i went through a string of extremely cold basements in the late 90s. it was half heating costs; on that level, i could even agree for
environmental reasons. however, it was half because my step-mother
legitimately prefers absolutely frigid, air-conditioner-level
temperatures and didn't want hot air rising from the basement to ruin
the freezing temperature upstairs. you can understand how that might get
frustrating sometimes.
i was offered a room upstairs, but then i'd have to go to bed at 10:00 pm rather than stay up until 4:00 am recording music and chatting on the internet, which was clearly unacceptable.
the song is more than a surreal commentary, it is a morbid fantasy i was legitimately having. there wasn't any real chance that i was going to light the basement on fire; if i were to do that, i might ruin my guitar, and then i'd be worse off. the story runs a little off the rails, but that is it's charm.
this was the last song recorded for inclusion on my second record, inriched (inri021), and initially sequenced as the penultimate track (as the viewless/suicide sequence had already been decided upon as the ending track). the song was finished on the evening of the 5th; i finished the cover art on the evening of the 6th. it remained in that position, as the 14th track, from february, 1999 until jan, 2016 when it was split off for the technical reason that i wasn't able to remove the vocals because i didn't retain source material. this is frustrating, because it's by far the most interesting song on the record, from a musical perspective.
i was offered a room upstairs, but then i'd have to go to bed at 10:00 pm rather than stay up until 4:00 am recording music and chatting on the internet, which was clearly unacceptable.
the song is more than a surreal commentary, it is a morbid fantasy i was legitimately having. there wasn't any real chance that i was going to light the basement on fire; if i were to do that, i might ruin my guitar, and then i'd be worse off. the story runs a little off the rails, but that is it's charm.
this was the last song recorded for inclusion on my second record, inriched (inri021), and initially sequenced as the penultimate track (as the viewless/suicide sequence had already been decided upon as the ending track). the song was finished on the evening of the 5th; i finished the cover art on the evening of the 6th. it remained in that position, as the 14th track, from february, 1999 until jan, 2016 when it was split off for the technical reason that i wasn't able to remove the vocals because i didn't retain source material. this is frustrating, because it's by far the most interesting song on the record, from a musical perspective.
however, i've always viewed the track as transitional; i realized, even at the time, that i was starting something new rather than ending something, with this. in hindsight, the elaborate electro-prog explored by the track is certainly more similar to what would follow than what i was closing down. it is actually fitting that the track was removed due to a lack of source material, as that defines what i created over 1999 (which i'm retroactively labelling period 1.3).
as the track was still on inriched through 2013, it was remastered along with the rest of the record. a version was also produced for the deleted inricycled b compilation, which included some extra mastering and the removal of the opening sample. these versions were both mastered to fit into their respective sequences; while they're both improvements, neither really captured the essence of the track as it's own thing. so, a final standalone mix was constructed in sept, 2017 to permanently close the ep.
initially written and recorded in the winter of 1999. remixed in late 2013 and again in early 2014. this track was separated from my second record in january, 2016 but the single was not completed until it was remixed one last time in sept, 2017. as always, please use headphones.
this release also includes a printable jewel case insert and will also eventually include a comprehensive package of journal entries from all phases of production (1999, 2013, 2014, 2016, 2017).
credits
released February 5, 1999
j - guitars, effects, bass, sequencing, drum programming, synths, vocals, loops, samples, digital wave editing
j - guitars, effects, bass, sequencing, drum programming, synths, vocals, loops, samples, digital wave editing
