- my parents moved across the city in mid-1997, and i lost the soundproof room in the process :(. i lost the drum kit & the tascam in the process, as well. however, i gained a computer with internet access and windows 95 (my previous computer had no internet access, and had windows 3.1. in fact, my first bedroom pc was shipped with ms dos 6.2 and wordperfect, the latter of which was actually reasonable, given that i grew up in ottawa (corel disappeared, but the big adobe building remained a presence in downtown ottawa for years.). i've actually kept up on the old software reasonably well, mostly because i never stopped using most of it: cool edit 96 (https://www.audacityteam.org/), noteworthy composer (https://noteworthycomposer.com/), the windows 95 sound editor, a hacked version of logic that never ran smoothly and a guitar tablature to midi program called "bucket of tab" (https://antisleep.com/bucket) were where i got started on this. but, this pc did not have the resources for even the most basic sound recording.
- i got an ry30 mid summer, to replace the drum kit. my dad was sad; my stepmother wasn't. that ry30 stuck with me until 2003, when i sold it to go to bc. of all the gear that got sold, that's the piece i think i most miss, and i'd love to see a serious attempt to emulate it. i can load samples into battery, but it's missing the point - this was a powerful little drum synth, and i made massive use of it for years, all the way to the end of the rabit is wolf period. that said, the reason i sold it is that i felt i grew out of it, and there kind of wasn't a lot left to do with it. i couldn't justify spending $400 on it given that i can do everything with free plugins nowadays, but i will eventually replace this thing...
if you know where to get an actual vst emulation of the ry30 - not samples of it, but a vsti of the actual machine - let me know.
- a bass reappeared. i don't remember the model. it was green, and played very smoothly, which was necessary because i have freakishly small hands (to this day, i play a mini ibanez bass).
- i actually synced the noteworthy composer sequences with the ry30 parts manually because nobody told me i could sync them automatically. so, it's all very meticulous, but using very simple hardware. i would have had a basic consumer grade soundblaster in this thing, and the initial sequencing is all using general midi. it's for that reason that i went looking for general midi a few years ago and came away with bandstand, by native instruments (a very big company in music creation circles):
bandstand was central to the recordings i did over 2014-2016, because i needed a way to emulate general midi using updated sound fonts. this has been discontinued, and i think it's the last attempt by the industry to save general midi for recording, as it seems that the standard nowadays is to use specific sample libraries rather than a general sound font library (and native instruments suggest the use of kontakt, instead). i think this is unfortunate, myself, as i liked the standardization of being able to take a midi score and plug it into a daw, but the industry doesn't seem to be interested in scored music in much of any abstraction at all anymore and rather more interested in just creating textures out of existing sound. so, the standard nowadays is to sell you this pile of violin scratches, rather than a collection of violins to sequence - and tell you to hire a violinist instead i suppose. but, of course, i still have soundblasters i can track if i need to. i will eventually install kontakt on the 64 bit machine, as the experiments i had with the 32-bit machine were just simply that i needed more ram. but, i actually found that kontakt was unnecessarily inefficient (it loads everything on start-up, even if you're only using a fraction of it) and that the freeware sound libraries actually even sounded better....
i would like to find an update for bandstand, but nobody seems to really want there to be one. this seems to be something people have moved past, and something you're going to need to curate old software for if you want to hang on to.
- the jx-8p & tascam 4-track both show up about this time, with the jx being my only and primary keyboard for years after. this is of course the last version of the roland juno series, and combines analog style juno sounds with more modern digital sounds. the jx has been keyless for years and driven by a dx100, and i've had a midi frontend installed on it for years and never used it, but this is a vsti of it in case i want to sequence it (i could of course sequence it manually, too):
i should also look into something called "zenology" when i get my windows 7 machine back up and can start looking for evaluation copies.
but, i suspect i'll keep programming it with the little window, as that's what i'm used to doing.
- later programs included hammerhead (a 909 emulator) (http://www.threechords.com/hammerhead/introduction.shtml), sound raider (a noise generator) (https://web.archive.org/web/20060721182502/http://www.andyw.com/zip/raider.zip), goldwave (for extra effects processing) (http://www.goldwave.ca/), granulab (https://www.abc.se/~re/GranuLab/Granny.html), coagula (light-sound synthesis) (https://www.abc.se/~re/Coagula/Coagula.html).
- my aunt sent me back a flute from a trip she took to india that shows up on several tracks
- somewhere along the way, the cassette deck stops working properly, and a song is constructed out of it.
- it was some time in late 1998 that my dad asked me to go to songbird with him to help him pick out a guitar for my sister, who was going through a difficult phase. as mentioned, she had been doing a lot of piano playing since she was very little, and now wanted to play guitar and was threatening to run away from home if she wasn't gifted with an expensive brand name guitar (in fact, i think she was trying to get my dad to buy her boyfriend a guitar, and i don't think that ever clicked). so, my dad got baited into buying her a guitar.....which she didn't accept, because it didn't have a brand name on it. and, it definitely pissed him off, yeah. meanwhile, i continued to play my entry level ibanez, right? it's worth pointing out that my sister was a delusional, spoiled brat at this point, but i really never said anything about it. the guitar i picked out has yet to be properly understood by anybody i've presented it to; it seems to have a coronet "batwing" neck, the dual humbucking pickups seem to have been installed manually and the body, while shaped like a strat and built like a paul, is of unclear origin. so, this is a guitar that somebody seems to have built from parts. the reality is that i picked the guitar out from the store because it played better than any other in the store due to the beautiful neck on it; after my sister rejected it as not sufficient because of the lack of brand name on the headstock, i ran it off to my friend greg's before it could get sent back, where i let it sit until everybody forgot about it. it eventually found it's way back to my studio, and has been my main guitar ever since.
- while i never said anything about it, i get the impression that my dad eventually felt a little bit stupid about asking me to pick out an expensive guitar for my sister (who did not play guitar), while i continued to play a starter ibanez roughly ten years on. i didn't care about the brand name, but that frankenguitar i snagged from songbird had a beautiful neck on it, and i sure appreciated it. nonetheless, he seemed to realize, in hindsight, that it was kind of a shitty deal for me, and went and bought me a red sg, along with an electro-acoustic. the black guitar itself is somewhere in the sg/guild range in terms of weight, in the sense that it's lighter than a paul and heavier than a strat, but i've always treated it like a sort of a fat strat due it's shape and construction. so, in the end, i got three guitars out of my sister's hissy fit and she got zero. all three of the guitars start showing up in recordings over the end of 98 and start of 99.
