obligatory "influential on the featured track" post.

i came at the aphex twin from a different angle. i do wonder if he's ever bothered to listen to a nine inch nails record, all these years later. but, reznor was a hell of a gateway to a fifteen year old in the mid 90s, and the aphex twin wasn't the first thing i delved into - it actually came at me via a roundabout way, through the skinny puppy side project called download, which is what really branched me out into the warp sound. i was initially more attracted to the more chaotic reaches of industrial music - i was a punk. and, as a "rock fan", i largely self-segregated myself from music in the electronic sphere. so, it took several years of easing into it before i could handle listening to "techno music". these mental shackles did of course eventually lift themselves, and i am certainly better off for it.

anybody coming from a multidisciplinary background and claiming rdj as an influence is going to be expected to point mostly to the breakbeats, and there's a few in there, but he was actually just as much of a compositional influence for me, as i moved on. i think we share a big influence from coil in that respect - although he's got about ten years on me. but, the orchestrated soft synths coming from rdj are what really defines him differently, and something i've made various attempts to emulate.

(relevant tracks: on sexual confusion in adolescence, clarity, the time machine, untitled; pretty much everything from 1998 on)

i've pointed out here a few times that my soundcards have been behaving poorly, and that i've isolated it, only to realize i hadn't.

i'm not sure what happened near the end of june, but it seems to have undone things in a way that i wasn't fully aware of. i'm running a very stripped down version of xp on my recording pc that cuts a large amount of the operating system out. in the process of trying to fix the problem, i seem to have put in place problems related to the windows xp sound mixer, which is known to be not very good for audio processing due to the way that it interferes with audio streaming. i think my initial script had broken the kmixer, and i had reinstalled it in an attempt to fix the problem, which created a whole other slew of problems.

i think i've fixed it in a two step process:

1) lock all sample rate conversion in the drivers.
2) delete the streaming drivers (mskssrv, mspclock, mspqm), which seem to be involved in conversion.

my initial script had deleted the streaming drivers, but not locked the sample rate. the result was that if i deleted the streaming drivers, i'd end up with fading because something was moving back and forth in the drivers. but, if i left the drivers in place, i'd get bad results from the windows conversion process.

locking the audio drivers without deleting the streaming drivers resulted in the files playing at the wrong speed, which seems to have been a consequence of an incomplete conversion process. but deleting the streaming drivers with the audio drivers locked in place seems to have resolved the issue.

i'm still testing, but i think i've got it figured out.

in the meantime, the alter-reality has caught up with me, and is now entering the synth-pop phase of my musical career (which was all of 1998 and early 1999). the catalyst was a four-track recorded that i got for christmas at the end of 1997. it's january 8th in the alter-reality; my first completed, uploaded track is dated to january 9th and will be featured tonight at midnight.

the featured tracks will now begin to change more frequently, which means i'll be posting more influences. there will not be any more lengthy pauses in this process for several years.

http://www.youtube.com/watch?v=bJ-_rMcOPD0&t=15m50s

shifting to period 1.2 in the alter-reality

i ended up losing yesterday after all in a haze of election ramblings. it's another six weeks still. but i'm going to do some listening this evening, and think i'll quick lose myself back in it as soon as i'm sure it's actually fixed.

the alter-reality updates tonight at midnight, which is the long awaited movement directly into the synth pop phase. the updates will be more frequent moving forwards, as the lull over late 97 has come to an end.

i made a decision last year to upload pieces from this period in larger segments, so the updates are going to be a little strange, with tracks moving in and out until the period closes a little over a year from now. this video has the first six songs from the first demo, but i'm really drawing attention to fourth track, which starts at 15:50.

http://www.youtube.com/watch?v=bJ-_rMcOPD0