but, what i wanted to point out before the machine crashed was that i'm not planning on doing a review for the debussy show just right now, as there's still some open thoughts revolving around what happened.

it's hard to write a review about something, when you're not entirely certain what happened. i think i'm feeling good enough to make it to man or astroman tomorrow.

so, that was the last one for 2013.

there's another handful of releases i want to get out there for jan, 2014 before i pivot. i'm not done yet....one more month....

i'm going to need to file some things for 2013 locally, first. and, i'm also going to want to create some seeds and otherwise distribute the material for the end of 2013 into the next batch of release notes.

but, if i'm lucky, i can get something for january up by the end of the weekend, i think.

i might sneak out on sunday, but i'm actually planning mostly for monday.

inri023 updated and tested

this is tested and working on the chromebook and on firefox on the windows 7 box.

what's in there, now?

- the 8 songs on the record
- cover.jpg & a jpg of the backsheet for cd-r printing (the insert for the spine)
- a playlist.m3u file stored as raw text
- a 72 page doc file of liner notes over the fall of 2013
- a 72 page pdf file (same)
- an instructions file
- inri023.html.7z.txt is a 1 mb document that must be renamed and unzipped and contains an html version of the liner note package, including an html5 player that can load the purchased audio in the browser.

the full download, in flac, is 155 mb.

there will be further updates to the liner notes as i run through the alter-reality, and as i run through the remastering period that took place over 2015-2016. but, this is likely the last major revision to this collection of glitch remixes from 1998, which is nearing a point of final completion.

https://jasonparent.bandcamp.com/album/inrimixed

it's time to stop to eat and shower.

soon.

first liner note release for inri023

when i sat down in late 2013, my intent was just to collect all of the tracks that were leftover. however, it became apparent quickly that i had a pile of these weird, glitchy remixes that i meant to do something with, but just never did anything with. they seemed to form an idea of their own, so i split them off into this inrimixed ep.

i feel that this decision was a good one, and that this collection has now become an important part of the discography - so much so that i am adding some tracks to it that were initially overlooked and then promoting it to 'remix lp'.

i need to be clear that this is a remix lp full of damaged, glitchy mixes. these tracks were left unscathed by the great remastering of 2013-2016. many of them are sourced from 112 kbps mp3 files, or worse. some are sourced from mono. i'm presenting the artifacts in the compression as a part of the glitch aesthetic. but, these are truly sad excuses for waveforms.

example: the cover art is actually the waveform for track 2; similarities to the mirror reflection of the cover of any seminal eponymous records from the late 60s are purely coincidental. waveforms like that do not bear any resemblance to any physical reality whatsoever. they fail, as waveforms. yet, these are the waveforms we have before us, and these are the sounds that such absurd waveforms make.

i suppose that the reason i have all of these glitchy mixes from the period is that i was planning on making a glitch lp. it's not that i specifically recall that as being wrong, so much as it is that my memories of it being right are not of clear strength. i sort of remember wanting to make a glitch record. the evidence exists that i wanted to make a glitch record. now i have the glitch record that it seems like i always wanted to make. at the least, my current self very much likes the idea that i released a glitch record in 1999.

constructed over 1998. compiled and remastered in late 2013. released dec 27, 2013. the first two tracks were corrected to stereo in sept, 2014. the last two tracks were added for re-release as a remix lp in dec, 2016. re-released & finalized as lp003 on dec 17, 2016. first liner note release added on feb 20, 2020. as always, please use headphones.

this release also includes a printable jewel case insert and will also eventually include a comprehensive package of journal entries from all phases of production (1998, 2013-2020). as of feb 20, 2020, the release includes a 72 page booklet in doc, pdf & html, with an html5 audio frontend, that includes journal entries from the remastering process over sept-dec, 2013.

credits

released January 28, 1999

j - guitars, effects, bass, synthesizers, piano, drum programming, sequencing, vocals, cool edit synthesis, noise generators, found sounds, sampling, loops, sound design, digital wave editing, digital effects processing, noise reduction, a broken tape deck, production.

https://jasonparent.bandcamp.com/album/inrimixed

so, i have a tentative 72 page document done for inri023, but i appear to have flubbed the process the first time around (this is an lp, like inri015 or inri021, but i treated it like an ep, like inri022. i have to reverse that.) and will need to go through it very carefully to make sure i haven't missed anything.

unlike the last three updates, inri023 only has one html5 frontend in the package and will not include discarded remasters. that's something that was sort of unique to those specific recordings.

in fact, the html5 part of this should be pretty quick, i just have to actually get it done.

i think i'm going to take a nap just right now, though. i hope it's short...

inri022 updated and tested

this is tested and working on the chromebook and on firefox on the windows 7 box.

what's in there, now?

- the 10 songs on the record
- cover.jpg. this release is download only, because these tracks are thoroughly rejected.
- a playlist.m3u file stored as raw text
- a 23 page doc file of liner notes over the fall of 2013
- a 23 page pdf file (same)
- an instructions file
- inri022.html.7z.txt is a 50 mb document that must be renamed and unzipped and contains (1) an html version of the liner note package, including an html5 player that can load the purchased audio in the browser and (2) deleted masters of the record from 2013, in standalone 320 kbps mp3 and embedded into the html file.

the full download, in flac, is 304 mb.

there will be further updates to the liner notes as i run through the alter-reality, and as i run through the remastering period that took place over 2015-2016. but, this is likely the last major revision to this period 1.2 outtakes collection, which is nearing a point of final completion.

https://jasonparent.bandcamp.com/album/inrijected

it's time to stop to eat and shower.

so, i crashed this morning during testing. i'm up now and have finished testing the windows box. it won't be long before i'm done here and i should have a post up soon.

i'm still planning on getting to the dso, but it depends on timeframes. i might miss it. it's streaming...

the landlord/main-cop is back and the stinky cop seems to be gone. can i make a request to the force, which i know is reading this, to keep that gross, smelly cop away from here? surely, you can find a cop to stake me out that i can't smell from a distance of 100 yards?

very soon, and then i'll get back to inri023 when i get back, if i go.

it's done.

final testing.

soon.

there's one more after this...

this one is much shorter, and it will be done quite shortly. soon.

first liner note release for inri022

this is a collection of rejected tracks from the inri/inriched period. it's just chronologically sequenced. download only.

recorded over 1998. compiled and remastered in late 2013. released dec 27, 2013. corrected to normalize for stereo in september, 2014. expanded incrementally between dec, 2014 and dec, 2016. merged with inricycled b and then finalized and re-released on december 16, 2016. first liner note release added on feb 15, 2020, to include the initial 2013 release in 192 kbps mp3 only. as always, please use headphones.

this release will also eventually include a comprehensive package of journal entries from all phases of production (1996-1999, 2013-2020). as of feb 15, 2020, the release includes a 23 page booklet in doc, pdf & html, with an html5 audio frontend, that includes journal entries from the remastering process over sept-dec, 2013, as well as the initial 2013 release in 192 kbps mp3 only.

credits

released January 27, 1999

j - guitars, effects, bass, bass synth, synthesizers, vocoders, octavers, drum programming, sequencers, noise generators, sound design, vocals, found sounds, cool edit synthesis, digital wave editing, loops, windows 95 sound recorder, sampling, production.

https://jasonparent.bandcamp.com/album/inrijected

inri021 updated and tested

this is tested and working on the chromebook and on firefox on the windows 7 box.

what's in there, now?

- the 17 songs on the record
- cover.jpg & a jpg of the backsheet for cd-r printing (the insert for the spine)
- a playlist.m3u file stored as raw text
- a 126 page doc file of liner notes over the fall of 2013
- a 126 page pdf file (same)
- an instructions file
- inri021.html.7z.txt is a 175 mb document that must be renamed and unzipped and contains (1) an html version of the liner note package, including an html5 player that can load the purchased audio in the browser and (2) deleted masters of the record from 1999 and 2013, in standalone 192 kbps mp3 and embedded into the html file.

the full download, in flac, is 570 mb.

there will be further updates to the liner notes as i run through the alter-reality, and as i run through the remastering period that took place over 2015-2016. but, this is likely the last major revision to my second record, which is nearing a point of final completion.

https://jasonparent.bandcamp.com/album/inriched

it's time to stop to eat and shower.

i'm done testing on windows.

the chromebook testing should be relatively quick. soon....

ok, so i've finally got those typos i told you about on tuesday afternoon updated.

- i removed a "/p>" from the html frontend for inri002 and inri015.
- i removed an extra "</p>" from the html frontend for inri015.
- i unscratched out a track from the html frontend for inri015.

that's it. but, it means reuploading the 7z.txt package and redownloading the end point in flac for archiving.

inri002:
https://jasonparent.bandcamp.com/album/inricycled

inri015:
https://jasonparent.bandcamp.com/album/inri-3

the (hopefully) final update (for now) for inri021 should be up soon, i hope.

and, i may have to make some pasta in the wee hours of the morning because it's -30 out for the first and hopefully last time this year.

alright, i'm back up.

let's hope i can get this done before the debussy show.

so, after too much sleeping and too many distractions, i am actually finally done typesetting the html frontend for inri021, which is very similar to the one for inri015.

in the process, i found a couple of typos for inri002 & inri015 that i'll need to correct. these are just literally typos and they won't take long to fix but i have to do it.

and, then i have to take one last run over inri021, including doing proper testing to make sure it actually works. but, i'm at the very end of this. 

there are two more: inri023 (inrimixed) and inri022 (inrijected). and, then it's on to january, 2014.

but, i need to stop to get the recycle out because i've missed the last few, and i'm going to take the opportunity to eat and shower.

this idea that you know exactly who or what you are when you're like three years old is....

i think it's bullshit.

and, i think a lot of trans people are just telling doctors what they want to hear.

this whole thing is fluid, and people can and do change in either direction.

what i say is that i realized i was more like a girl very young, but, i don't pretend i had some kind of early childhood schizophrenia or something. i was a nerdy, bookish kid. i understood which genitalia i had, and wasn't confused by it.

so, i didn't go through this process that trans kids are supposed to go through, where you refuse to accept your birth gender. frankly, i think the literature is kind of lacking, and probably mostly bullshit. but, you have to feed the doctors a certain line to get prescribed, so you end up with a lot of bullshit in the case studies.

i'm willing to be honest in stating that i resigned myself to what existed, and internalized it. i didn't think i was a "girl trapped in a boy's body". rather, i just realized i had more in common with the girls than the boys, and then accepted myself as an effeminate boy and left it at that.

so, there are these songs - confused, screwed up - that were written and recorded when i was roughly 14-17 and are explicitly about gender identity, but they take this perspective of existential angst and dour resignation about it. i didn't think i could actually do anything about it. maybe i wished i was a girl, but i also wished i was rich, and wished i lived in a warmer climate and ... and these are just things one deals with, as reality is that you don't get everything you wish for, in life. and, i thought i could deal with it. maybe i even thought i'd grow out of it.

all i really was sure of at that age was that i wasn't really attracted to girls very much, and that i liked to spend a lot of time by myself.

i was 20 years old when i finally decided i had to deal with it somehow and took steps to transition by contacting a psychologist through the networks at school. i started taking hormones at 21.

i was basically completely emotionally stunted at this point, as i'd never had any kind of meaningful relationship with anybody, romantic or platonic. the best way to describe me is as suffering from extreme arrested development - i never went through the emotional development that most people experience during puberty. i had the sexual, emotional and romantic maturity of a 12 year old girl.

and, that lack of emotional maturity put me through a rough couple of years that dramatically altered the course of my life.

in the end, i decided on a solitary existence. and, i'm not particularly unhappy, i don't think.

but, don't misinterpret these songs - i had absolutely no sex life, and they just aren't about sex, and shouldn't be interpreted as though they are.

we all write about the things that are relevant to us in our lives.

and, sex and romance and relationships have broadly not been relevant ideas to me in my life.

actually, the truth is that the closest thing i had to any kind of sexual or romantic encounters until i was in my early 20s was a series of avoidance attempts.

i didn't tell anybody i knew in real life; i went to a catholic school, and if there was a group of gay kids, i never figured out who they were. i think there was maybe one kid that was openly gay, but he was also....he didn't take very good care of himself.

if you talked to the people i communicated with online during high school, and these were mostly older people that i knew through mailing lists for bands, people that were university aged or older, they would have told you i identified as a homosexual male, which in itself wasn't even quite right, but was what i was sort of resigning myself to at about the age of 16 or so.

so, i was actually the kid that identified as gay and didn't want to tell anybody, which meant i found myself constantly avoiding the girls around me, who interpreted me as a straight, single boy. i just didn't want to deal with it.

the point of this post is to explain why my songs have nothing to do with the kinds of things that kids usually write songs about. there are some songs that are explicitly about identity, but i've never written a song about love or romance or sex from any perspective at all because these simply weren't things that were relevant to me. i had precisely zero girlfriends or boyfriends in high school; i wasn't even interested in the premise. i was a virgin until my third year of university. i hadn't even experienced a first kiss until i was 21.

so, these songs broadly have absolutely nothing to do with sex or sexuality in any way at all, whatsoever, for the simple reason that i had absolutely no interest in sex or sexuality in any way at all, whatsoever - and broadly still don't. my gender identity is transfemale, but my orientation is asexual. i haven't had consensual intercourse in almost 15 years, and don't feel i'm missing out on much of anything.

what the songs are about are personal struggles with identity, social and political commentaries about things like war or religion and other literary or philosophical topics.

i would never be caught dead writing a song about love or sex.

first liner note release for inri021

the second record was always a...second record. see, the phenomenon of the underperforming second record is actually well-established. i just think it's worth thinking about what a second record actually is, in order to understand this.

a second record is necessarily the tracks that did not make it on to the first record.

i actually tried to resist this, but i was swayed by the argument (with myself) that the tracks would otherwise be lost because i was shifting in a direction away from the electro-grunge sound, and i would eventually go back and compile them anyways. i had enough raw sound for a full record, so i released a full record.

something that is common of second records is that they are uneven because the tracks are recorded at differing levels of attention. demos that were forgotten tend to get promoted without cause, while the tracks that show evidence of attention tend to seem overproduced, in comparison. in recompleting this record, i've paid attention to the uneven nature that the tracks initially existed in and taken an effort to close the gap where it was needed.

i've also removed two tracks from the initial recording due to a combination of technical and artistic incompatibilities.

while most of these songs have defined concepts underlying them, i have ejected these concepts from the final recording and left them in a series of singles, or behind altogether. i would prefer that this album be understood solely as the instrumental recording of electronic music that i am presenting it as.

written and demoed in multiple stages from 1993-1999. initially constructed in this form in feb, 1999. a failed rescue was attempted in 2013. reconstructed and resequenced over november and december, 2016 from parts that were rebuilt over 2013-2016. re-released & finalized on dec 15, 2016. first liner note release added on feb 9, 2020 to also include the deleted masters from 1999 and 2013 in 192 kbps mp3 only. this is my second official record; as always, please use headphones.

this release also includes a printable jewel case insert and will also eventually include a comprehensive package of journal entries from all phases of production (1996-1999, 2013-2020). as of feb 9, 2020, the release includes a 126 page booklet in doc, pdf & html, with an html5 audio frontend, that includes journal entries from the remastering process over sept-dec, 2013, as well as the deleted masters from 1999 and 2013 in 192 kbps mp3 only.

credits

released January 25, 1999

j - guitar, effects, bass, bass synth, synthesizers, piano, octavers, drum programming, sequencing, found sound (paper crumpling), noise generators, sound design, cool edit synthesis, light-wave synthesis, windows 95 sound recorder, sampling, mic noises, digital wave editing, loops, a broken tape deck, chance, production.

https://jasonparent.bandcamp.com/album/inriched

so, it only ended up 126 pages because i removed a couple of images to be consistent with inri015.

and, it will be posted shortly.

so, the doc file for inri021 is done. it's 128 pages, and 90 of them are overlap with inri015, so the html frontend for this should be much quicker.

i just need to do a quality control check, and then the first liner note release of my second record will be up within an hour or two.

so, i've got inri015 filed away locally, now.

i'm going to make some pasta and watch last night's debate.

and, then, if i'm lucky, i might get the first part of inri021 up before midnight.

beethoven wrote 9 symphonies, one opera, five piano concertos and a number of smaller works.

i essentially have 9 proper records completed, with about as many symphonies (which overlap with the records) and a number of smaller works.

i make it clear at every opportunity that i am approaching this as something that will exist historically, that will outlive me and that will be listened to many years into the future.

so, when i speak of revising my records, and documenting doing so, it is with an eye to the future.

inri015 updated and tested

this is tested and working on the chromebook and on firefox on the windows 7 box.

what's in there, now?

- the 19 songs on the record

- cover.jpg & a jpg of the backsheet for cd-r printing (the insert for the spine)

- a playlist.m3u file stored as raw text
- inertia.mp4

- a 125 page doc file of liner notes over the fall of 2013

- a 125 page pdf file (same)

- an instructions file

- inri015.html.7z.txt is a 200 mb document that must be renamed and unzipped and contains (1) an html version of the liner note package, including an html5 player that can load the purchased audio & video in the browser and (2) deleted masters of the record from 1998 and 2013, in standalone 192 kbps mp3 and embedded into the html file.

the full download, in flac, is 626 mb.

there will be further updates to the liner notes as i run through the alter-reality, and as i run through the remastering period that took place over 2015-2016. but, this is likely the last major revision to my first record, which is nearing a point of final completion.

https://jasonparent.bandcamp.com/album/inri-3

it's time to stop to eat and shower.

so, the frontend is finished. everything is slower than i want it to be, but i could still conceivably get done inri021 by the end of the weekend. finishing inri015 actually gets me through the bulk of the work of inri021...

i had to fast forward a little to jan, 2016 to get the actual release data in, which means these releases will come packaged with three versions and three subsequent front-ends. they're about 125 pages, each. so, these are major release updates for the first two official records.

i need to dot some is before i upload this, including doing a good testing, but it's coming. soon.

i had to sleep. it wasn't a choice.

it's almost done. soon.

so, this liner note release is actually going to have two discarded versions of the record attached to it, from 2013 and also from 1998. i had to take them down to 192 khz to get the package under 300 mb. remember: these are deleted masters, so this is material i've deleted from my discography. it's here for historical reasons, and it's buried in the download on purpose, but i feel it's necessary to include it - in one file format, in relatively low quality. if you want these deleted items in high quality flac, you'll have to get the aleph discs. even accessing these 192 khz mp3 files requires purchasing and downloading the item, and unzipping an html package. the files are there, but it's meant to be streamed via the html frontend.

that means i have two player controls in this package. i'm done the first one. the second should be minor tweaks on the first, and then it's just typesetting the rest of it. so, it should be done relatively soon.

as the purpose of this is for the files to interact with the front-end, the way i'm going to do this is to drop a folder of mp3s inside of the existing html folder.

so, you'll get a file called inri015.html.7z.txt in the download. you'll need to rename it to remove the txt. when you extract it, it will create a folder called inri015.html, inside of which will be an html frontend, a lot of pictures and a new folder called "2013" which will contain 320 kbps mp3s of the discarded 2013 masters, for integration with the apparent html frontend.

got it?

i'll need to do something similar for inri021 and, in the long run, for the other recordings that have discarded mixes like this, including inri000 and inri001.

let me actually do it, now.

i'm most of the way through the frontend for inri015 and we're going to keep going because it's a friday and, with any luck, i can be done with this by sunrise on monday.

these html5 frontends will eventually end up in the aleph discs, where they will crossreference to all of the outtakes. right now, the liner notes are only interacting with the files in the download, and presenting external links to files that aren't. inri015 and inri021 present somewhat of a challenge for this model, because the files uploaded in 2013, where these updates exist in chronological time, have actually been replaced. so, the frontend should actually be interacting with files that aren't there.

and, i'm wondering if i need to bring the files back in.

for inri000 & inri001, the files are 2013 remasters of tracks from 1996 and 1997. for inri002, it's a new 2013 reconstruction of shorts of that remastered material. inri003 & inri029 are new eps of unaltered material from early 1997. inri016, inri027 & inri028 are revisionist singles dated to 2013 of material from 1998-1999. inri022 & inri023 are 2013 compilations of material from 1998-1999.

so, i can convincingly date everything to 2013.

inri015 & inri021 were created in 1998/1999 and withdrawn in 2004, then remastered and rereleased in 2013, but that remaster was itself withdrawn in 2015 in favour of instrumental reconstructions, which were finalized over 2016. for inri000 & inri001 i have to leave the 90s stuff for the aleph discs, but the 2013 remasters still stand. everything else is actually coming to you straight from the 90s, except inri015 & inri021 which have these lost remasters dated to the chronological space that i'm releasing the first remaster in.

so, if you download the liner notes today in 2020, you'll get the front-end connecting to the instrumental 2016 release, dated to the 2013 notes. this is kind of disingenuous on my behalf. i really ought to have this frontend connected to the 2013 releases..

i've been toying with the idea of releasing the 2013 remasters as a bonus download for awhile, and i'm going to need to chew on that this morning. it would be the correct way to do this. i'm just not sure what the best way to do it that makes the most sense is.

the frontend for the current version of inri015 is dated to jan, 2016 and the frontend for the current version of inri021 is dated to the fall of the same year, with a final release in december. so, that will need to wait until i get there.

what i want to avoid is uploading the tracks as "bonus tracks" in the bandcamp ui. i want them to come in silently over the backend. and, i'm actually ok with uploading them in fairly low quality. so, the best way to do this might be to upload all of the tracks as mp4 files and stream them over the video container in the html5 frontend.

i'll have an answer in a few hours.

it's coming together; it might be done for noon.

hi.

when i first signed up for onedrive, i was very explicitly looking for a way to convert .doc files (that is, office 2003 files, specifically) to .pdf files in a way that maintained formatting, including hyperlinks. so, a pdf printer would not be good enough, i need full conversion.

your competitors (google, adobe) kept breaking the formatting, so i tried here on a lark, hoping that office would be best at converting office. and, it did actually work - i was able to effortlessly convert up to 1600 page word 2003 documents with flawless formatting. i was impressed.

unfortunately, something changed over the last two weeks that has broken the conversion, and it appears to be specifically that the server is now forcing an extra conversion step to .docx. when you converted directly from .doc to .pdf, your results were flawless. but, the introduction of the extra conversion step has left your results about the same as your competitors, indicating that the issue in conversion is probably xml related.

i don't want to use the .docx format, or the underlying xml architecture. i want to be able to convert directly from .doc to .pdf.

there is a workaround in uploading as .doc and then viewing the version history, which allows for a direct conversion, but this seems unnecessarily awkward.

i believe that the reason i was able to directly convert initially is that the server was opening the files in protected mode. for some reason, it is no longer opening them in protected mode, and is now defaulting to the conversion step to docx "so i can edit the files". but, i don't want to edit the files, i want to convert them directly to pdf, in a way that bypasses the conversion to docx step.

it would be very useful if i could tell the server to always open all office files in protected mode, by default. i do not believe that this is currently possible. if it is possible, i would appreciate some guidance. if it is not, please accept my feature request.

so, this is what i think happened.

i think that when i uploaded the files to the server last week, they were initially interpreted as coming from an unsafe source and sort of quarantined as read-only, and opened in 'protected mode'. this allowed me to convert the files to pdf without having to deal with the conversion in between to docx.

now, the server is no longer interpreting the files as dangerous, and automatically converting them to docx for editing, which is actually the default behaviour.

but, the conversion to docx is breaking the formatting and needs to be avoided altogether. so, i actually want it to default to the quarantine.

there is a work around, which involves opening up the file's "version history". this converts it directly from doc to pdf.

i'm actually going to send them an email requesting default protected mode as a feature. and, it might exist in the paid version. but, like, i'm not paying for it...

i think it was opening it in something called "protected view". that's actually what i want. but i can't figure out how to make it default.

*sigh*

it seems to have been previously logging me in as a "guest user", which is actually what i want it to do. now, it's recognizing me and trying to convert the file for me.

at least it works, though. i just have to stop the conversion.

ok. moving on to the html5 frontend. maybe they'll even unbreak it for me.

so, opening up a new account didn't undo the forced conversions to docx to "edit" the file.

i don't want to use the service to edit documents, ever. i strictly want to use it to convert .doc files to .pdf. so, it's not necessary to convert the file to edit it because i don't actually want to edit it. in fact, converting it seems to run the risk of breaking the formatting, and that's why i've come here for the conversion in the first place, because this system is better at converting .doc files to .pdf (so long as it doesn't try to convert them to .docx files first).

it would be very useful if i could tell the server to open everything read-only, and never convert to docx. if microsoft changed something for my supposed benefit, it backfired and i would appreciate it if they would change it back.

i don't seem to be able to turn off the automatic conversion, but i can get around it by opening up the version history instead of launching the file directly. that did actually fix it.

it's typical microsoft, though. i point out that their service actually works, when google's and adobe's both don't, and they promptly break it by trying to force a proprietary format that i don't want on to me. fuck.

i'm actually going to delete the account and start again and hope it undoes the unwanted forced conversions.

so, it was the conversion from doc to docx at the server (something that didn't happen on my first dozen conversions.) that introduced the typset error.

and, i seem to be able to avoid it by going out of my way to avoid the conversion to docx at the server...

the original file seems to be fine.

this docx format has been nothing but disasters for microsoft, and i really wish they'd just get their head around the reality that there is going to be a subset of users that just refuses to migrate to it, ever.

but, let's see if it's fixed. if it is, i can move on to the html5.

ok, the machine is back up.

i'm going to try to work through this.

i'm going to have to reupload tonight because the file appears to be out of alignment. that's fine. let's hope it gets done pretty quick, and the testing process is smooth.

i'm going to take another nap...the nap this morning was kind of short....

there has been a rank smell in here over the last few days and i don't know the source of it. i have smelled this smell before, but i'm not sure exactly what it is. it might be straight up pollution from outside. if so, it's kind of curious that it set back in immediately after i cancelled the hearing.

if i'm able to tie it to something upstairs...

for now, i can't do anything about a smell that i can't entirely identify the source of. i don't think it's from below me, though, i think it's from above me.

*shrug*.

let's try to get back up again for around 17:00-18:00.

first liner note release for inri015

it took eighteen years and multiple attempts at a construction, but this record is finally permanently completed as an instrumental electronic work and i am finally proud to refer to it as my first record.

while most of these songs have defined concepts underlying them, i have ejected these concepts from the final recording and left them in a series of singles. i would prefer that this album be understood solely as the instrumental recording of electronic music that i am presenting it as.

written and demoed in multiple stages from 1994-1998. initially constructed in this form in june, 1998. a failed rescue was attempted in 2013. reconstructed and resequenced jan 6-10, 2016 from parts that were rebuilt over 2013-2016. re-released on jan 10, 2016. audio permanently closed on aug 10, 2016. finalized as lp001 on oct 10, 2016. first liner note release added on feb 6, 2020. this is my first official record; as always, please use headphones.

this release also includes a printable jewel case insert and will also eventually include a comprehensive package of journal entries from all phases of production (1996-1998, 2013-2020). as of feb 6, 2020, the release includes a 125 page booklet in doc, pdf & html, with an html5 audio & video frontend, that includes journal entries from the remastering process over sept-dec, 2013, as well as the video for inertia, from dec, 2013 .

credits

released June 20, 1998

j - guitars, effects, bass, synthesizers, drum programming, orchestral & other sequencing, sampling, vocal relics, cool edit synthesis, windows 95 sound recorder, found sounds, strategies, soundraider, hammerhead, sound design, metronome, digital wave editing, production

the rendered electronic orchestra includes piano, organ, electric guitar, orchestra hit, pizzicato strings, synth pads, violin, viola, cello, contrabass, electric bass, sitar, tubular bells, tinkle bells, synthesizer effects and flute.

https://jasonparent.bandcamp.com/album/inri-3

i'm just trying to figure out if i should date the inri015 liner note release to today or not, and i'm going to, even if the html5 update doesn't get up until tomorrow morning.

i've got the pc off altogether, but i'm hoping i don't have to reimage tonight, and, if i don't, it might be fairly quick.

so, i'm going to get that all in order. and i may have to test overnight.

i didn't get as much done as i wanted to last night, partly because i passed out around midnight, but i have to stop now to shut down. i hope to be back at it close to 19:00.

i at least finalized the actual notes. so, there is a 125 page booklet in doc and pdf uploaded to the bandcamp site.

i will need to finish the html5 frontend for it tonight and get it up by tomorrow.

so, the content is done. i'm just missing the third format.

https://jasonparent.bandcamp.com/album/inri-3