs that would suppress my emotions and may have long term or permanent effects scared the hell out of me. the xfiles sample that appears on the original mix was something that i had put aside for future pro-atheist use but, after doing this research, became very relevant in a completely different context.
so, i wasn't keen on taking these drugs that were going to at best turn me into a zombie and at worst turn me into a mass murderer. nope. no thanks...
my dad pushed the point for quite a while, though. in his mind, i came home with a prescription and ought to fill it. this song is a reaction to his insistence, which i always knew was coming from a good place. in fact, he never really dropped the argument.
the doctor and i also talked a little bit about my own music, and how it was an outlet for various frustrations. i made the argument that, while i didn't feel depressed, i was nonetheless better off working out issues of the sort through art than i was taking pills. so, this song also exists on that kind of meta level.
in hindsight, i don't want to give off the impression that i reject psychology or the medicalization of depression. that is simply untrue. the honest truth is that i simply did not feel that i was suffering from any kind of depression. yet, i've also always been very uncomfortable with the way that this process unfolded. we talked for less than an hour, and i walked out with a prescription for a mind-altering substance that could have dramatically damaged me. why is there not more oversight in this process? one would think that i should have been given a blood test to determine if i actually had an imbalance or not. no doctor can determine an imbalance through intuition. that is flat out quackery! an imbalance must be measured. if it can be determined empirically, it ought to be reacted to. yet, i was never even tested.
as an artist, i'm glad that i had the presence of mind to reject the drugs at this age. i simply don't know what they would have done to me, or who i would be today had i taken them.
originally created in april, 1998. a failed rescue was attempted in 2013. reclaimed july 4, 2015. remixed july 15, 2015. vocals added jan 6, 2016. released on jan 6, 2016. as always, please use headphones.
credits:
j - guitars, effects, synth bass, synths, drum programming, sequencing, vocals, sampling, digital wave editing, production
released april 29, 1998
https://jasonparent.bandcamp.com/album/nope-2
1) there was a vocal version created in the summer of 2015, but this version was reconstructed in jan, 2016 to mathematically align properly with the instrumental/album version. i don't have the original date of render, but it was probably july 15, 2015. originally created in april, 1998. a failed rescue was attempted in 2013. reclaimed july 4, 2015. remixed july 15, 2015. vocals added jan 6, 2016.
https://jasonparent.bandcamp.com/track/nope-3
2) the album mix is the same as the version that was constructed from original 1998 source tape over the summer of 2015. originally created in april, 1998. a failed rescue was attempted in 2013. reclaimed july 4, 2015.
https://jasonparent.bandcamp.com/track/nope-album-version
3) the electronics only mix really just removes the guitars (and vocals). originally created in april, 1998. a failed rescue was attempted in 2013. reclaimed july 4, 2015. remixed july 15, 2015.
https://jasonparent.bandcamp.com/track/nope-electronics-only
4) deleted 2013 remaster. the dialogue is from the x-files. originally created in april, 1998. a failed rescue was attempted in 2013. dec 21, 2013.
https://jasonparent.bandcamp.com/track/nope-2013-remaster-of-1998-cd-mix
5) deleted 1998 original, unsequenced mix from a 112 kbps mp3. the dialogue is from the x-files. originally created in april, 1998. april 29, 1998
https://jasonparent.bandcamp.com/track/nope-1998-archived-112-kbps-mp3
i just listened to an instrumental reconstruction of my first record and i damned near started crying. i can now add this to my list of brilliant left-field electronic records - i didn't think i'd ever get to say that. i thought these tracks were beyond being salvaged..
i'm going to wait until i get the full sequence done before i upload anything else, because this is going to turn that section of the discography on it's head and i just want to wait until the tracklistings are all final.
all the singles i uploaded are final, it's the next year or so worth of recordings that are going to get played with quite a bit.
i'm going to wait until i get the full sequence done before i upload anything else, because this is going to turn that section of the discography on it's head and i just want to wait until the tracklistings are all final.
all the singles i uploaded are final, it's the next year or so worth of recordings that are going to get played with quite a bit.
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