Monday, October 9, 2017

publishing inri042

i initially began the process of completing the second period of my discography in the first weeks of 2014, and soon realized that the sequencing decisions i made upon initial release required a revisiting. i had unfortunately placed an original progressive rock song (liquify) on a covers disc, and a fruity techno song (book it) at the end of a noise compilation; it was immediately clear that i needed to remove these tracks from their respective official records, but that unfortunately othered them - both liquify and book it then became stranded outtakes, existing only as non-album singles.

in early 2014, i republished the vocal mix of ignorance is bliss as a standalone single; it had been unpublished since i removed it from deny everything in the summer of 2004. in early 2016, i decided i could reconstruct my first two records from scratch as instrumental electronic works after all, but i would have to remove the 14th track from the second record, too cold, in order to do so. this was also split off as a single, which was completed in the fall of 2017.

upon running through the first two periods of my discography one final time in the fall of 2017, i realized that i had removed enough material from my first four official records to compile an outtakes disc and that this material was even conceptually linked - all four of these tracks were some kind of guitar-driven electro-prog, and three of the four had somewhat embarrassing vocal parts that i wanted to remove from the tracks but was unable to due to having lost the original source material. together, these were the tracks that existed in the transition past inri, and into something else; each of these might have been a post-inri track, but the first three were initially pulled back, only to be removed again and left without records.

i strongly considered making this an official record and releasing it before deny everything in the sequence, but i cannot do this. the fact that i can't remove these vocals make these tracks outtakes, necessarily. as my first two records are now entirely instrumental, and remastered from scratch, these tracks would absolutely need to be properly remastered as instrumental recordings to fit into any kind of album sequence. this can consequently only be an outtakes disc.

the curious george suite has also been added to the compilation because it fits the aesthetic, it is not on an official record and it would have been a part of deny everything if i didn't think i had lost it; in that sense, it was sort of removed. the hidden track is added solely due to aesthetic similarities with the rest of the disc. 

this is an outtakes record of discarded and rejected material recorded over periods 1.3 (1999) & 2.1 (2000) that was all removed from some completed, official recording. it can be thought of as an outtakes disc for my fourth official record, deny everything.

this record was written and recorded over the years 1999 and 2000, but did not take this form until mid september, 2017. the first track list dates to sept 14, 2017. these tracks are all very thoroughly rejected outtakes, but did not become outtakes until the remastering process removed them from their respective recordings. finalized as lp010 on oct 9, 2017.

this release also includes a printable jewel case insert and will also eventually include a comprehensive package of journal entries from all phases of production (1997, 1999, 2000, 2013, 2014, 2016, 2017).
 

credits

released November 12, 2000

j - guitar, effects, bass, synths, piano, flute, loops, drum kit, drum programming, vocals, vocoders, sampling, cool edit synthesis, sequencing, sound design, found sounds, granular synthesis, noise generators, tapes, digital wave editing, digital effects processing, production

the rendered electronic orchestra includes theremin, ukelele & orchestra hit.
this is a project that has been through many incarnations and reversions, which should hopefully stabilize now that the tracks are entirely instrumental and the substantial number of outtakes have been categorized into companion eps. i don't expect to modify this further; as of jan, 2014, the slow, 15 year process of removing samples and reconstructing instrumental sections is now entirely complete.

what's left when the thematic ideas are stripped out is an eccentric and elaborate delve into psychedelic and electronic music that has no clear parallels that the author is aware of.

the record can be sectioned into 4 parts:

- ignorance is bliss [introduction]
- entropy/curious george/gravity's rainbow [program]
- a commercial break [intermission]
- acidosis [finale]

recorded over the space of the year 2000. remixed substantially in 2004, 2006, 2010 and 2014. existing version constructed in jan, 2014. finalized as lp009 on oct 9, 2017. as always, please use headphones.

an audience exists somewhere that will cherish this as the truly unique monstrosity that it is.

credits

released November 11, 2000

j- guitars of all types, bass, programming, drum programming, sequencing, synthesizers, live drums, piano, loops, films, noise generation, organ, ebow, flute, mandolin, treatments, effects, found sounds, sampling, sound design, generative synthesis, granular synthesis, generative percussion, light-sound synthesis, digital wave editing, production, coughs, a broken equalizer, cover art

the star trek sample in 'gravity's rainbow' is from the episode "errand of mercy" (mar 23, 1967).

the rendered electronic orchestra includes theremin, ukelele, orchestra hit, string ensemble, taiko drums, gongs, trumpet & sax. 


this track was taken from the then lost curious george suite (jasonparent.bandcamp.com/track/chimpanzees-cant-dance) and loaded up with samples to raise awareness. the impression i was trying to create was that bush wasn't going to be a president who was particularly concerned with civil liberties because he had stated as much rather clearly. this is still pre-9/11, it was right before the election, and i still had no idea what was coming. i was just conscious of the fact that this is a guy that isn't going to stand up for anybody's rights, have much interest in maintaining the rule of law (international or otherwise) or have much respect for the democratic process.

even listening to it today, a lot of it is really surreal. at the time, i was focusing a bit on the irony. for example, his "people who are going to commit crimes shouldn't have guns" quote is cited in reference to himself - by that logic, he should have overseen an american disarmament. "this guy's not elected, he just took over office" quip was also meant to apply to him. i think it's largely forgotten that the news of a possible attempted coup hit before the 2000 election did. there was a buzz on the internet that the people behind bush (military contractors) weren't going to let him lose. the "court battle" in florida wasn't a completely surprising turn of events. it was gore's disinterest in fighting the legal battle (because it would "destabilize" the country) that hit people by surprise.

i've split this into it's own space because it belongs in it's own space. deny everything (jasonparent.bandcamp.com/album/deny-everything) has been converted into abstract instrumental music; the samples don't belong there. it also seems disingenuous to insert it into the lost suite.

i think i need to be careful in stating that historical hindsight inoculates me in explaining what i hoped was obvious: that this is a thinly veiled call for the assassination of bush before he takes over. a tree fell in a forest here. alas.

recorded in april, 2000. samples added in oct, 2000. album version reverted to original mix in sept, 2006. as always, please use headphones.

the album version appears on my fourth record:
jasonparent.bandcamp.com/album/deny-everything

this release also includes a printable jewel case insert and will also eventually include a comprehensive package of journal entries from all phases of production (2000, 2006, 2014, 2017).
 

credits

released October 13, 2000

j - guitars, effects, drum programming, sampling, sound design, digital wave editing