https://jasonparent.bandcamp.com/album/on-sexual-confusion-in-adolescence-2
https://jasonparent.bandcamp.com/album/period-1
Friday, July 29, 2016
28-07-2016: fighting distractions in reasserting the cycle and closing inri013
tracks worked on in this vlog:
https://jasonparent.bandcamp.com/album/on-sexual-confusion-in-adolescence-2
https://jasonparent.bandcamp.com/album/period-1
https://jasonparent.bandcamp.com/album/on-sexual-confusion-in-adolescence-2
https://jasonparent.bandcamp.com/album/period-1
back to schizoid (inri014)
i'm back to this, now, which is the final thing to finish before i can close my first lp.
https://jasonparent.bandcamp.com/album/schizoid-terrorist-2
https://jasonparent.bandcamp.com/album/schizoid-terrorist-2
finalizing on sexual confusion in adolescence (inri013)
audio permanently closed for inri013.
==
this was not initially constructed as a standalone work, but it became one almost the moment that it was constructed. there was always an intent to combine the sexuality themed tracks together at the front of my first record, but the initial idea was something more like frontloading the disc than building a cohesive work. it just happened to build itself up that way, and was truly apparent as such on the very first listen. even the phantom of the opera cover in the middle of the track became topical in a sort of subversive way.
i first broke the piece off into a standalone file in the spring of 2014 as a mirror image to the sequence that ends my second record, which actually *was* consciously written as a single work all the way back in 1996 (and appears that way at the end of the very first demo tape). i thought that if the second record was going to have an epic then the first should as well. as the first six tracks had long been a subset in my mind, this was a natural thing to do. the title of the track was first published as an upload to youtube in mar, 2014 on the deathtokoalas channel, which is now deleted.
i did not initially number these tracks as symphonies due to their incorporation of childish vocals, although i had planned to include them on any symphonic compilation discs, nonetheless. i saw them more as proto-symphonies - or just as beginner epics, where i was finding my feet but ultimately still working out ideas.
it wasn't until i finished reclaiming my 1998 demos from tape at the end of 2015 that i realized that i could resequence my first two records from scratch and republish them as instrumental works. the ability to reclaim these two epics as instrumental works, and consequently as full symphonies, followed as a corollary of this. it was consequently not until january, 2016 that i finally elevated the instrumental reconstruction of this recording to the level of my first official symphony, which is where it will now exist into perpetuity: eternally, finally.
the focus in reconstruction was to erect a final version rather than conform to the original mix, so later versions were prioritized over earlier ones. the first through fourth sections are very similar to the original album mix, whereas the fifth and sixth sections have been replaced with expanded mixes.
once the instrumental version had been constructed for the record, i felt i had lost something by removing the vocals - or at least some of them. in the context of the improved master, i felt an edited vocal take could actually elevate the symphony to a different and surreal level, if presented in the right context. this context could not be on the record, though, which had to be fully instrumental. instead, i decided to place the vocal reconstruction as a standalone single, with the instrumental as a flip side to it.
this is an incredibly dense piece of music that i'm proud to finally place in the serious part of my discography.
written and demoed from 1994-1998. initially constructed in this form in june, 1998. a failed rescue was attempted in 2013. sequenced on jan 6-7, 2016 from parts that were rebuilt over 2014 & 2015. released jan 7, 2016. finalized on july 29, 2016. this is my first symphony; as always, please use headphones.
section one: initially written & recorded in 1997. re-recorded in 1998. a failed rescue was attempted in 2013. remastered from various sources on jan 6, 2016.
section two: initially written in 1994. first full recording in 1996. recreated in mar, 1998. a failed rescue was attempted in 2013. reclaimed on july 18, 2015. sequenced jan 6, 2016. vocals added on jan 7, 2016.
section three: initially written by andrew lloyd webber. recorded in 1998. a failed rescue was attempted in 2013. remastered from various sources on jan 6, 2016.
section four: originally created in jan, 1998. a failed rescue was attempted in 2013. reclaimed on july 5, 2015. expanded & sequenced on jan 6, 2016. vocals added on jan 7, 2016.
section five: written june, 1998. reimagined june, 2001. slightly rearranged and re-rendered at the end of july, 2014. rearranged again at the end of may, 2015. remastered from the 2014 & 2015 sources on jan 6, 2016.
section six: initially written in 1997. recreated in feb, 1998. a failed rescue was attempted in 2013. reclaimed july 5, 2015. remixed july 12, 2015. vocals and electronics added on july 16, 2015. sequenced on jan 6, 2016.
==
this was not initially constructed as a standalone work, but it became one almost the moment that it was constructed. there was always an intent to combine the sexuality themed tracks together at the front of my first record, but the initial idea was something more like frontloading the disc than building a cohesive work. it just happened to build itself up that way, and was truly apparent as such on the very first listen. even the phantom of the opera cover in the middle of the track became topical in a sort of subversive way.
i first broke the piece off into a standalone file in the spring of 2014 as a mirror image to the sequence that ends my second record, which actually *was* consciously written as a single work all the way back in 1996 (and appears that way at the end of the very first demo tape). i thought that if the second record was going to have an epic then the first should as well. as the first six tracks had long been a subset in my mind, this was a natural thing to do. the title of the track was first published as an upload to youtube in mar, 2014 on the deathtokoalas channel, which is now deleted.
i did not initially number these tracks as symphonies due to their incorporation of childish vocals, although i had planned to include them on any symphonic compilation discs, nonetheless. i saw them more as proto-symphonies - or just as beginner epics, where i was finding my feet but ultimately still working out ideas.
it wasn't until i finished reclaiming my 1998 demos from tape at the end of 2015 that i realized that i could resequence my first two records from scratch and republish them as instrumental works. the ability to reclaim these two epics as instrumental works, and consequently as full symphonies, followed as a corollary of this. it was consequently not until january, 2016 that i finally elevated the instrumental reconstruction of this recording to the level of my first official symphony, which is where it will now exist into perpetuity: eternally, finally.
the focus in reconstruction was to erect a final version rather than conform to the original mix, so later versions were prioritized over earlier ones. the first through fourth sections are very similar to the original album mix, whereas the fifth and sixth sections have been replaced with expanded mixes.
once the instrumental version had been constructed for the record, i felt i had lost something by removing the vocals - or at least some of them. in the context of the improved master, i felt an edited vocal take could actually elevate the symphony to a different and surreal level, if presented in the right context. this context could not be on the record, though, which had to be fully instrumental. instead, i decided to place the vocal reconstruction as a standalone single, with the instrumental as a flip side to it.
this is an incredibly dense piece of music that i'm proud to finally place in the serious part of my discography.
written and demoed from 1994-1998. initially constructed in this form in june, 1998. a failed rescue was attempted in 2013. sequenced on jan 6-7, 2016 from parts that were rebuilt over 2014 & 2015. released jan 7, 2016. finalized on july 29, 2016. this is my first symphony; as always, please use headphones.
section one: initially written & recorded in 1997. re-recorded in 1998. a failed rescue was attempted in 2013. remastered from various sources on jan 6, 2016.
section two: initially written in 1994. first full recording in 1996. recreated in mar, 1998. a failed rescue was attempted in 2013. reclaimed on july 18, 2015. sequenced jan 6, 2016. vocals added on jan 7, 2016.
section three: initially written by andrew lloyd webber. recorded in 1998. a failed rescue was attempted in 2013. remastered from various sources on jan 6, 2016.
section four: originally created in jan, 1998. a failed rescue was attempted in 2013. reclaimed on july 5, 2015. expanded & sequenced on jan 6, 2016. vocals added on jan 7, 2016.
section five: written june, 1998. reimagined june, 2001. slightly rearranged and re-rendered at the end of july, 2014. rearranged again at the end of may, 2015. remastered from the 2014 & 2015 sources on jan 6, 2016.
section six: initially written in 1997. recreated in feb, 1998. a failed rescue was attempted in 2013. reclaimed july 5, 2015. remixed july 12, 2015. vocals and electronics added on july 16, 2015. sequenced on jan 6, 2016.
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