Wednesday, February 14, 2018

"but she didn't say anything about the millennials' music".

well, i'm not a millennial.

sorry.

as though every other critic didn't focus on millennial music, right?

i don't care how old an artist is. if it's good, it's good. but, if it's bad, it's bad - and i'm not going to follow trends or kowtow to the market to fit in or be 'cool'. i'm an adult, and i'm broadly going to be disinterested in music that is being mass marketed to children.

the new dmst disc is my record of the year

in fact, the only new record i spent any substantive amount of time with in 2017 was the new do make say think record and, by default, it consequently wins record of the year.

and, it's a strong record - it's going to deserve somewhere in the low 90s, out of 100. it deserves mention, at least.

if there were stronger records released last year, i'm not the person to look to for elucidation, at this point. broadly speaking, i need to dig hard to find what i want; i'm not going to find much of value in these year end lists, and, for me, 2017 was a 'me' year, where i focused mostly on my own music, while restricting my exploration to acts i already had a high confidence in. i don't expect to spend much time digging over 2018, either. rather, i'll probably end up cycling back over 2019 or 2020.

when i get to the process of digging, you will no doubt be surprised by what i pull out - and much of it will be obscure or forgotten.

i've added a few new acts to my core list over the last few years, and they've mostly run the course, at this point. cloud nothings & la dispute are done. annie clark has gone full junkie retard. i'm going to give touche amore one more, at most - but they're going to sell out, not break up. but, in truth, i wasn't even really keeping up with that, and that's something i'm going to be doing as i finish what i'm doing over the next few weeks.