but, it sort of misfires.
on the first record, it came off as defiantly hopeful, that is, hopeful in the face of certain defeat; and, considering what the band was at that time, how could they have expected anything besides failure? this is a specific kind of optimism, in that it is understood by all to be futile. what it is is delusion and for that reason was so effective as escape - it was absurd to be hopeful, and that's why it was fun, for a few minutes. the expanded melodic percussion, the xylophones, really aided in this general feeling.
here, it is coming off as an order. BE HOPEFUL, DAMMIT. NOW. HOPE. NOW.
and, here's the thing: that might work better for a lot of people. it really might.
but, i liked the hope better without the coercion.
i'll probably still go seem them play next month.