no.
screw it.
this is a 4xcd set, and that's all there is to it.
Friday, November 3, 2017
and, inri058 is done, too, but it's been created with a unique problem - there's now four full records worth of material attached to it. it's five hours. how's that for crazy, right?
i wasn't expecting bandcamp to even let me do this, but i'm going to be offering it in two and four disc options. the four disc option will be $28 - it's four ep singles. the two disc option would be a double hybrid double ep single and run for $20. the difference would be that the four disc option would give you everything on cd, whereas the two disc option would give you half on cd and the other half as a download only. i have other double hybrid ep singles attached to symphonies 1 & 2 as precedent.
i'm aware that this is nuts. but, i had download only tracks to start with - it was two full discs, plus 35 extra minutes of download only. i've extended the ambient mix and added an ry30 mix, which is another ten minutes. but, it's then an aesthetic problem to have that much as a pure download. one track on each side, and you can let it slide. 45 minutes over three tracks, and there's already a third disc.
then, i'm stuck with a three piece record again, and i don't like these.
it was easy to fill up another disc: 50 minutes of 2002 mixes (these are worthwhile, in truth), 25 more for the 2009 youtube mix (which i felt was overlooked to begin with) and nineteen more for a final drone mix. that;s four discs, full: 77, 75, 75, 79. it's just under five hours...
the way this will work is that the 2xcd version will be the version that's been up since late 2014, plus added downloads between the tracks.
it will make more sense when i show you.
i wasn't expecting bandcamp to even let me do this, but i'm going to be offering it in two and four disc options. the four disc option will be $28 - it's four ep singles. the two disc option would be a double hybrid double ep single and run for $20. the difference would be that the four disc option would give you everything on cd, whereas the two disc option would give you half on cd and the other half as a download only. i have other double hybrid ep singles attached to symphonies 1 & 2 as precedent.
i'm aware that this is nuts. but, i had download only tracks to start with - it was two full discs, plus 35 extra minutes of download only. i've extended the ambient mix and added an ry30 mix, which is another ten minutes. but, it's then an aesthetic problem to have that much as a pure download. one track on each side, and you can let it slide. 45 minutes over three tracks, and there's already a third disc.
then, i'm stuck with a three piece record again, and i don't like these.
it was easy to fill up another disc: 50 minutes of 2002 mixes (these are worthwhile, in truth), 25 more for the 2009 youtube mix (which i felt was overlooked to begin with) and nineteen more for a final drone mix. that;s four discs, full: 77, 75, 75, 79. it's just under five hours...
the way this will work is that the 2xcd version will be the version that's been up since late 2014, plus added downloads between the tracks.
it will make more sense when i show you.
this is
the sum total of the completed rabit is wolf studio experiments, which
wound through a number of paths on their way to the project's eventual
collapse. while there would be further acoustic demos recorded with
sean, i ultimately decided to abandon their folky underpinnings and
finish all further tracks as electronic, instrumental recordings. a tour
ep of the final recordings exists as inri059.
the recording was initially sequenced as a demo in mid may, 2002 but i foolishly deleted the files (i was running low on hard drive space) only to find out that the burn was corrupt and that the result was skipping. i did eventually recompile an ep of material, but it was in a different order and made no attempt to mix the tracks together. in reconstructing the demo, i've decided to recreate the original sequencing. the only difference between this collection and the initial collection is that the last track now includes sean's vocals, whereas it was initially an (eventually rendered incomplete) instrumental recording.
i need to be clear that the decision in sequencing the material this way is unilateral on my behalf. during this period, sean had made it clear that he was not satisfied with the more experimental and electronic tendencies underlying some of the tracks; specifically, he wasn't happy with the first or last tracks on this disc, as he felt they did not represent his vision for the project. on the other hand, i was less interested in purely acoustic music and more interested in electronic music. i was envisioning the project as having a split personality between an acoustic live presentation and an electronic studio presentation. sean argued this would be disorienting; it's less that i disagreed with him and more that i thought that was a good idea. this divergence in vision is one of the factors leading to the project's dissolution.
while i feel this recording stands up on it's own, i've also taken the time over the second half of 2014 to reclaim some of the tracks as my own instrumental works. only tracks two and four exist uniquely as rabit is wolf collaborations; the other four tracks have been resequenced as completed instrumentals in my main recording sequence. please open the track pages for more information.
written and recorded in late 2001 and early 2002. initially sequenced in may, 2002. released in slightly different forms from 2002-2014. resequenced to mimic the original sequencing on november 8, 2014. except to sequence the record, these files have not been altered since 2002. disc finalized as lp013 on nov 3, 2017. as always, please use headphones.
this release also includes a printable jewel case insert and will also eventually include a comprehensive package of journal entries from all phases of production (2002, 2014, 2017).
the recording was initially sequenced as a demo in mid may, 2002 but i foolishly deleted the files (i was running low on hard drive space) only to find out that the burn was corrupt and that the result was skipping. i did eventually recompile an ep of material, but it was in a different order and made no attempt to mix the tracks together. in reconstructing the demo, i've decided to recreate the original sequencing. the only difference between this collection and the initial collection is that the last track now includes sean's vocals, whereas it was initially an (eventually rendered incomplete) instrumental recording.
i need to be clear that the decision in sequencing the material this way is unilateral on my behalf. during this period, sean had made it clear that he was not satisfied with the more experimental and electronic tendencies underlying some of the tracks; specifically, he wasn't happy with the first or last tracks on this disc, as he felt they did not represent his vision for the project. on the other hand, i was less interested in purely acoustic music and more interested in electronic music. i was envisioning the project as having a split personality between an acoustic live presentation and an electronic studio presentation. sean argued this would be disorienting; it's less that i disagreed with him and more that i thought that was a good idea. this divergence in vision is one of the factors leading to the project's dissolution.
while i feel this recording stands up on it's own, i've also taken the time over the second half of 2014 to reclaim some of the tracks as my own instrumental works. only tracks two and four exist uniquely as rabit is wolf collaborations; the other four tracks have been resequenced as completed instrumentals in my main recording sequence. please open the track pages for more information.
written and recorded in late 2001 and early 2002. initially sequenced in may, 2002. released in slightly different forms from 2002-2014. resequenced to mimic the original sequencing on november 8, 2014. except to sequence the record, these files have not been altered since 2002. disc finalized as lp013 on nov 3, 2017. as always, please use headphones.
this release also includes a printable jewel case insert and will also eventually include a comprehensive package of journal entries from all phases of production (2002, 2014, 2017).
credits
released June 20, 2002
j - guitars (electric, acoustic, classical), effects, bass, synthesizers, digital piano, electric air reed organ, flute, drum programming, drum manipulations, vocal manipulations, loops, sequencing, sampling, digital wave editing, production, cover art.
sean - vocals, lyrics, harmonica (1), ring modulator (6).
greg - drum performance sample source (5,6)
jon - guitar performance (2)
j - guitars (electric, acoustic, classical), effects, bass, synthesizers, digital piano, electric air reed organ, flute, drum programming, drum manipulations, vocal manipulations, loops, sequencing, sampling, digital wave editing, production, cover art.
sean - vocals, lyrics, harmonica (1), ring modulator (6).
greg - drum performance sample source (5,6)
jon - guitar performance (2)
Subscribe to:
Posts (Atom)