Wednesday, July 23, 2014

so, i've already explored this composition in much more depth; i just pulled these four mixes off my hard drive - and that is the totality of inri027.

1) carleton mix, for music 3604 (2006). includes ambient guitar into/outro, entirely live guitars and the symphony partly played through a dx7 and partly through the soundblaster.

written early 2001. reconstructed in the first quarter of 2006, especially over march. this version was finalized on march 30, 2006.



2) divine amoebas mix. in 2004, i lifted the piano part to form the end of an anti-war protest piece i was putting together. it's slowed down to half speed and combined with an 808 going haywire, beethoven samples and backwards guitars.

piano part written in early 2001. this construction is from january, 2004.



4) alt mix. this is also from 2001, but it's a bit mysterious. i don't have a date, just an mp3 from 2007. i'll have to briefly explain.

this is a process piece, like most of the things i worked out through 2001. i initially composed it to repeat in patterns of 9, where each pattern had an extra bar of silence at the end of it. this created a twenty minute piece that spiralled down into nothingness, and became rather sparse at the end. for the final, published version i ended up modifying the patterns of 9 to decrease as the length of the pattern increases. so, if the initial section that repeats in a pattern of 9 had 8 bars of rest then the next pattern with 12 bars of rest would repeat in patterns of 8, and so on down to 3. this had the effect of shortening up the piece by about 50%. beyond that, i then added a piano part and a ridiculous crescendo.

so, this early mix is the initial cycling of 9s across the score. i don't remember why i cut it to 5:30 back in 2007, but i do think it's the perfect cut off point and will stick to it.

written early 2001. this render is from july, 2007.



5) initial soundcard mix. as with all the pieces from 2001 that i'm finishing, this was written in a scorewriter and monitored using the ol' soundblaster. i've got these mixes up because it's interesting to hear what this actually sounded like as i was composing it.

written early 2001. this render is actually from may 13, 2001.
 

that's almost an hour of difficult listening. good luck...

3) is a forthcoming vst mix. i'm not sure if i'm going to try and reintegrate the guitars from the carleton mix into the new vst mix or leave it as is as the final render.

http://jasonparent.bandcamp.com/album/the-symphony-of-psilocybin-induced-madness