this is a collection of three tracks that were recorded in late '99 and early '00 with the intent of being included on record number three ('trinri') but were either discarded or stripped of samples on the way there. the purpose of this ep is not to be comprehensive, but to act as a transitional time capsule: this is the sound of exiting one project and entering another. as such, the narratives are scattered and better told separately.
trinri eventually became deny everything:
jasonparent.bandcamp.com/album/deny-everything
written and recorded in late 1999 and early 2000. these versions of these tracks were sequenced without further modification in jan, 2014. remainder of hummer added as a bonus track, and release finalized, on oct 3, 2017. as always, please use headphones.
this release also includes a printable jewel case insert and will also eventually include a comprehensive package of journal entries from all phases of production (1999, 2014, 2017).
credits
released January 25, 2000
j - guitar, effects, synth, drumkit, drum programming, sequencing, sampling, digital wave manipulation, treatments, production
===
track 1...
this was initially written to be the first track on my third record, which i was calling trinri as a working title. yet, it was written about the same time as i was finishing up my covers disc. i wanted to add at least one more track to the disc to make it a bit longer. for whatever reason, i ended up using it as an introduction to the hummer cover, rather than as it's own track.
record number three, deny everything, ended up with it's own introduction. however, i've pulled it out here, in instrumental form - and as an introduction to this ep.
the hummer cover is here:
jasonparent.bandcamp.com/track/05-hummer
written in the fall of 1999. isolated in jan, 2014.
===
track 2...
so, this is an interesting thing to have sitting on my shelf. it's the 'i have a dream' speech, orchestrated with some soaring guitars.
i should point out immediately that i got a lawsuit thrown at me by the king estate when i tried to upload this to mp3.com back in early '00. i thought that was really trite, but it's not really a legal battle i want to have. i would react more or less the same way should i be threatened a second time, except to point out this time that it's fair use so long as i remove the price tag and basically just do that.
the story behind the song is not very remarkable. the working title for the track was just 'progblues thing'. it was intended to be a structured instrumental guitar track that mixed the flair of hendrix with the minimalist structure of steve reich. the speech sort of came to it by accident.
it was also the result of my dad getting himself a drumkit for christmas that year, which my step-mother promptly placed in my bedroom as a disincentive for further use. score, i guess. but it didn't survive the move a few months later. in the mean time, i got some recordings out of it - as well as a few moderately crazy drunken weekend jam sessions.
i'll note that that christmas also produced a grand piano a few feet outside my door. it's intended recipient was my sister, but she wasn't around much. me? new pc, with a convenient recording interface, and some more functional microphones. despite talk of family jam spaces, one might suspect my father was actually conspiring in my favour. there is probably a great deal of truth in this suspicion. these conditions held for less than a year, but i made the most of them.
so, the idea of the track was initially about experimenting with the new reverb system built into my new soundcard interface, by triggering it with the drumkit that had recently magically appeared out of good fortune. it had been a few years since i'd played the kit much, and, unfortunately, it kind of does show. i had spent a little time practicing along with "nevermind" and "siamese dream" for a few weeks to get back in shape, but i wasn't really "there" yet at the time of this recording. i didn't want to program loops into the song, so i compensated by splicing the track up. of special interest in this wave editing is the backwards cymbals, and especially how they intersect with the soaring guitars.
and of those soaring guitars? a fairly simple blues pattern. sure is lovely, though, isn't it?
the speech became attached to the track when chance managed to have them playing simultaneously for me. i had cnn on in the corner. it was doing some kind of special on mlk, perhaps related to an anniversary that is related to a yearly holiday. placed together, it knocked me flat on my ass.
the idea in my mind from the start was integrationist, if not really consciously so. on the one hand, the guitar part is raw southern blues. on the other hand, the structure is sterile white minimalism. i didn't just realize this juxtaposition, i was trying to exploit it, even if the racial context hadn't occurred to me. when king's speech was played over it, though, the idea really exploded; the context became much deeper. it was an instant exponentiation in profundity.
i also thought it would work well as a foil to the doonesbury sample that is in the track that follows this one [entropy (original mix)].
in hindsight, there are some problems with this. i was a moderately wealthy white kid from canada. there was never much chance of me turning a profit on this, but if i did it would be a type of appropriation. this track does appear on the deny everything demo (jasonparent.bandcamp.com/track/a-commercial-break) but under the title of "a commercial break" - and without the dr. king samples. that's probably for the best.
that doesn't change the feeling i got when i first heard the two things together, or take away any of the power that the pairing produces.
i think this is worth sharing.
---
this was initially released as a download only ep. as of the fall of 2017, i have revisited this decision and reversed it: i need to have this release available in some capacity, and it follows that i'm being kind of silly in not offering the full range of options.
for example, if i were to offer the release as a download only, i'd have to offer it at $7, because it is original music, one way or the other. then, why wouldn't i offer it as a physical item? or, if i were to offer it as a $1 download and a normal physical offer, what am i doing besides punishing myself, really?
maybe i could say something about how it might have been better if i didn't create this, although i don't think that's really fair, either, as i do think it's worth sharing. but, i can't undo time. there's no "undo" button in reality. really. i've looked. strenuously.
i suppose that if i get sued i'll have to react, but i'm just going to treat this as any other release and carry on.
written and recorded in the winter of 1999/2000.
====
track 3...
this is an augmented experiment with a program called "sounder" that takes advantage of some obscure midi qualities to transport the act of triggering a note into the physical world. imagine a midi tennis ball that triggers at different intensities based on how hard the ball is thrown at a wall. now, imagine a frictionless space where that ball can bounce around indefinitely. sounder virtualizes this reality.
the experiment was augmented with synthesizer and guitar parts, and a sample of garry trudeau posing as a political candidate and being interviewed by larry king. i first interacted with that sample early in the morning in a deeply altered state and came to attach certain feelings to it that are difficult to describe. while it's clearly parody, it hit me as being frighteningly representative of reality. i suppose that all effective parody has this quality. perhaps my reaction speaks more of where i was at this point than anything else. i wasn't reacting well to the return of republicanism; i was very much dreading the future that i had no control in preventing. the absurd truth, here, cut me right down.
i was fucking baked.
eventually, i decided that the sample is just not worth listening to repeatedly and removed it from the track. an instrumental version is available on deny everything:
jasonparent.bandcamp.com/track/entropy
written and recorded at the very end of 1999.
credits
from let freedom ring, track released December 17, 1999
j - guitars, effects, synths, sampling, pythagorean sequencing (sounder), digital wave editing
====
track 4...
this is the second half of the instrumental version of the hummer cover, presented as a hidden track.
the hummer cover is here:
jasonparent.bandcamp.com/track/05-hummer
written in the fall of 1999. isolated in oct, 2017.
Tuesday, October 3, 2017
i'm procrastinating; i don't want to make a choice about this.
i think the closest precedent i have is to inri003, the inrisampled disc. that was transitional, and a self-contained ep, but it was used in the upcoming lp.
one thing i'm deciding upon: this is not an ep single, but an ep. that gives me the freedom to avoid making it comprehensive.
let me list my options:
1) download $1 + no physical, like inri032.
- this isn't consistent, because there is original music on this disc. only the hidden track is truly a cover.
2) download $1 + regular physical. hybrid. unique.
- i liked this at first, but it's kind of a cop-out: i'm just punishing myself, really. it's sort of silly.
3) download only at $7, like inri022. this was the initial choice.
but, i i'm going to put it up as a download, why not manufacture it?
4) download & physical at normal price, like any other ep.
yeah. after all.
i'm not 100% comfortable with this.
and i'll finish my write-up carefully.
but i'll do it.....
i think the closest precedent i have is to inri003, the inrisampled disc. that was transitional, and a self-contained ep, but it was used in the upcoming lp.
one thing i'm deciding upon: this is not an ep single, but an ep. that gives me the freedom to avoid making it comprehensive.
let me list my options:
1) download $1 + no physical, like inri032.
- this isn't consistent, because there is original music on this disc. only the hidden track is truly a cover.
2) download $1 + regular physical. hybrid. unique.
- i liked this at first, but it's kind of a cop-out: i'm just punishing myself, really. it's sort of silly.
3) download only at $7, like inri022. this was the initial choice.
but, i i'm going to put it up as a download, why not manufacture it?
4) download & physical at normal price, like any other ep.
yeah. after all.
i'm not 100% comfortable with this.
and i'll finish my write-up carefully.
but i'll do it.....
Monday, October 2, 2017
this...
...i'm torn over what to do with this.
i understand why i shouldn't be selling it, but i also want the release inside of my physical discography. and the truth is that i'm not actually solving any problems if i put the thing up for download for the price of a physical disc, then don't offer it - i'm not actually addressing the problem i've posed for myself.
i have three releases that are cassette only. besides that, the only recordings i've left download only are inri022 (which is rejected tracks; this is not a really interesting release) and inri032 (which is a covers disc, and may be released some day - this is potentially temporary). these tracks were discarded, but they are not rejected in the same way that the ones on the rejected comp were. they were just remixed, actually.
i'm toying with the idea of flipping it around, and providing the download at a trivial price ($1) and offering the recording at a normal price. that would allow for the physical disc to exist in the collection, and yet allow for (almost) free downloads.
i need to nap. i'll work this out when i wake up.
...i'm torn over what to do with this.
i understand why i shouldn't be selling it, but i also want the release inside of my physical discography. and the truth is that i'm not actually solving any problems if i put the thing up for download for the price of a physical disc, then don't offer it - i'm not actually addressing the problem i've posed for myself.
i have three releases that are cassette only. besides that, the only recordings i've left download only are inri022 (which is rejected tracks; this is not a really interesting release) and inri032 (which is a covers disc, and may be released some day - this is potentially temporary). these tracks were discarded, but they are not rejected in the same way that the ones on the rejected comp were. they were just remixed, actually.
i'm toying with the idea of flipping it around, and providing the download at a trivial price ($1) and offering the recording at a normal price. that would allow for the physical disc to exist in the collection, and yet allow for (almost) free downloads.
i need to nap. i'll work this out when i wake up.
Sunday, October 1, 2017
Friday, September 29, 2017
this cannot ship until the alter-reality catches up, which will not be until january 1st, 2020.
single blu-ray disc containing material initially recorded from 1996 to 2000 and played with over and over again up until the completion point in 2020. inri000-inri036 & extras. numbered with a cd printer and shipped in a jewel case. also contains all outtakes from period 1, an html front-end with extensive liner notes (including the full alter-reality journal), relevant music videos and vlogs of the remastering process (10/2015-1/2020). inriℵ6.
directory structure subject to change as the release fills itself in.
full contents:
/index - chronological and biographical walk through
/inri000: cassette demo #1
remastered flac & original mp3s (112-128 kbps)
jasonparent.bandcamp.com/album/inri-cassette-demo-1
/inri001: cassette demo #2
remastered flac & original mp3s (112 kbps)
jasonparent.bandcamp.com/album/inri-cassette-demo-2
/inri002: inricycled
files in flac
jasonparent.bandcamp.com/album/inricycled-a
/inri003: inrisampled
remastered flac & original mp3s (56-112 kbps, mostly mono)
jasonparent.bandcamp.com/album/inrisampled
/inri004: fuck the dead
files in flac
jasonparent.bandcamp.com/album/fuck-the-dead
/inri005: skaters
files in flac
jasonparent.bandcamp.com/album/skaters
/inri006: useless
files in flac
jasonparent.bandcamp.com/album/useless
/inri007: confused
files in flac
jasonparent.bandcamp.com/album/confused-2
/inri008: hey god
files in flac
jasonparent.bandcamp.com/album/hey-god-2
/inri009: i did your mom
files in flac
jasonparent.bandcamp.com/album/i-did-your-mom-2
/inri010: why
files in flac
jasonparent.bandcamp.com/album/why
/inri011: nope
files in flac
jasonparent.bandcamp.com/album/nope-2
/inri012: i think i feel much better now
files in flac
jasonparent.bandcamp.com/album/i-think-i-feel-much-better-now
/inri013: on confusion in sexual adolescence
files in flac
jasonparent.bandcamp.com/album/on-sexual-confusion-in-adolescence-2
/inri014: schizoid terrorist
file in flac
jasonparent.bandcamp.com/album/schizoid-terrorist-2
/inri015: inri
remastered flac & failed 2013 remaster (flac) & flac rip of original cd-r & unsequenced original mp3s (112 kbps)
jasonparent.bandcamp.com/album/inri-3
/inri016: eat my fuck
flac cd-rip
jasonparent.bandcamp.com/album/eat-my-fuck
/inri017: the harsh truth is that only idiots wish for happiness
files in flac
jasonparent.bandcamp.com/album/the-harsh-truth-is-that-only-idiots-wish-for-happiness
/inri018: circus
files in flac
jasonparent.bandcamp.com/album/circus
/inri019: teenage jesus
files in flac
jasonparent.bandcamp.com/album/teenage-jesus
/inri020: boogeyman
files in flac
jasonparent.bandcamp.com/album/boogeyman
/inri021: inriched
remastered flac & failed 2013 remaster (flac) & flac rip of original cd-r & unsequenced original mp3s & alternate versions (112 kbps)
jasonparent.bandcamp.com/album/inriched
/inri022: inrijected
remastered flac & original mp3s (56-128 kbps, sometimes mono)
jasonparent.bandcamp.com/album/inrijected
/inri023: inrimixed:
original mp3s (56-128 kbps, sometimes mono) converted to stereo flac, and those original mp3s
jasonparent.bandcamp.com/album/inrimixed
/inri024: inriclaimed
files in flac
jasonparent.bandcamp.com/album/inriclaimed
/inri025: inricited
files in flac
jasonparent.bandcamp.com/album/inricited
/inri026: too cold
files in flac
jasonparent.bandcamp.com/album/too-cold
/inri027: gene-os: a soundtrack for an italian breakfast cereal
flac cd-rip
jasonparent.bandcamp.com/album/gene-os-a-soundtrack-for-an-italian-breakfast-cereal
/inri028: pop music (a tribute to carbon dioxide)
flac cd-rip
jasonparent.bandcamp.com/album/pop-music-a-tribute-to-carbon-dioxide
/inri029: warning
flac cd-rip & alternate original version in 256 kbps mp3
jasonparent.bandcamp.com/album/warning
/inri030: war
files in flac
jasonparent.bandcamp.com/album/war
/inri031: liquify
files in flac
jasonparent.bandcamp.com/album/liquify
/inri032: inrimake
remastered flac & flac cd-rip of original cd-r & unsequenced original mp3s (112-256 kbps) & two outtakes (112 kbps)
jasonparent.bandcamp.com/album/inrimake
/inri033: inridiculous
flac cd-rip & unsequenced original mp3s
jasonparent.bandcamp.com/album/inridiculous
/inri034 - book it!
files in flac
jasonparent.bandcamp.com/album/book-it
/inri035 - ambient works vol 0
files in flac
jasonparent.bandcamp.com/album/ambient-works-vol-0
/inri036 - let freedom ring
files in flac + unsequenced original mp3s
jasonparent.bandcamp.com/album/let-freedom-ring
/music videos:
all music videos for period 1 material:
www.youtube.com/playlist?list=PL3JSjmqp0cbub8prCIvv4mqE5J1-n3MHZ
/vlogs:
all period 1 related studio vlogs (10/2015-1/2020)
www.youtube.com/playlist?list=PLrHImg7oLm2aPoq_dCJDkUW1i0XvaYZrj
total disc size is 17.76+ gb.
total running time of official releases, inri000-inri036 is 35:37:39
absolute total running time is 52:46:40 less
single blu-ray disc containing material initially recorded from 1996 to 2000 and played with over and over again up until the completion point in 2020. inri000-inri036 & extras. numbered with a cd printer and shipped in a jewel case. also contains all outtakes from period 1, an html front-end with extensive liner notes (including the full alter-reality journal), relevant music videos and vlogs of the remastering process (10/2015-1/2020). inriℵ6.
directory structure subject to change as the release fills itself in.
full contents:
/index - chronological and biographical walk through
/inri000: cassette demo #1
remastered flac & original mp3s (112-128 kbps)
jasonparent.bandcamp.com/album/inri-cassette-demo-1
/inri001: cassette demo #2
remastered flac & original mp3s (112 kbps)
jasonparent.bandcamp.com/album/inri-cassette-demo-2
/inri002: inricycled
files in flac
jasonparent.bandcamp.com/album/inricycled-a
/inri003: inrisampled
remastered flac & original mp3s (56-112 kbps, mostly mono)
jasonparent.bandcamp.com/album/inrisampled
/inri004: fuck the dead
files in flac
jasonparent.bandcamp.com/album/fuck-the-dead
/inri005: skaters
files in flac
jasonparent.bandcamp.com/album/skaters
/inri006: useless
files in flac
jasonparent.bandcamp.com/album/useless
/inri007: confused
files in flac
jasonparent.bandcamp.com/album/confused-2
/inri008: hey god
files in flac
jasonparent.bandcamp.com/album/hey-god-2
/inri009: i did your mom
files in flac
jasonparent.bandcamp.com/album/i-did-your-mom-2
/inri010: why
files in flac
jasonparent.bandcamp.com/album/why
/inri011: nope
files in flac
jasonparent.bandcamp.com/album/nope-2
/inri012: i think i feel much better now
files in flac
jasonparent.bandcamp.com/album/i-think-i-feel-much-better-now
/inri013: on confusion in sexual adolescence
files in flac
jasonparent.bandcamp.com/album/on-sexual-confusion-in-adolescence-2
/inri014: schizoid terrorist
file in flac
jasonparent.bandcamp.com/album/schizoid-terrorist-2
/inri015: inri
remastered flac & failed 2013 remaster (flac) & flac rip of original cd-r & unsequenced original mp3s (112 kbps)
jasonparent.bandcamp.com/album/inri-3
/inri016: eat my fuck
flac cd-rip
jasonparent.bandcamp.com/album/eat-my-fuck
/inri017: the harsh truth is that only idiots wish for happiness
files in flac
jasonparent.bandcamp.com/album/the-harsh-truth-is-that-only-idiots-wish-for-happiness
/inri018: circus
files in flac
jasonparent.bandcamp.com/album/circus
/inri019: teenage jesus
files in flac
jasonparent.bandcamp.com/album/teenage-jesus
/inri020: boogeyman
files in flac
jasonparent.bandcamp.com/album/boogeyman
/inri021: inriched
remastered flac & failed 2013 remaster (flac) & flac rip of original cd-r & unsequenced original mp3s & alternate versions (112 kbps)
jasonparent.bandcamp.com/album/inriched
/inri022: inrijected
remastered flac & original mp3s (56-128 kbps, sometimes mono)
jasonparent.bandcamp.com/album/inrijected
/inri023: inrimixed:
original mp3s (56-128 kbps, sometimes mono) converted to stereo flac, and those original mp3s
jasonparent.bandcamp.com/album/inrimixed
/inri024: inriclaimed
files in flac
jasonparent.bandcamp.com/album/inriclaimed
/inri025: inricited
files in flac
jasonparent.bandcamp.com/album/inricited
/inri026: too cold
files in flac
jasonparent.bandcamp.com/album/too-cold
/inri027: gene-os: a soundtrack for an italian breakfast cereal
flac cd-rip
jasonparent.bandcamp.com/album/gene-os-a-soundtrack-for-an-italian-breakfast-cereal
/inri028: pop music (a tribute to carbon dioxide)
flac cd-rip
jasonparent.bandcamp.com/album/pop-music-a-tribute-to-carbon-dioxide
/inri029: warning
flac cd-rip & alternate original version in 256 kbps mp3
jasonparent.bandcamp.com/album/warning
/inri030: war
files in flac
jasonparent.bandcamp.com/album/war
/inri031: liquify
files in flac
jasonparent.bandcamp.com/album/liquify
/inri032: inrimake
remastered flac & flac cd-rip of original cd-r & unsequenced original mp3s (112-256 kbps) & two outtakes (112 kbps)
jasonparent.bandcamp.com/album/inrimake
/inri033: inridiculous
flac cd-rip & unsequenced original mp3s
jasonparent.bandcamp.com/album/inridiculous
/inri034 - book it!
files in flac
jasonparent.bandcamp.com/album/book-it
/inri035 - ambient works vol 0
files in flac
jasonparent.bandcamp.com/album/ambient-works-vol-0
/inri036 - let freedom ring
files in flac + unsequenced original mp3s
jasonparent.bandcamp.com/album/let-freedom-ring
/music videos:
all music videos for period 1 material:
www.youtube.com/playlist?list=PL3JSjmqp0cbub8prCIvv4mqE5J1-n3MHZ
/vlogs:
all period 1 related studio vlogs (10/2015-1/2020)
www.youtube.com/playlist?list=PLrHImg7oLm2aPoq_dCJDkUW1i0XvaYZrj
total disc size is 17.76+ gb.
total running time of official releases, inri000-inri036 is 35:37:39
absolute total running time is 52:46:40 less
shipping out on or around January 1, 2020
edition of 5000
$528 CAD or more
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about
purchasing this release does not come with a download.
inri000: originally released dec 25, 1996. remastered oct 30, 2013. finalized june 26, 2016.
inri001: originally released jun 1, 1997. remastered nov 8, 2013. finalized july 3, 2016.
inri002: originally written and recorded over 1996-1997. sequenced and mildly modified in dec, 2013. released dec 11, 2013. finalized on july 3, 2016. lp000.
inri003: created in mid 1997. sequenced and converted to stereo in november, 2013. released on nov 9, 2013. corrected in september, 2014. finalized on july 5, 2016.
inri004: originally written in 1997 and first created in 1998. a failed rescue was attempted in 2013. finally reconstructed in the summer of 2015 and extrapolated upon over the first half of 2016. released on july 4, 2016. finalized on july 5, 2016.
inri005: initially written in 1997. recreated in jan, 1998. a failed rescue was attempted in 2013. reclaimed july 1, 2015. deconstructed dec 18, 2015. released on jan 4, 2016. finalized on july 6, 2016. lead track added and refinalized july 20, 2016.
inri006: originally created in 1998. a failed rescue was attempted in 2013. reconstructed in the summer of 2015 and then manipulated further in the summer of 2016. released & finalized on july 7, 2016. hidden track added and re-finalized on july 18, 2016.
inri007: initially written in 1997. recreated in feb, 1998. a failed rescue was attempted in 2013. reclaimed july 5, 2015. remixed july 12, 2015. electronics added on july 16, 2015. released on jan 4, 2016. sequenced on jan 6-8, 2016. finalized on july 10, 2016. hidden track added and refinalized on july 21, 2016.
inri008: initially written in 1996. recreated in feb, 1998. a failed rescue was attempted in 2013. reclaimed june 29, 2015. remixed july 15, 2015. released on jan 4, 2016. finalized on july 11, 2016. bonus tracks added and re-finalized on july 18, 2016.
inri009: initially written in 1994. first full recording in 1996. recreated in mar, 1998. a failed rescue was attempted in 2013. reclaimed & remixed on july 18, 2015. released jan 5, 2016. sequenced jan 6-8, 2016. finalized on july 20, 2016.
inri010: initially written in 1996. recreated in april, 1998. a failed rescue was attempted in 2013. reclaimed july 12, 2015. vocals added july 15, 2015. sequenced, released and finalized on july 22, 2016.
inri011: originally created in april, 1998. a failed rescue was attempted in 2013. reclaimed july 4, 2015. remixed july 15, 2015. vocals added jan 6, 2016. released on jan 6, 2016. finalized on july 23, 2016.
inri012: initially written in 1996. recreated in the spring of 1998. a failed rescue was attempted in 2013. reclaimed june 29, 2015. corrected to control for malfunctioning electronics on nov 26, 2015. sequenced on jan 10, 2016. released & finalized on july 24, 2016.
inri013: written and demoed from 1994-1998. initially constructed in this form in june, 1998. a failed rescue was attempted in 2013. sequenced on jan 6-7, 2016 from parts that were rebuilt over 2013-2016. released jan 7, 2016. finalized on july 29, 2016. symph001.
inri014: initially written in 1996. recreated mostly in feb, 1998 (schizoid, terrorists) but also partly in june, 1998 (abusive). sequenced in this form in june, 1998. a failed rescue was attempted in 2013. "terrorists" was reclaimed june 28-29, 2015 & remixed july 15, 2015. the main mix was corrected on nov 19, 2015. "schizoid" was reclaimed on july 12, 2015 & reprogrammed on dec 31, 2015. the main mix was corrected on jan 3, 2016 and remixed repeatedly jan 3-5, 2016. the lead track was sequenced on jan 5, 2016 and split back apart on jan 8, 2016. released on jan 5, 2016. audio permanently closed on aug 1, 2016. release finalized on oct 9, 2016.
inri015: written and demoed in multiple stages from 1994-1998. initially constructed in this form in june, 1998. a failed rescue was attempted in 2013. reconstructed and resequenced jan 6-10, 2016 from parts that were rebuilt over 2013-2016. audio permanently closed on aug 10, 2016. finalized on oct 10, 2016. lp001.
inri016: created in the summer of 1998. released as a standalone ep on nov 16, 2013. audio permanently closed on oct 12, 2016. release finalized on oct 27, 2016.
inri017: initially written over the course of 1997. recreated and expanded over the course of 1998. lead track first sequenced in this form in feb, 1999. further remixes generated over the course of 1999. a failed rescue was attempted in 2013, and another in late 2015. remastered in november, 2016 from various sources, 1997-2015. finalized on nov 17, 2016.
inri018: initially written in 1997. recreated and reconceptualized in late 1998. salvaged somewhat at the end of 1999. remastered in 2013. compiled on nov 13, 2016. finalized on nov 19, 2016. final album version added as a bonus track and refinalized on dec 15, 2016.
inri019: written and demoed from 1996-1999. initially constructed in this form in january, 1999. a failed rescue was attempted in 2013. compiled on nov 13, 2016. sequenced on nov 22-24, 2016 from parts that were rebuilt over 2013-2016. audio permanently closed on nov 24, 2016. release finalized on nov 27, 2016. symph002.
inri020: initially written in 1993. first full recording in 1996. recreated in dec, 1997 and again in jan, 1999. a failed rescue was attempted in 2013. reclaimed on july 2, 2015. remixed on july 15, 2015. reconceptualized & remixed repeatedly over november & december, 2016. finalized on dec 13, 2016.
inri021: written and demoed in multiple stages from 1993-1999. initially constructed in this form in feb, 1999. a failed rescue was attempted in 2013. reconstructed and resequenced over november and december, 2016 from parts that were rebuilt over 2013-2016. finalized on dec 15, 2016. lp002.
inri022: recorded over 1998. compiled and remastered in late 2013. corrected to normalize for stereo in september, 2014. expanded incrementally between dec, 2014 and dec, 2016. merged with inricycled b and then finalized on december 16, 2016.
inri023: constructed over 1998. compiled and remastered in late 2013. the first two tracks were corrected to stereo in sept, 2014. the last two tracks were added for re-release as a remix lp in dec, 2016. finalized on dec 17, 2016. lp003.
inri024: initially written and recorded between 1996-1999 and remixed over the summer of 2015, with a lengthy pause due to malfunctioning electronics. final compilation date is jan 3, 2016. finalized dec 17, 2016. lp004.
inri025: this idea was developed in parallel to the inriclaimed project over the summer of 2015 and first compiled on nov 27, 2016. finalized on dec 17, 2016. lp005.
inri026: initially written in the fall of 1997. recorded in the winter of 1999. remixed in late 2013 and again in early 2014. this track was separated from my second record in january, 2016 but the single was not completed until it was remixed one last time in sept, 2017. finalized on sept 10, 2017.
inri027: streamed to disk in one take on the afternoon of march 9, 1999. ripped back to wav format from cd-r in late 2013. released as a one track single on nov 21, 2013. release finalized on sept 12, 2017.
inri028: constructed over a few days in april, 1999. ripped back to wav format from cd-r in late 2013. released as a one track single on nov 21, 2013. release finalized on sept 12, 2017.
inri029: recorded over 1997-1999. constructed in this form in june, 1999. published in november, 2013. aborted early version added as a hidden track on sept 13, 2017; release consequently finalized. symph003.
inri030: initially created in sept, 1997. remixed and reimagined repeatedly over 1998 and 1999. a failed rescue was attempted in 2013. partially reclaimed dec 8, 2014. rebuilt and resequenced on jan 9, 2016 out of material that had been remastered over 2013-2016. reimagined again on oct 26, 2016 out of material that was created in jan, 2016, but not released (and finalized) until sept 13, 2017, in order to properly fit into sequence.
inri031: recorded over the spring and summer of 1999. originally released on inrimake in october, 1999 (with an accidental phase reverse). the first section was modified further at the end of 1999. minimally altered and split into it's own ep in january, 2014. spliced further, appended to, remastered and finalized over sept, 2017. release finalized on sept 28, 2017.
inri032: recorded sporadically, and without cohesive intent, over '98 and '99. originally compiled in the fall of '99. augmented and minimally altered in january, 2014. finalized as lp006 on sept 21, 2017. as always, please use headphones - but note that they are especially mandatory for this recording.
inri033: written and demoed in multiple stages from 1996-1999. initially constructed in this form in dec, 1999. slightly resequenced in jan, 2014. finalized on sept 19, 2017. lp007.
inri034: written & recorded in the fall of 1999. originally released on inridiculous in december, 1999. split into it's own ep in january, 2014. remastered & finalized on sept 28, 2017.
inri035: initially written and recorded between 1996-1999 and remixed between 2013-2015. initially released as part zero of a three volume set on may 21, 2015. split into it's own release on june 14, 2015. finalized as lp008 on sept 29, 2017.
inri036: written and recorded over late 1999 and early 2000. initially constructed in this form in jan, 2014. hidden track added in september, 2017. finalized on sept 29, 2017.
originally created from 1996-2000. this compilation is dated to jan 2, 2000. slowly remastered, reconstituted, compiled, reconstructed, released and finalized from 2013-2020. compilation will be finalized in jan, 2020. as always, please use headphones.
inri000: originally released dec 25, 1996. remastered oct 30, 2013. finalized june 26, 2016.
inri001: originally released jun 1, 1997. remastered nov 8, 2013. finalized july 3, 2016.
inri002: originally written and recorded over 1996-1997. sequenced and mildly modified in dec, 2013. released dec 11, 2013. finalized on july 3, 2016. lp000.
inri003: created in mid 1997. sequenced and converted to stereo in november, 2013. released on nov 9, 2013. corrected in september, 2014. finalized on july 5, 2016.
inri004: originally written in 1997 and first created in 1998. a failed rescue was attempted in 2013. finally reconstructed in the summer of 2015 and extrapolated upon over the first half of 2016. released on july 4, 2016. finalized on july 5, 2016.
inri005: initially written in 1997. recreated in jan, 1998. a failed rescue was attempted in 2013. reclaimed july 1, 2015. deconstructed dec 18, 2015. released on jan 4, 2016. finalized on july 6, 2016. lead track added and refinalized july 20, 2016.
inri006: originally created in 1998. a failed rescue was attempted in 2013. reconstructed in the summer of 2015 and then manipulated further in the summer of 2016. released & finalized on july 7, 2016. hidden track added and re-finalized on july 18, 2016.
inri007: initially written in 1997. recreated in feb, 1998. a failed rescue was attempted in 2013. reclaimed july 5, 2015. remixed july 12, 2015. electronics added on july 16, 2015. released on jan 4, 2016. sequenced on jan 6-8, 2016. finalized on july 10, 2016. hidden track added and refinalized on july 21, 2016.
inri008: initially written in 1996. recreated in feb, 1998. a failed rescue was attempted in 2013. reclaimed june 29, 2015. remixed july 15, 2015. released on jan 4, 2016. finalized on july 11, 2016. bonus tracks added and re-finalized on july 18, 2016.
inri009: initially written in 1994. first full recording in 1996. recreated in mar, 1998. a failed rescue was attempted in 2013. reclaimed & remixed on july 18, 2015. released jan 5, 2016. sequenced jan 6-8, 2016. finalized on july 20, 2016.
inri010: initially written in 1996. recreated in april, 1998. a failed rescue was attempted in 2013. reclaimed july 12, 2015. vocals added july 15, 2015. sequenced, released and finalized on july 22, 2016.
inri011: originally created in april, 1998. a failed rescue was attempted in 2013. reclaimed july 4, 2015. remixed july 15, 2015. vocals added jan 6, 2016. released on jan 6, 2016. finalized on july 23, 2016.
inri012: initially written in 1996. recreated in the spring of 1998. a failed rescue was attempted in 2013. reclaimed june 29, 2015. corrected to control for malfunctioning electronics on nov 26, 2015. sequenced on jan 10, 2016. released & finalized on july 24, 2016.
inri013: written and demoed from 1994-1998. initially constructed in this form in june, 1998. a failed rescue was attempted in 2013. sequenced on jan 6-7, 2016 from parts that were rebuilt over 2013-2016. released jan 7, 2016. finalized on july 29, 2016. symph001.
inri014: initially written in 1996. recreated mostly in feb, 1998 (schizoid, terrorists) but also partly in june, 1998 (abusive). sequenced in this form in june, 1998. a failed rescue was attempted in 2013. "terrorists" was reclaimed june 28-29, 2015 & remixed july 15, 2015. the main mix was corrected on nov 19, 2015. "schizoid" was reclaimed on july 12, 2015 & reprogrammed on dec 31, 2015. the main mix was corrected on jan 3, 2016 and remixed repeatedly jan 3-5, 2016. the lead track was sequenced on jan 5, 2016 and split back apart on jan 8, 2016. released on jan 5, 2016. audio permanently closed on aug 1, 2016. release finalized on oct 9, 2016.
inri015: written and demoed in multiple stages from 1994-1998. initially constructed in this form in june, 1998. a failed rescue was attempted in 2013. reconstructed and resequenced jan 6-10, 2016 from parts that were rebuilt over 2013-2016. audio permanently closed on aug 10, 2016. finalized on oct 10, 2016. lp001.
inri016: created in the summer of 1998. released as a standalone ep on nov 16, 2013. audio permanently closed on oct 12, 2016. release finalized on oct 27, 2016.
inri017: initially written over the course of 1997. recreated and expanded over the course of 1998. lead track first sequenced in this form in feb, 1999. further remixes generated over the course of 1999. a failed rescue was attempted in 2013, and another in late 2015. remastered in november, 2016 from various sources, 1997-2015. finalized on nov 17, 2016.
inri018: initially written in 1997. recreated and reconceptualized in late 1998. salvaged somewhat at the end of 1999. remastered in 2013. compiled on nov 13, 2016. finalized on nov 19, 2016. final album version added as a bonus track and refinalized on dec 15, 2016.
inri019: written and demoed from 1996-1999. initially constructed in this form in january, 1999. a failed rescue was attempted in 2013. compiled on nov 13, 2016. sequenced on nov 22-24, 2016 from parts that were rebuilt over 2013-2016. audio permanently closed on nov 24, 2016. release finalized on nov 27, 2016. symph002.
inri020: initially written in 1993. first full recording in 1996. recreated in dec, 1997 and again in jan, 1999. a failed rescue was attempted in 2013. reclaimed on july 2, 2015. remixed on july 15, 2015. reconceptualized & remixed repeatedly over november & december, 2016. finalized on dec 13, 2016.
inri021: written and demoed in multiple stages from 1993-1999. initially constructed in this form in feb, 1999. a failed rescue was attempted in 2013. reconstructed and resequenced over november and december, 2016 from parts that were rebuilt over 2013-2016. finalized on dec 15, 2016. lp002.
inri022: recorded over 1998. compiled and remastered in late 2013. corrected to normalize for stereo in september, 2014. expanded incrementally between dec, 2014 and dec, 2016. merged with inricycled b and then finalized on december 16, 2016.
inri023: constructed over 1998. compiled and remastered in late 2013. the first two tracks were corrected to stereo in sept, 2014. the last two tracks were added for re-release as a remix lp in dec, 2016. finalized on dec 17, 2016. lp003.
inri024: initially written and recorded between 1996-1999 and remixed over the summer of 2015, with a lengthy pause due to malfunctioning electronics. final compilation date is jan 3, 2016. finalized dec 17, 2016. lp004.
inri025: this idea was developed in parallel to the inriclaimed project over the summer of 2015 and first compiled on nov 27, 2016. finalized on dec 17, 2016. lp005.
inri026: initially written in the fall of 1997. recorded in the winter of 1999. remixed in late 2013 and again in early 2014. this track was separated from my second record in january, 2016 but the single was not completed until it was remixed one last time in sept, 2017. finalized on sept 10, 2017.
inri027: streamed to disk in one take on the afternoon of march 9, 1999. ripped back to wav format from cd-r in late 2013. released as a one track single on nov 21, 2013. release finalized on sept 12, 2017.
inri028: constructed over a few days in april, 1999. ripped back to wav format from cd-r in late 2013. released as a one track single on nov 21, 2013. release finalized on sept 12, 2017.
inri029: recorded over 1997-1999. constructed in this form in june, 1999. published in november, 2013. aborted early version added as a hidden track on sept 13, 2017; release consequently finalized. symph003.
inri030: initially created in sept, 1997. remixed and reimagined repeatedly over 1998 and 1999. a failed rescue was attempted in 2013. partially reclaimed dec 8, 2014. rebuilt and resequenced on jan 9, 2016 out of material that had been remastered over 2013-2016. reimagined again on oct 26, 2016 out of material that was created in jan, 2016, but not released (and finalized) until sept 13, 2017, in order to properly fit into sequence.
inri031: recorded over the spring and summer of 1999. originally released on inrimake in october, 1999 (with an accidental phase reverse). the first section was modified further at the end of 1999. minimally altered and split into it's own ep in january, 2014. spliced further, appended to, remastered and finalized over sept, 2017. release finalized on sept 28, 2017.
inri032: recorded sporadically, and without cohesive intent, over '98 and '99. originally compiled in the fall of '99. augmented and minimally altered in january, 2014. finalized as lp006 on sept 21, 2017. as always, please use headphones - but note that they are especially mandatory for this recording.
inri033: written and demoed in multiple stages from 1996-1999. initially constructed in this form in dec, 1999. slightly resequenced in jan, 2014. finalized on sept 19, 2017. lp007.
inri034: written & recorded in the fall of 1999. originally released on inridiculous in december, 1999. split into it's own ep in january, 2014. remastered & finalized on sept 28, 2017.
inri035: initially written and recorded between 1996-1999 and remixed between 2013-2015. initially released as part zero of a three volume set on may 21, 2015. split into it's own release on june 14, 2015. finalized as lp008 on sept 29, 2017.
inri036: written and recorded over late 1999 and early 2000. initially constructed in this form in jan, 2014. hidden track added in september, 2017. finalized on sept 29, 2017.
originally created from 1996-2000. this compilation is dated to jan 2, 2000. slowly remastered, reconstituted, compiled, reconstructed, released and finalized from 2013-2020. compilation will be finalized in jan, 2020. as always, please use headphones.
credits
released January 2, 2000
j - guitars, effects, bass, bass synth, keyboards, synthesizers, piano, orchestral & other sequencing, drum programming, drum kit, percussion, pick scrapes, metronomes, vocals, vocal relics, mic noises, tapes, found sounds, paper, sampling, vocoders, octavers, cool edit wave synthesis, windows 95 sound recorder, noise generators, noise reduction, soundraider, hammerhead, sound design, strategies, light-wave synthesis, digital wave editing, digital effects processing, loops, text-to-speech synthesis, remixes, reconstructions, reinterpretations, chance, a broken tape deck, production.
the various rendered electronic orchestras include piano, organ, electric guitar, orchestra hit, pizzicato strings, synth pads, violin, viola, cello, contrabass, electric bass, sitar, tubular bells, tinkle bells, synthesizer effects and flute.
j - guitars, effects, bass, bass synth, keyboards, synthesizers, piano, orchestral & other sequencing, drum programming, drum kit, percussion, pick scrapes, metronomes, vocals, vocal relics, mic noises, tapes, found sounds, paper, sampling, vocoders, octavers, cool edit wave synthesis, windows 95 sound recorder, noise generators, noise reduction, soundraider, hammerhead, sound design, strategies, light-wave synthesis, digital wave editing, digital effects processing, loops, text-to-speech synthesis, remixes, reconstructions, reinterpretations, chance, a broken tape deck, production.
the various rendered electronic orchestras include piano, organ, electric guitar, orchestra hit, pizzicato strings, synth pads, violin, viola, cello, contrabass, electric bass, sitar, tubular bells, tinkle bells, synthesizer effects and flute.
on second thought, it seems as though i'll be staying in, tonight.
so, i should get some work done.
i still have to build a skeleton of the period 1 disc, but i've done a cursory run through period 2.1 and it doesn't seem like there's a lot to think about it. that pile of aleph discs has passed for a few releases: there won't be another mp3 disc until probably 2003, and 2000 is the lightest year, so i should get a ways into 2001 before i need to worry about another flac disc.
- i'm adding a hidden track to inri036 but don't plan to do any mastering.
- inri037 was left incomplete on purpose, and i'm going to have to ponder it, but don't plan to touch it.
- inri038 needs to be expanded - and i will probably remix the vocal part. i'll be adding 2-3 mixes. it's a different mentality; i'll go over this.
- inri039 is done.
- inri040 can be expanded to include missing tracks (same as 38)
- inri041 is done
there's going to be an extra vocal disc, probably at 42. this is a logical continuation of the process; i've taken three tracks off records (too cold, liquify, book it!) because they didn't fit, but they all fit together. the fourth track to add to this is the vocal mix of ignorance is bliss, which is now left off of deny everything. a fifth track may be a completed 'curious george suite'. the theme here is original vocal prog, and it works quite well, actually, and especially as an intermediary. i would want to sequence it after 'deny everything' and treat it as an unofficial record - lp010, but not an official 5th. that would just be revisionist. but, it seems somewhat essential, too. i split all of these singles off for good reason, but i like the idea of having an lp for each of them, and this is kind of a problem, right now.
i'm toying with doing the vocal 'stuck' after all, but it would need to look towards a vocal jazz comp.
i don't think that this should be very time consuming, but we'll have to see.
first, i need to skeleton period 1, and that should take me most of the rest of the day.
so, i should get some work done.
i still have to build a skeleton of the period 1 disc, but i've done a cursory run through period 2.1 and it doesn't seem like there's a lot to think about it. that pile of aleph discs has passed for a few releases: there won't be another mp3 disc until probably 2003, and 2000 is the lightest year, so i should get a ways into 2001 before i need to worry about another flac disc.
- i'm adding a hidden track to inri036 but don't plan to do any mastering.
- inri037 was left incomplete on purpose, and i'm going to have to ponder it, but don't plan to touch it.
- inri038 needs to be expanded - and i will probably remix the vocal part. i'll be adding 2-3 mixes. it's a different mentality; i'll go over this.
- inri039 is done.
- inri040 can be expanded to include missing tracks (same as 38)
- inri041 is done
there's going to be an extra vocal disc, probably at 42. this is a logical continuation of the process; i've taken three tracks off records (too cold, liquify, book it!) because they didn't fit, but they all fit together. the fourth track to add to this is the vocal mix of ignorance is bliss, which is now left off of deny everything. a fifth track may be a completed 'curious george suite'. the theme here is original vocal prog, and it works quite well, actually, and especially as an intermediary. i would want to sequence it after 'deny everything' and treat it as an unofficial record - lp010, but not an official 5th. that would just be revisionist. but, it seems somewhat essential, too. i split all of these singles off for good reason, but i like the idea of having an lp for each of them, and this is kind of a problem, right now.
i'm toying with doing the vocal 'stuck' after all, but it would need to look towards a vocal jazz comp.
i don't think that this should be very time consuming, but we'll have to see.
first, i need to skeleton period 1, and that should take me most of the rest of the day.
when i sat
down to make the ambient works, i wanted a "mix tape" style cd-r of
ambient fragments that ran from 1996-2003 as a volume 0. but, when i sat
down to actually make it, i ended up with a 90 minute actual mix tape
of material from 1996-1999. it actually split itself fairly cleanly into
an inri period release, so i've made space for it as a 1999 release.
initially written and recorded between 1996-1999 and remixed between 2013-2015. initially released as part zero of a three volume set on may 21, 2015. split into it's own release on june 14, 2015. finalized as lp008 on sept 29, 2017. as always, please use headphones.
volume 1-2 available here:
jasonparent.bandcamp.com/album/ambient-works-vol-1-2
this release also includes a printable j-card insert and will also eventually include a comprehensive package of journal entries from all phases of production (2015, 2017).
initially written and recorded between 1996-1999 and remixed between 2013-2015. initially released as part zero of a three volume set on may 21, 2015. split into it's own release on june 14, 2015. finalized as lp008 on sept 29, 2017. as always, please use headphones.
volume 1-2 available here:
jasonparent.bandcamp.com/album/ambient-works-vol-1-2
this release also includes a printable j-card insert and will also eventually include a comprehensive package of journal entries from all phases of production (2015, 2017).
credits
released December 31, 1999
j - guitar, effects, bass, pick scrapes, tapes, metronome, synth, electric piano, drum & other programming, sound design, cool edit synthesis, windows 95 sound recorder, loops, sampling, sequencing, sound raider, digital wave editing, production, composition
j - guitar, effects, bass, pick scrapes, tapes, metronome, synth, electric piano, drum & other programming, sound design, cool edit synthesis, windows 95 sound recorder, loops, sampling, sequencing, sound raider, digital wave editing, production, composition
purchasing
this release comes with the immediate download of the release that you
linked to it off of. be sure you make the right choice.
inri016: created in the summer of 1998. released as a standalone ep on nov 16, 2013. audio permanently closed on oct 12, 2016. release finalized on oct 27, 2016.
inri018: initially written in 1997. recreated and reconceptualized in late 1998. salvaged somewhat at the end of 1999. remastered in 2013. compiled on nov 13, 2016. finalized on nov 19, 2016. final album version added as a bonus track and refinalized on dec 15, 2016
inri027: streamed to disk in one take on the afternoon of march 9, 1999. ripped back to wav format from cd-r in late 2013. released as a one track single on nov 21, 2013. release finalized on sept 12, 2017.
inri028: constructed over a few days in april, 1999. ripped back to wav format from cd-r in late 2013. released as a one track single on nov 21, 2013. release finalized on sept 12, 2017.
inri029: recorded over 1997-1999. constructed in this form in june, 1999. published in november, 2013. aborted early version added as a hidden track on sept 13, 2017; release consequently finalized. symph003.
inri031: recorded over the spring and summer of 1999. originally released on inrimake in october, 1999 (with an accidental phase reverse). the first section was modified further at the end of 1999. minimally altered and split into it's own ep in january, 2014. spliced further, appended to, remastered and finalized over sept, 2017. finalized on sept 28, 2017.
inri032: recorded sporadically, and without cohesive intent, over '98 and '99. originally compiled in the fall of '99. augmented and minimally altered in january, 2014. finalized as lp006 on sept 21, 2017.
inri033: written and demoed in multiple stages from 1996-1999. initially constructed in this form in dec, 1999. slightly resequenced in jan, 2014. finalized on sept 19, 2017. lp007.
inri034: written & recorded in the fall of 1999. originally released on inridiculous in december, 1999. split into it's own ep in january, 2014. remastered & finalized on sept 28, 2017.
originally created from 1996-1999, but mostly over 1999. this compilation is dated to dec 20, 1999. slowly remastered, reconstituted, compiled, reconstructed, released and finalized from 2013-2017. compilation finalized on sept 28, 2017. as always, please use headphones.
inri016: created in the summer of 1998. released as a standalone ep on nov 16, 2013. audio permanently closed on oct 12, 2016. release finalized on oct 27, 2016.
inri018: initially written in 1997. recreated and reconceptualized in late 1998. salvaged somewhat at the end of 1999. remastered in 2013. compiled on nov 13, 2016. finalized on nov 19, 2016. final album version added as a bonus track and refinalized on dec 15, 2016
inri027: streamed to disk in one take on the afternoon of march 9, 1999. ripped back to wav format from cd-r in late 2013. released as a one track single on nov 21, 2013. release finalized on sept 12, 2017.
inri028: constructed over a few days in april, 1999. ripped back to wav format from cd-r in late 2013. released as a one track single on nov 21, 2013. release finalized on sept 12, 2017.
inri029: recorded over 1997-1999. constructed in this form in june, 1999. published in november, 2013. aborted early version added as a hidden track on sept 13, 2017; release consequently finalized. symph003.
inri031: recorded over the spring and summer of 1999. originally released on inrimake in october, 1999 (with an accidental phase reverse). the first section was modified further at the end of 1999. minimally altered and split into it's own ep in january, 2014. spliced further, appended to, remastered and finalized over sept, 2017. finalized on sept 28, 2017.
inri032: recorded sporadically, and without cohesive intent, over '98 and '99. originally compiled in the fall of '99. augmented and minimally altered in january, 2014. finalized as lp006 on sept 21, 2017.
inri033: written and demoed in multiple stages from 1996-1999. initially constructed in this form in dec, 1999. slightly resequenced in jan, 2014. finalized on sept 19, 2017. lp007.
inri034: written & recorded in the fall of 1999. originally released on inridiculous in december, 1999. split into it's own ep in january, 2014. remastered & finalized on sept 28, 2017.
originally created from 1996-1999, but mostly over 1999. this compilation is dated to dec 20, 1999. slowly remastered, reconstituted, compiled, reconstructed, released and finalized from 2013-2017. compilation finalized on sept 28, 2017. as always, please use headphones.
credits
released December 20, 1999
j - guitars, effects, bass, keyboards, tapes, synths, piano, sequencers, live drums, drum programming, hammerhead (909 emulator), sound raider, sampling, cool edit synthesis/sequencing, loops, digital effects processing, digital wave editing, noise generators, metronome, a broken tape deck, windows 95 sound recorder, sound design, found sounds, chance, vocals, flute, text-to-speech synthesis, remixes, reconstructions, reinterpretations production
j - guitars, effects, bass, keyboards, tapes, synths, piano, sequencers, live drums, drum programming, hammerhead (909 emulator), sound raider, sampling, cool edit synthesis/sequencing, loops, digital effects processing, digital wave editing, noise generators, metronome, a broken tape deck, windows 95 sound recorder, sound design, found sounds, chance, vocals, flute, text-to-speech synthesis, remixes, reconstructions, reinterpretations production
Thursday, September 28, 2017
i was not expecting to remaster book it, but i ran it through my custom patch and it just really came out of itself.
i'm going to have to check each thing as it comes up, but i actually don't expect to do a lot of remastering for the next slew of releases.
i need to sleep. but, i should get through quite a bit when i wake up...
i'm going to have to check each thing as it comes up, but i actually don't expect to do a lot of remastering for the next slew of releases.
i need to sleep. but, i should get through quite a bit when i wake up...
republishing inri034
this is another lost track that exists in a sort of an ill-defined alter-reality.
it came out of a jam in my basement that fall. i was feeling a little more lonely than usual. see, i was quite literally the only person in my social group that bothered doing grade 13. so, school was converted from my only real social grounding (and i was always an extremely introverted loner) into a place of isolation and alienation. i skipped a lot of classes, actually, in a desire to escape the people. looking back, i sort of regret not reaching out to the people around me a bit more; it would have helped in more than just a social context. but, in hindsight, i'm also able to understand the separation better as one of class; as much as i regret keeping myself isolated, i think i would have been better off not carrying on with school at all.
i mean, i did well. my average was over 90. but i felt hopelessly out of place. i knew i didn't belong there....that they would never accept me unless i became the kind of pretentious jerk i despised. nor did i want anything to do with them, anyways. i really hated the superior attitude that i found myself immersed within. so, i just kept my physical distance and my mouth shut, hoping the condition was temporary (it wasn't).
the flip side of this is that i was also working a part-time job in a fast-food restaurant and i hated it just as much. i didn't fit in any better there, amongst the kids with no aspirations in life except to work in order to exist.
so, i found myself stuck between worlds, not wanting anything to do with either. in both cases, though, what i found the problem was was the people. "i don't mind the job, but i'm repulsed by the staff".
what i really wanted was just to be able to lock myself in a room and never have to engage with anybody ever again. i think that i'm the only person that could have written this. it exudes my idiosyncrasies in surreal, tongue-in-cheek humour. but it's also dead serious.
"i'd rather have a book than a friend.
it's loyalty will never end,
doesn't succumb to fashion or trend,
and all the information it sends,
will never get lost along the way.
when things get as tough as they may,
it will always know exactly what to say,
'cause books don't hurt...
...or do they?"
musically, there's some fancy playing here. everything is completely live: no loops (except the drums, programmed into a 909 emulator). that guitar part is sort of tricky. and check the bass part in the breakdown.
the thing i really like about this the most, though, is the gorgeous kosmische ending section, which is built up on overlapping sixths and is just the most dreamy thing to escape into ever. dramatic ending chord care/of a day in the life.
and, indeed, this is the dramatic ending chord for inri.
written & recorded in the fall of 1999. originally released on inridiculous in december, 1999. split into it's own ep in january, 2014. remastered & finalized on sept 28, 2017. as always, please use headphones.
this release also includes a printable jewel case insert and will also eventually include a comprehensive package of journal entries from all phases of production (1999, 2013, 2014, 2017).
it came out of a jam in my basement that fall. i was feeling a little more lonely than usual. see, i was quite literally the only person in my social group that bothered doing grade 13. so, school was converted from my only real social grounding (and i was always an extremely introverted loner) into a place of isolation and alienation. i skipped a lot of classes, actually, in a desire to escape the people. looking back, i sort of regret not reaching out to the people around me a bit more; it would have helped in more than just a social context. but, in hindsight, i'm also able to understand the separation better as one of class; as much as i regret keeping myself isolated, i think i would have been better off not carrying on with school at all.
i mean, i did well. my average was over 90. but i felt hopelessly out of place. i knew i didn't belong there....that they would never accept me unless i became the kind of pretentious jerk i despised. nor did i want anything to do with them, anyways. i really hated the superior attitude that i found myself immersed within. so, i just kept my physical distance and my mouth shut, hoping the condition was temporary (it wasn't).
the flip side of this is that i was also working a part-time job in a fast-food restaurant and i hated it just as much. i didn't fit in any better there, amongst the kids with no aspirations in life except to work in order to exist.
so, i found myself stuck between worlds, not wanting anything to do with either. in both cases, though, what i found the problem was was the people. "i don't mind the job, but i'm repulsed by the staff".
what i really wanted was just to be able to lock myself in a room and never have to engage with anybody ever again. i think that i'm the only person that could have written this. it exudes my idiosyncrasies in surreal, tongue-in-cheek humour. but it's also dead serious.
"i'd rather have a book than a friend.
it's loyalty will never end,
doesn't succumb to fashion or trend,
and all the information it sends,
will never get lost along the way.
when things get as tough as they may,
it will always know exactly what to say,
'cause books don't hurt...
...or do they?"
musically, there's some fancy playing here. everything is completely live: no loops (except the drums, programmed into a 909 emulator). that guitar part is sort of tricky. and check the bass part in the breakdown.
the thing i really like about this the most, though, is the gorgeous kosmische ending section, which is built up on overlapping sixths and is just the most dreamy thing to escape into ever. dramatic ending chord care/of a day in the life.
and, indeed, this is the dramatic ending chord for inri.
written & recorded in the fall of 1999. originally released on inridiculous in december, 1999. split into it's own ep in january, 2014. remastered & finalized on sept 28, 2017. as always, please use headphones.
this release also includes a printable jewel case insert and will also eventually include a comprehensive package of journal entries from all phases of production (1999, 2013, 2014, 2017).
credits
released December 15, 1999
j - guitars, effects, bass, synths, sequencers, drum programming, flute, digital wave editing, vocals, production
j - guitars, effects, bass, synths, sequencers, drum programming, flute, digital wave editing, vocals, production
purchasing this release does not come with a download.
inri000: originally released dec 25, 1996. remastered oct 30, 2013. finalized june 26, 2016.
inri001: originally released jun 1, 1997. remastered nov 8, 2013. finalized july 3, 2016.
inri002: originally written and recorded over 1996-1997. sequenced and mildly modified in dec, 2013. released dec 11, 2013. finalized on july 3, 2016. lp000.
inri003: created in mid 1997. sequenced and converted to stereo in november, 2013. released on nov 9, 2013. corrected in september, 2014. finalized on july 5, 2016.
inri004: originally written in 1997 and first created in 1998. a failed rescue was attempted in 2013. finally reconstructed in the summer of 2015 and extrapolated upon over the first half of 2016. released on july 4, 2016. finalized on july 5, 2016.
inri005: initially written in 1997. recreated in jan, 1998. a failed rescue was attempted in 2013. reclaimed july 1, 2015. deconstructed dec 18, 2015. released on jan 4, 2016. finalized on july 6, 2016. lead track added and refinalized july 20, 2016.
inri006: originally created in 1998. a failed rescue was attempted in 2013. reconstructed in the summer of 2015 and then manipulated further in the summer of 2016. released & finalized on july 7, 2016. hidden track added and re-finalized on july 18, 2016.
inri007: initially written in 1997. recreated in feb, 1998. a failed rescue was attempted in 2013. reclaimed july 5, 2015. remixed july 12, 2015. electronics added on july 16, 2015. released on jan 4, 2016. sequenced on jan 6-8, 2016. finalized on july 10, 2016. hidden track added and refinalized on july 21, 2016.
inri008: initially written in 1996. recreated in feb, 1998. a failed rescue was attempted in 2013. reclaimed june 29, 2015. remixed july 15, 2015. released on jan 4, 2016. finalized on july 11, 2016. bonus tracks added and re-finalized on july 18, 2016.
inri009: initially written in 1994. first full recording in 1996. recreated in mar, 1998. a failed rescue was attempted in 2013. reclaimed & remixed on july 18, 2015. released jan 5, 2016. sequenced jan 6-8, 2016. finalized on july 20, 2016.
inri010: initially written in 1996. recreated in april, 1998. a failed rescue was attempted in 2013. reclaimed july 12, 2015. vocals added july 15, 2015. sequenced, released and finalized on july 22, 2016.
inri011: originally created in april, 1998. a failed rescue was attempted in 2013. reclaimed july 4, 2015. remixed july 15, 2015. vocals added jan 6, 2016. released on jan 6, 2016. finalized on july 23, 2016.
inri012: initially written in 1996. recreated in the spring of 1998. a failed rescue was attempted in 2013. reclaimed june 29, 2015. corrected to control for malfunctioning electronics on nov 26, 2015. sequenced on jan 10, 2016. released & finalized on july 24, 2016.
inri013: written and demoed from 1994-1998. initially constructed in this form in june, 1998. a failed rescue was attempted in 2013. sequenced on jan 6-7, 2016 from parts that were rebuilt over 2013-2016. released jan 7, 2016. finalized on july 29, 2016. symph001.
inri014: initially written in 1996. recreated mostly in feb, 1998 (schizoid, terrorists) but also partly in june, 1998 (abusive). sequenced in this form in june, 1998. a failed rescue was attempted in 2013. "terrorists" was reclaimed june 28-29, 2015 & remixed july 15, 2015. the main mix was corrected on nov 19, 2015. "schizoid" was reclaimed on july 12, 2015 & reprogrammed on dec 31, 2015. the main mix was corrected on jan 3, 2016 and remixed repeatedly jan 3-5, 2016. the lead track was sequenced on jan 5, 2016 and split back apart on jan 8, 2016. released on jan 5, 2016. audio permanently closed on aug 1, 2016. release finalized on oct 9, 2016.
inri015: written and demoed in multiple stages from 1994-1998. initially constructed in this form in june, 1998. a failed rescue was attempted in 2013. reconstructed and resequenced jan 6-10, 2016 from parts that were rebuilt over 2013-2016. audio permanently closed on aug 10, 2016. finalized on oct 10, 2016. lp001.
inri016: created in the summer of 1998. released as a standalone ep on nov 16, 2013. audio permanently closed on oct 12, 2016. release finalized on oct 27, 2016.
inri017: initially written over the course of 1997. recreated and expanded over the course of 1998. lead track first sequenced in this form in feb, 1999. further remixes generated over the course of 1999. a failed rescue was attempted in 2013, and another in late 2015. remastered in november, 2016 from various sources, 1997-2015. finalized on nov 17, 2016.
inri018: initially written in 1997. recreated and reconceptualized in late 1998. salvaged somewhat at the end of 1999. remastered in 2013. compiled on nov 13, 2016. finalized on nov 19, 2016. final album version added as a bonus track and refinalized on dec 15, 2016.
inri019: written and demoed from 1996-1999. initially constructed in this form in january, 1999. a failed rescue was attempted in 2013. compiled on nov 13, 2016. sequenced on nov 22-24, 2016 from parts that were rebuilt over 2013-2016. audio permanently closed on nov 24, 2016. release finalized on nov 27, 2016. symph002.
inri020: initially written in 1993. first full recording in 1996. recreated in dec, 1997 and again in jan, 1999. a failed rescue was attempted in 2013. reclaimed on july 2, 2015. remixed on july 15, 2015. reconceptualized & remixed repeatedly over november & december, 2016. finalized on dec 13, 2016.
inri021: written and demoed in multiple stages from 1993-1999. initially constructed in this form in feb, 1999. a failed rescue was attempted in 2013. reconstructed and resequenced over november and december, 2016 from parts that were rebuilt over 2013-2016. finalized on dec 15, 2016. lp002.
inri022: recorded over 1998. compiled and remastered in late 2013. corrected to normalize for stereo in september, 2014. expanded incrementally between dec, 2014 and dec, 2016. merged with inricycled b and then finalized on december 16, 2016.
inri023: constructed over 1998. compiled and remastered in late 2013. the first two tracks were corrected to stereo in sept, 2014. the last two tracks were added for re-release as a remix lp in dec, 2016. finalized on dec 17, 2016. lp003.
inri024: initially written and recorded between 1996-1999 and remixed over the summer of 2015, with a lengthy pause due to malfunctioning electronics. final compilation date is jan 3, 2016. finalized dec 17, 2016. lp004.
inri025: this idea was developed in parallel to the inriclaimed project over the summer of 2015 and first compiled on nov 27, 2016. finalized on dec 17, 2016. lp005.
inri026: initially written in the fall of 1997. recorded in the winter of 1999. remixed in late 2013 and again in early 2014. this track was separated from my second record in january, 2016 but the single was not completed until it was remixed one last time in sept, 2017. finalized on sept 10, 2017.
inri027: streamed to disk in one take on the afternoon of march 9, 1999. ripped back to wav format from cd-r in late 2013. released as a one track single on nov 21, 2013. release finalized on sept 12, 2017.
inri028: constructed over a few days in april, 1999. ripped back to wav format from cd-r in late 2013. released as a one track single on nov 21, 2013. release finalized on sept 12, 2017.
inri029: recorded over 1997-1999. constructed in this form in june, 1999. published in november, 2013. aborted early version added as a hidden track on sept 13, 2017; release consequently finalized. symph003.
inri030: initially created in sept, 1997. remixed and reimagined repeatedly over 1998 and 1999. a failed rescue was attempted in 2013. partially reclaimed dec 8, 2014. rebuilt and resequenced on jan 9, 2016 out of material that had been remastered over 2013-2016. reimagined again on oct 26, 2016 out of material that was created in jan, 2016, but not released (and finalized) until sept 13, 2017, in order to properly fit into sequence.
inri031: recorded over the spring and summer of 1999. originally released on inrimake in october, 1999 (with an accidental phase reverse). the first section was modified further at the end of 1999. minimally altered and split into it's own ep in january, 2014. spliced further, appended to, remastered and finalized over sept, 2017. release finalized on sept 28, 2017.
inri032: recorded sporadically, and without cohesive intent, over '98 and '99. originally compiled in the fall of '99. augmented and minimally altered in january, 2014. finalized as lp006 on sept 21, 2017. as always, please use headphones - but note that they are especially mandatory for this recording.
originally created from 1996-1999. this compilation is dated to nov 1, 1999. slowly remastered, reconstituted, compiled, reconstructed, released and finalized from 2013-2017. compilation finalized on sept 28, 2017. as always, please use headphones.
inri000: originally released dec 25, 1996. remastered oct 30, 2013. finalized june 26, 2016.
inri001: originally released jun 1, 1997. remastered nov 8, 2013. finalized july 3, 2016.
inri002: originally written and recorded over 1996-1997. sequenced and mildly modified in dec, 2013. released dec 11, 2013. finalized on july 3, 2016. lp000.
inri003: created in mid 1997. sequenced and converted to stereo in november, 2013. released on nov 9, 2013. corrected in september, 2014. finalized on july 5, 2016.
inri004: originally written in 1997 and first created in 1998. a failed rescue was attempted in 2013. finally reconstructed in the summer of 2015 and extrapolated upon over the first half of 2016. released on july 4, 2016. finalized on july 5, 2016.
inri005: initially written in 1997. recreated in jan, 1998. a failed rescue was attempted in 2013. reclaimed july 1, 2015. deconstructed dec 18, 2015. released on jan 4, 2016. finalized on july 6, 2016. lead track added and refinalized july 20, 2016.
inri006: originally created in 1998. a failed rescue was attempted in 2013. reconstructed in the summer of 2015 and then manipulated further in the summer of 2016. released & finalized on july 7, 2016. hidden track added and re-finalized on july 18, 2016.
inri007: initially written in 1997. recreated in feb, 1998. a failed rescue was attempted in 2013. reclaimed july 5, 2015. remixed july 12, 2015. electronics added on july 16, 2015. released on jan 4, 2016. sequenced on jan 6-8, 2016. finalized on july 10, 2016. hidden track added and refinalized on july 21, 2016.
inri008: initially written in 1996. recreated in feb, 1998. a failed rescue was attempted in 2013. reclaimed june 29, 2015. remixed july 15, 2015. released on jan 4, 2016. finalized on july 11, 2016. bonus tracks added and re-finalized on july 18, 2016.
inri009: initially written in 1994. first full recording in 1996. recreated in mar, 1998. a failed rescue was attempted in 2013. reclaimed & remixed on july 18, 2015. released jan 5, 2016. sequenced jan 6-8, 2016. finalized on july 20, 2016.
inri010: initially written in 1996. recreated in april, 1998. a failed rescue was attempted in 2013. reclaimed july 12, 2015. vocals added july 15, 2015. sequenced, released and finalized on july 22, 2016.
inri011: originally created in april, 1998. a failed rescue was attempted in 2013. reclaimed july 4, 2015. remixed july 15, 2015. vocals added jan 6, 2016. released on jan 6, 2016. finalized on july 23, 2016.
inri012: initially written in 1996. recreated in the spring of 1998. a failed rescue was attempted in 2013. reclaimed june 29, 2015. corrected to control for malfunctioning electronics on nov 26, 2015. sequenced on jan 10, 2016. released & finalized on july 24, 2016.
inri013: written and demoed from 1994-1998. initially constructed in this form in june, 1998. a failed rescue was attempted in 2013. sequenced on jan 6-7, 2016 from parts that were rebuilt over 2013-2016. released jan 7, 2016. finalized on july 29, 2016. symph001.
inri014: initially written in 1996. recreated mostly in feb, 1998 (schizoid, terrorists) but also partly in june, 1998 (abusive). sequenced in this form in june, 1998. a failed rescue was attempted in 2013. "terrorists" was reclaimed june 28-29, 2015 & remixed july 15, 2015. the main mix was corrected on nov 19, 2015. "schizoid" was reclaimed on july 12, 2015 & reprogrammed on dec 31, 2015. the main mix was corrected on jan 3, 2016 and remixed repeatedly jan 3-5, 2016. the lead track was sequenced on jan 5, 2016 and split back apart on jan 8, 2016. released on jan 5, 2016. audio permanently closed on aug 1, 2016. release finalized on oct 9, 2016.
inri015: written and demoed in multiple stages from 1994-1998. initially constructed in this form in june, 1998. a failed rescue was attempted in 2013. reconstructed and resequenced jan 6-10, 2016 from parts that were rebuilt over 2013-2016. audio permanently closed on aug 10, 2016. finalized on oct 10, 2016. lp001.
inri016: created in the summer of 1998. released as a standalone ep on nov 16, 2013. audio permanently closed on oct 12, 2016. release finalized on oct 27, 2016.
inri017: initially written over the course of 1997. recreated and expanded over the course of 1998. lead track first sequenced in this form in feb, 1999. further remixes generated over the course of 1999. a failed rescue was attempted in 2013, and another in late 2015. remastered in november, 2016 from various sources, 1997-2015. finalized on nov 17, 2016.
inri018: initially written in 1997. recreated and reconceptualized in late 1998. salvaged somewhat at the end of 1999. remastered in 2013. compiled on nov 13, 2016. finalized on nov 19, 2016. final album version added as a bonus track and refinalized on dec 15, 2016.
inri019: written and demoed from 1996-1999. initially constructed in this form in january, 1999. a failed rescue was attempted in 2013. compiled on nov 13, 2016. sequenced on nov 22-24, 2016 from parts that were rebuilt over 2013-2016. audio permanently closed on nov 24, 2016. release finalized on nov 27, 2016. symph002.
inri020: initially written in 1993. first full recording in 1996. recreated in dec, 1997 and again in jan, 1999. a failed rescue was attempted in 2013. reclaimed on july 2, 2015. remixed on july 15, 2015. reconceptualized & remixed repeatedly over november & december, 2016. finalized on dec 13, 2016.
inri021: written and demoed in multiple stages from 1993-1999. initially constructed in this form in feb, 1999. a failed rescue was attempted in 2013. reconstructed and resequenced over november and december, 2016 from parts that were rebuilt over 2013-2016. finalized on dec 15, 2016. lp002.
inri022: recorded over 1998. compiled and remastered in late 2013. corrected to normalize for stereo in september, 2014. expanded incrementally between dec, 2014 and dec, 2016. merged with inricycled b and then finalized on december 16, 2016.
inri023: constructed over 1998. compiled and remastered in late 2013. the first two tracks were corrected to stereo in sept, 2014. the last two tracks were added for re-release as a remix lp in dec, 2016. finalized on dec 17, 2016. lp003.
inri024: initially written and recorded between 1996-1999 and remixed over the summer of 2015, with a lengthy pause due to malfunctioning electronics. final compilation date is jan 3, 2016. finalized dec 17, 2016. lp004.
inri025: this idea was developed in parallel to the inriclaimed project over the summer of 2015 and first compiled on nov 27, 2016. finalized on dec 17, 2016. lp005.
inri026: initially written in the fall of 1997. recorded in the winter of 1999. remixed in late 2013 and again in early 2014. this track was separated from my second record in january, 2016 but the single was not completed until it was remixed one last time in sept, 2017. finalized on sept 10, 2017.
inri027: streamed to disk in one take on the afternoon of march 9, 1999. ripped back to wav format from cd-r in late 2013. released as a one track single on nov 21, 2013. release finalized on sept 12, 2017.
inri028: constructed over a few days in april, 1999. ripped back to wav format from cd-r in late 2013. released as a one track single on nov 21, 2013. release finalized on sept 12, 2017.
inri029: recorded over 1997-1999. constructed in this form in june, 1999. published in november, 2013. aborted early version added as a hidden track on sept 13, 2017; release consequently finalized. symph003.
inri030: initially created in sept, 1997. remixed and reimagined repeatedly over 1998 and 1999. a failed rescue was attempted in 2013. partially reclaimed dec 8, 2014. rebuilt and resequenced on jan 9, 2016 out of material that had been remastered over 2013-2016. reimagined again on oct 26, 2016 out of material that was created in jan, 2016, but not released (and finalized) until sept 13, 2017, in order to properly fit into sequence.
inri031: recorded over the spring and summer of 1999. originally released on inrimake in october, 1999 (with an accidental phase reverse). the first section was modified further at the end of 1999. minimally altered and split into it's own ep in january, 2014. spliced further, appended to, remastered and finalized over sept, 2017. release finalized on sept 28, 2017.
inri032: recorded sporadically, and without cohesive intent, over '98 and '99. originally compiled in the fall of '99. augmented and minimally altered in january, 2014. finalized as lp006 on sept 21, 2017. as always, please use headphones - but note that they are especially mandatory for this recording.
originally created from 1996-1999. this compilation is dated to nov 1, 1999. slowly remastered, reconstituted, compiled, reconstructed, released and finalized from 2013-2017. compilation finalized on sept 28, 2017. as always, please use headphones.
credits
released November 1, 1999
j - guitars, effects, bass, bass synth, keyboards, synthesizers, piano, orchestral & other sequencing, drum programming, drum kit, percussion, pick scrapes, metronomes, vocals, vocal relics, mic noises, tapes, found sounds, paper, sampling, vocoders, octavers, cool edit wave synthesis, windows 95 sound recorder, noise generators, noise reduction, soundraider, hammerhead, sound design, strategies, light-wave synthesis, digital wave editing, digital effects processing, loops, text-to-speech synthesis, remixes, reconstructions, reinterpretations, chance, a broken tape deck, production.
the various rendered electronic orchestras include piano, organ, electric guitar, orchestra hit, pizzicato strings, synth pads, violin, viola, cello, contrabass, electric bass, sitar, tubular bells, tinkle bells, synthesizer effects and flute.
j - guitars, effects, bass, bass synth, keyboards, synthesizers, piano, orchestral & other sequencing, drum programming, drum kit, percussion, pick scrapes, metronomes, vocals, vocal relics, mic noises, tapes, found sounds, paper, sampling, vocoders, octavers, cool edit wave synthesis, windows 95 sound recorder, noise generators, noise reduction, soundraider, hammerhead, sound design, strategies, light-wave synthesis, digital wave editing, digital effects processing, loops, text-to-speech synthesis, remixes, reconstructions, reinterpretations, chance, a broken tape deck, production.
the various rendered electronic orchestras include piano, organ, electric guitar, orchestra hit, pizzicato strings, synth pads, violin, viola, cello, contrabass, electric bass, sitar, tubular bells, tinkle bells, synthesizer effects and flute.
republishing inri031
this was initially a part of this record:
jasonparent.bandcamp.com/album/inrimake
...but it never really made sense to put it there. that's a remix/cover album, and this is two forgotten experiments. it makes more sense to spin it off here.
this track was meant to be a new beginning, but, instead, exists in a sort of purgatory. musically, it's radically different than anything else labeled 'inri'; thematically, it's a logical extension of inri. i really wanted this to be a fresh start, but in the end i had to leave it in the inri pile. in places it's sort of evil, in other places it's just a little too precious.
my dad swapped houses in mid 99. again. this would be a frequent annoyance over the next few years. i can date this clearly to the summer of '99 as the first thing i did in my new basement. that change of surroundings contributed to the feeling of wanting to do something different...
while it is an original track, it ended up on the covers disc for two reasons. first, the lead guitar loop that cycles through the track came out of a stoner jam session in the basement of a friend of mine. it's sort of hilarious to realize it took three years for another human being to get an influence here, even if it was a throwaway jam session. that was really just an excuse though. the real reason it was on inrimake, rather than on inridiculous, is that it fits in better with the prog theme of that disc than the noise theme of the other one.
the lyrics have been a problem since they were recorded. sex sells. shock sells. i had to psyche myself up to do it. it's all tied together, though. where was i going with this, anyways?
'99 was the summer between grades 12 and 13 ("oac"). yes, ontario had a grade 13. get your laughs in. it was actually a pre-university year. universities would take the grades from the "oac" year as the entrance requirements. we didn't do SATs or anything. most universities have something like this for "mature students"; the weirdness is in making high school kids do the extra year. a few places (like quebec) still have similar types of pre-university screening...
anyways, i'm going into the oac year and i haven't even really given the whole vocation thing a passing thought, other than to reject the idea of defining my life through the concept of labour. there were a few weeks in the summer where i had sort of decided not to go to oac at all. i was actually *excited* about escaping school, focusing on a minimum wage job and spending my free time smoking pot and writing music. i really didn't want anything more out of life than this. and, if i happened to get lucky and sell some records, even better. i was eventually talked down from this position through a process of bribery. that didn't magically construct vocational aspirations, though; i ended up overloading on oac credits for the simple reason that i didn't know what i wanted.
(i ended up grudgingly accepting entrance into a software engineering program, literally switched to cosmological physics within a few weeks, switched to math after that, then bounced around from music to english to women's studies and ...)
so, again, i'm stuck between grade 12 and 13 and really dreading what the future holds. finding a way to sell some music would be an escape from this. i concluded that, tactically, my best approach at the time would have been to focus on something sexually explicit that gains it's power from it's shock value. there's a bit of desperation underlying this.
so i wrote a sort of graphic depiction of sexual domination within a male homosexual context. see, the thing is that it isn't very convincing. it isn't very convincing because it's contrived for profit. i'm being bluntly honest about the logic that produced this track because seeing myself in the mirror like this actually had a large effect on me. once i realized what i'd created, i was completely disgusted with myself. in it's initial form, liquify was the first 3:36 of this track. it sat on my hard drive for several weeks, waiting for me to finish questioning myself - who i was, what i was doing, whether it was worth it.
i came to two conclusions.
the first was that contrived music sucks. i realized i wasn't going to get anywhere faking it, anyways. if i wanted to build an audience, the only serious approach i had was honesty.
the second was that, even if it works, being fake isn't worth it. i was rejecting the beaten path because i didn't feel i belonged on it. accepting some kind of Official Alternative Beaten Path wasn't solving anything.
so, i should just do what i want, and tell anybody that doesn't like it to fuck off.
the second part of this track flowed from that epiphany. it's a pure prog workout, discernible from 1972 solely in it's updated use of technology. probably for the first time, the notes really mean something to me, here. if you listen, you can tell.
the ending scene of the jim carrey masterpiece, the truman show, fades the track out. it's meant to document the importance of the film in helping me work through what i was working through. as of january 2014, i've mildly modified the track to fade out the truman show ending, which was just a little too cheezy & precious.
so, yeah. there's a few more inri tracks. but this is really the point where inri dies.
--
the first five minutes were initially a different track, and are split off here for the final version to document it. i didn't initially commit to this pairing; i always intended to finish the first section as a separate track. it really wasn't until 2014 that i finally decided against it.
the version that ended up on 'inrimake' was a slightly less finished mix than the version that i archived as mp3. i must have further altered the track between the time that i burned the inrimake disc (october, 1999) and the time that i saved the track to mp3 to archive (january, 2000). i didn't notice this when i edited the track in 2014. but, i've brought the newest version in for the final remix.
--
when i ran through the discography in 2014, i stopped on this track for a few days and ultimately had to admit defeat around it. i wanted to turn the vocals down, but the mix was simply too saturated to do anything about it; everything i tried had a set of unintended consequences, and it just seemed prudent to not touch it. i was able to get around these concerns for my final mix, which is dated to sept, 2017. i've also split the instrumental section off and given it the title that i used for early versions of inricycled.
recorded over the spring and summer of 1999. originally released on inrimake in october, 1999 (with an accidental phase reverse). the first section was modified further at the end of 1999. minimally altered and split into it's own ep in january, 2014. spliced further, appended to and finalized over sept, 2017. finalized on sept 28, 2017. as always, please use headphones.
this release also includes a printable jewel case insert and will also eventually include a comprehensive package of journal entries from all phases of production (1999, 2013, 2014, 2017).
jasonparent.bandcamp.com/album/inrimake
...but it never really made sense to put it there. that's a remix/cover album, and this is two forgotten experiments. it makes more sense to spin it off here.
this track was meant to be a new beginning, but, instead, exists in a sort of purgatory. musically, it's radically different than anything else labeled 'inri'; thematically, it's a logical extension of inri. i really wanted this to be a fresh start, but in the end i had to leave it in the inri pile. in places it's sort of evil, in other places it's just a little too precious.
my dad swapped houses in mid 99. again. this would be a frequent annoyance over the next few years. i can date this clearly to the summer of '99 as the first thing i did in my new basement. that change of surroundings contributed to the feeling of wanting to do something different...
while it is an original track, it ended up on the covers disc for two reasons. first, the lead guitar loop that cycles through the track came out of a stoner jam session in the basement of a friend of mine. it's sort of hilarious to realize it took three years for another human being to get an influence here, even if it was a throwaway jam session. that was really just an excuse though. the real reason it was on inrimake, rather than on inridiculous, is that it fits in better with the prog theme of that disc than the noise theme of the other one.
the lyrics have been a problem since they were recorded. sex sells. shock sells. i had to psyche myself up to do it. it's all tied together, though. where was i going with this, anyways?
'99 was the summer between grades 12 and 13 ("oac"). yes, ontario had a grade 13. get your laughs in. it was actually a pre-university year. universities would take the grades from the "oac" year as the entrance requirements. we didn't do SATs or anything. most universities have something like this for "mature students"; the weirdness is in making high school kids do the extra year. a few places (like quebec) still have similar types of pre-university screening...
anyways, i'm going into the oac year and i haven't even really given the whole vocation thing a passing thought, other than to reject the idea of defining my life through the concept of labour. there were a few weeks in the summer where i had sort of decided not to go to oac at all. i was actually *excited* about escaping school, focusing on a minimum wage job and spending my free time smoking pot and writing music. i really didn't want anything more out of life than this. and, if i happened to get lucky and sell some records, even better. i was eventually talked down from this position through a process of bribery. that didn't magically construct vocational aspirations, though; i ended up overloading on oac credits for the simple reason that i didn't know what i wanted.
(i ended up grudgingly accepting entrance into a software engineering program, literally switched to cosmological physics within a few weeks, switched to math after that, then bounced around from music to english to women's studies and ...)
so, again, i'm stuck between grade 12 and 13 and really dreading what the future holds. finding a way to sell some music would be an escape from this. i concluded that, tactically, my best approach at the time would have been to focus on something sexually explicit that gains it's power from it's shock value. there's a bit of desperation underlying this.
so i wrote a sort of graphic depiction of sexual domination within a male homosexual context. see, the thing is that it isn't very convincing. it isn't very convincing because it's contrived for profit. i'm being bluntly honest about the logic that produced this track because seeing myself in the mirror like this actually had a large effect on me. once i realized what i'd created, i was completely disgusted with myself. in it's initial form, liquify was the first 3:36 of this track. it sat on my hard drive for several weeks, waiting for me to finish questioning myself - who i was, what i was doing, whether it was worth it.
i came to two conclusions.
the first was that contrived music sucks. i realized i wasn't going to get anywhere faking it, anyways. if i wanted to build an audience, the only serious approach i had was honesty.
the second was that, even if it works, being fake isn't worth it. i was rejecting the beaten path because i didn't feel i belonged on it. accepting some kind of Official Alternative Beaten Path wasn't solving anything.
so, i should just do what i want, and tell anybody that doesn't like it to fuck off.
the second part of this track flowed from that epiphany. it's a pure prog workout, discernible from 1972 solely in it's updated use of technology. probably for the first time, the notes really mean something to me, here. if you listen, you can tell.
the ending scene of the jim carrey masterpiece, the truman show, fades the track out. it's meant to document the importance of the film in helping me work through what i was working through. as of january 2014, i've mildly modified the track to fade out the truman show ending, which was just a little too cheezy & precious.
so, yeah. there's a few more inri tracks. but this is really the point where inri dies.
--
the first five minutes were initially a different track, and are split off here for the final version to document it. i didn't initially commit to this pairing; i always intended to finish the first section as a separate track. it really wasn't until 2014 that i finally decided against it.
the version that ended up on 'inrimake' was a slightly less finished mix than the version that i archived as mp3. i must have further altered the track between the time that i burned the inrimake disc (october, 1999) and the time that i saved the track to mp3 to archive (january, 2000). i didn't notice this when i edited the track in 2014. but, i've brought the newest version in for the final remix.
--
when i ran through the discography in 2014, i stopped on this track for a few days and ultimately had to admit defeat around it. i wanted to turn the vocals down, but the mix was simply too saturated to do anything about it; everything i tried had a set of unintended consequences, and it just seemed prudent to not touch it. i was able to get around these concerns for my final mix, which is dated to sept, 2017. i've also split the instrumental section off and given it the title that i used for early versions of inricycled.
recorded over the spring and summer of 1999. originally released on inrimake in october, 1999 (with an accidental phase reverse). the first section was modified further at the end of 1999. minimally altered and split into it's own ep in january, 2014. spliced further, appended to and finalized over sept, 2017. finalized on sept 28, 2017. as always, please use headphones.
this release also includes a printable jewel case insert and will also eventually include a comprehensive package of journal entries from all phases of production (1999, 2013, 2014, 2017).
credits
released August 1, 1999
j - guitar, effects, bass, synths, piano, loops, drum programming, vocals, samples, cool edit synthesis, sequencing, digital wave editing, digital effects processing, production
j - guitar, effects, bass, synths, piano, loops, drum programming, vocals, samples, cool edit synthesis, sequencing, digital wave editing, digital effects processing, production
Wednesday, September 27, 2017
so, we talked last early on monday morning. i made some progress, but the heat was a bit of a problem due to the a/c upstairs (as mentioned, i'm waiting this guy out) and i ultimately had to stop due to interference. the same thing happened yesterday morning, but i think i was able to finish a proper mix this morning.
we're highly tentative around this. i'm going to need to spend the next 24+ hours verifying it.
but, the heat has also lifted, which means i'm pivoting to airing the apartment out and even plan to take a shower in the next 24 hours. i love the heat, but i can't overstate how much of a problem the a/c is. getting the a/c off should get me a bit more productive.
as i was waiting out the interference, i finished a lot of filing and typing, so there should be a quick procession through the end of 1999, as soon as i close inri031.
for now, i need to listen.
we're highly tentative around this. i'm going to need to spend the next 24+ hours verifying it.
but, the heat has also lifted, which means i'm pivoting to airing the apartment out and even plan to take a shower in the next 24 hours. i love the heat, but i can't overstate how much of a problem the a/c is. getting the a/c off should get me a bit more productive.
as i was waiting out the interference, i finished a lot of filing and typing, so there should be a quick procession through the end of 1999, as soon as i close inri031.
for now, i need to listen.
Tuesday, September 26, 2017
Monday, September 25, 2017
alright, so...
i am awake, now.
where did i leave off on friday morning? i had a tentative mix of liquify up. i'll need to check that. if it's done, i should get through the paper work around the end of 1999 pretty quick; that will include two more completed alephs and a punt on the period 1 disc. if not, i'll need to finish and move on. it won't be long, either way.
so, expect the next thing here to be a closing of inri031 and to be moving forward into the year 2000 within a day or two.
i am awake, now.
where did i leave off on friday morning? i had a tentative mix of liquify up. i'll need to check that. if it's done, i should get through the paper work around the end of 1999 pretty quick; that will include two more completed alephs and a punt on the period 1 disc. if not, i'll need to finish and move on. it won't be long, either way.
so, expect the next thing here to be a closing of inri031 and to be moving forward into the year 2000 within a day or two.
Friday, September 22, 2017
i split the track up, in the end. i had to. this is the most interesting part.
i'm exiting the inri period, with this. i call it 'period 1'. it ends about the end of 1999-ish. period 2 runs from 2000-2003.
where period 1 was about different types of industrial music - running the spectrum from total noise to fruity synth pop - period 2 is fundamentally a prog period, moving between ideas like fusion, post-rock and idm.
i need to run through this pretty quick to ship some material dated to the end of 2001, and moving into early 2003. this is really the way into it.
i'm exiting the inri period, with this. i call it 'period 1'. it ends about the end of 1999-ish. period 2 runs from 2000-2003.
where period 1 was about different types of industrial music - running the spectrum from total noise to fruity synth pop - period 2 is fundamentally a prog period, moving between ideas like fusion, post-rock and idm.
i need to run through this pretty quick to ship some material dated to the end of 2001, and moving into early 2003. this is really the way into it.
something
that happened in the late 90s, when fans of bands started getting
together and talking on the internet, was the phenomena of the
unauthorized remix. schemes were hatched all over the internet to create
remix records, tribute discs, fan collaborations and whatnot. in
hindsight, given what the internet turned into, it was actually a
refreshingly productive use of networking.
different artists have reacted in different ways. i got yelled at by the now deceased singer of god lives underwater for one of these. trent reznor, on the other hand, eventually went so far as to set up a competition (which i didn't take part in, as i'd moved beyond the idea by that point).
once i'd put a few remixes/recreations together, and received more positive feedback doing it than with any of my own songs, i began to realize that if i could get somebody's attention then i could construct myself a launching pad. it seems like that's what a lot of people were thinking; it didn't work out, but i did end up with a number of remixes.
unfortunately, i've lost a lot of them. about a third of them ended up on a cd-r i threw together at the end of 1999. a third just sat on my hard drive, and a third disappeared into the internet. i'm putting them all together here under the title of the 1999 release, 'inrimake'. the initial release ended after "the day inri messed the world up"; the last four songs are 'bonus tracks'. i've further split off the first two tracks to a standalone ep (jasonparent.bandcamp.com/album/liquify), partially because they never fit here properly and partially because it pares the augmented version down to under 80 minutes.
now, i should point out that i was very much going for the *abstract* remix sound rather than the club-friendly mix. you can't really dance to these. you're not supposed to. you're supposed to blare them through headphones and trip out into them.
in terms of my own work, this record very much extends a bridge from the inri period into the deny everything period, to the extent that it arguably realizes the goals of both phases better than either phase does.
this record may be released physically, one day, should the proper legal issues be resolved. right now, i'm only making it available as an almost-free download.
recorded sporadically, and without cohesive intent, over '98 and '99. originally compiled in the fall of '99. augmented and minimally altered in january, 2014. lp006. as always, please use headphones - but note that they are especially mandatory for this recording.
this release will also eventually include a comprehensive package of journal entries from all phases of production (1998, 1999, 2013, 2014, 2017).
different artists have reacted in different ways. i got yelled at by the now deceased singer of god lives underwater for one of these. trent reznor, on the other hand, eventually went so far as to set up a competition (which i didn't take part in, as i'd moved beyond the idea by that point).
once i'd put a few remixes/recreations together, and received more positive feedback doing it than with any of my own songs, i began to realize that if i could get somebody's attention then i could construct myself a launching pad. it seems like that's what a lot of people were thinking; it didn't work out, but i did end up with a number of remixes.
unfortunately, i've lost a lot of them. about a third of them ended up on a cd-r i threw together at the end of 1999. a third just sat on my hard drive, and a third disappeared into the internet. i'm putting them all together here under the title of the 1999 release, 'inrimake'. the initial release ended after "the day inri messed the world up"; the last four songs are 'bonus tracks'. i've further split off the first two tracks to a standalone ep (jasonparent.bandcamp.com/album/liquify), partially because they never fit here properly and partially because it pares the augmented version down to under 80 minutes.
now, i should point out that i was very much going for the *abstract* remix sound rather than the club-friendly mix. you can't really dance to these. you're not supposed to. you're supposed to blare them through headphones and trip out into them.
in terms of my own work, this record very much extends a bridge from the inri period into the deny everything period, to the extent that it arguably realizes the goals of both phases better than either phase does.
this record may be released physically, one day, should the proper legal issues be resolved. right now, i'm only making it available as an almost-free download.
recorded sporadically, and without cohesive intent, over '98 and '99. originally compiled in the fall of '99. augmented and minimally altered in january, 2014. lp006. as always, please use headphones - but note that they are especially mandatory for this recording.
this release will also eventually include a comprehensive package of journal entries from all phases of production (1998, 1999, 2013, 2014, 2017).
credits
released October 15, 1999
j - guitars, effects, bass, synths, drum programming, digital wave editing, cool edit synthesis, sampling, sequencers, loops, text-to-speech synthesis, remixes, reconstructions, reinterpretations
j - guitars, effects, bass, synths, drum programming, digital wave editing, cool edit synthesis, sampling, sequencers, loops, text-to-speech synthesis, remixes, reconstructions, reinterpretations
Thursday, September 21, 2017
there's no affidavit on file. what that means is that there is no legal
evidence that they require me to move out of this unit - the form is
incomplete, and the case will be dismissed.
they could still provide an affidavit. they have until the trial date.
there's two explanations for this, that i can see:
1) incompetence. and, they've demonstrated more than enough of this to consider it plausible...except that they now have counsel, and this would be pretty pathetic if it's incompetence by the counsel. regardless, it could still be coming, and i'll need to call back every day and check to see about it.
2) they never intended this to go to trial - it was a tactic to try and scare me out. in other words, there's no affidavit because there's no family member to move in - it was a bluff, and i've called it.
i need to call every single day. i need to prepare a defence. but, as it stands, they don't have an actual case to present and i'm consequently not under a serious threat of eviction.
so, should i re-open the harassment case? this is my smoking gun, clear as day: an eviction notice without an affidavit is clear and obvious harassment.
1) except for the eviction notice, they've been leaving me alone for the last few weeks.
2) i don't want to present the appearance of lingering conflict - and i can be genuine in avoiding it. the bigger threat is the judge declaring the relationship dysfunctional.
3) i'll be in an even stronger position if i wait it out, as i'll be officially victimized twice and taken advantage of after acting in good faith, the third time. the fourth time will need to be bringing them to justice.
this is counter-intuitive. it's true that they didn't sign the mediation in good faith, but i did. and, so long as they aren't presenting a serious case, i'm better off letting this play out, as it just strengthens my hand.
if this blows over, great - although i'd suspect the judge will award me something as she dismisses the case. i still think they're listing the building soon, in which case i should lay low and wait. and, if they do something stupid, i'll have an easy case, given that i've been so accommodating.
this could change. i'll need to call daily. but, right now, i should wait.
bluff called. i think i'm ok...
they could still provide an affidavit. they have until the trial date.
there's two explanations for this, that i can see:
1) incompetence. and, they've demonstrated more than enough of this to consider it plausible...except that they now have counsel, and this would be pretty pathetic if it's incompetence by the counsel. regardless, it could still be coming, and i'll need to call back every day and check to see about it.
2) they never intended this to go to trial - it was a tactic to try and scare me out. in other words, there's no affidavit because there's no family member to move in - it was a bluff, and i've called it.
i need to call every single day. i need to prepare a defence. but, as it stands, they don't have an actual case to present and i'm consequently not under a serious threat of eviction.
so, should i re-open the harassment case? this is my smoking gun, clear as day: an eviction notice without an affidavit is clear and obvious harassment.
1) except for the eviction notice, they've been leaving me alone for the last few weeks.
2) i don't want to present the appearance of lingering conflict - and i can be genuine in avoiding it. the bigger threat is the judge declaring the relationship dysfunctional.
3) i'll be in an even stronger position if i wait it out, as i'll be officially victimized twice and taken advantage of after acting in good faith, the third time. the fourth time will need to be bringing them to justice.
this is counter-intuitive. it's true that they didn't sign the mediation in good faith, but i did. and, so long as they aren't presenting a serious case, i'm better off letting this play out, as it just strengthens my hand.
if this blows over, great - although i'd suspect the judge will award me something as she dismisses the case. i still think they're listing the building soon, in which case i should lay low and wait. and, if they do something stupid, i'll have an easy case, given that i've been so accommodating.
this could change. i'll need to call daily. but, right now, i should wait.
bluff called. i think i'm ok...
except to split out the last track as a single, i've decided not to alter this in any way.
i was moving, conceptually, to more serious styles of music. i wanted to write these epic 20-minute trips that reached into every genre imaginable. you can hear that shift over the last few things i posted, and it really accelerates moving into the year 2000. there wasn't much left of 'inri' by the time i got there.
what i had left was a bunch of noise tracks that i'd been putting aside for a third demo, trinri, that was meant to carry on with the same concept as the first two: "songs" and "collages" would alternate over 19 tracks. the problem i ran up against with trinri was that i was no longer interested in writing songs. what was coming out, instead, were these fifteen minute journeys. that's ultimately the driving reason that i switched things up: the format had worn itself thin.
in an attempt to establish conceptual unity, i pulled the noise collages together (along with some older collages that i had pulled from various sources as far back as my first demo tape) into this thing. i became aware at some point, very suddenly, that the whole idea and product was sort of ridiculous. hence the title.
this recording is consequently void of actual songs. it isn't easy to listen to, and offers few reprieves, but if you're a fan of a specific kind of electronic psychedelia then you may find something of enjoyment here.
written and demoed in multiple stages from 1996-1999. initially constructed in this form in dec, 1999. slightly resequenced in jan, 2014. finalized on sept 19, 2017. this is my third official record; as always, please use headphones.
the last track just got tagged on as an afterthought. it never really fit the theme. so, i've removed it (as of january, 2014) and placed it here: jasonparent.bandcamp.com/album/book-it.
this release also includes a printable jewel case insert and will also eventually include a comprehensive package of journal entries from all phases of production (1999, 2013, 2014, 2017).
i was moving, conceptually, to more serious styles of music. i wanted to write these epic 20-minute trips that reached into every genre imaginable. you can hear that shift over the last few things i posted, and it really accelerates moving into the year 2000. there wasn't much left of 'inri' by the time i got there.
what i had left was a bunch of noise tracks that i'd been putting aside for a third demo, trinri, that was meant to carry on with the same concept as the first two: "songs" and "collages" would alternate over 19 tracks. the problem i ran up against with trinri was that i was no longer interested in writing songs. what was coming out, instead, were these fifteen minute journeys. that's ultimately the driving reason that i switched things up: the format had worn itself thin.
in an attempt to establish conceptual unity, i pulled the noise collages together (along with some older collages that i had pulled from various sources as far back as my first demo tape) into this thing. i became aware at some point, very suddenly, that the whole idea and product was sort of ridiculous. hence the title.
this recording is consequently void of actual songs. it isn't easy to listen to, and offers few reprieves, but if you're a fan of a specific kind of electronic psychedelia then you may find something of enjoyment here.
written and demoed in multiple stages from 1996-1999. initially constructed in this form in dec, 1999. slightly resequenced in jan, 2014. finalized on sept 19, 2017. this is my third official record; as always, please use headphones.
the last track just got tagged on as an afterthought. it never really fit the theme. so, i've removed it (as of january, 2014) and placed it here: jasonparent.bandcamp.com/album/book-it.
this release also includes a printable jewel case insert and will also eventually include a comprehensive package of journal entries from all phases of production (1999, 2013, 2014, 2017).
credits
released December 10, 1999
j - guitar, effects, bass, keyboards, tapes, synthesizers, live drums, drum programming, hammerhead (909 emulator), sound raider, sampling, cool edit synthesis/sequencing, loops, digital effects processing, digital wave editing, flute
j - guitar, effects, bass, keyboards, tapes, synthesizers, live drums, drum programming, hammerhead (909 emulator), sound raider, sampling, cool edit synthesis/sequencing, loops, digital effects processing, digital wave editing, flute
i meant to get inri033 printed off on tuesday night, and my first
package mailed wednesday morning, but my printer wasn't reading on
tuesday night (it turned out my services got turned off, somehow), so i
put it down to have a few beers at a local noise show - only to not get
home until 7:30. shit happens.
the thing is printed and ready to go. so, that's inr011 & inri033 shipping in the first package, within hours. the next will have what will be something like inri049 and inri057 in it - so i have a lot of liner notes to get through.
i skipped over 31 and 32 just to get the first package out. 32 is download only and will be a quick fix; 31 is going to apparently require a few days to approach. after that, it will just be liner notes for the next 20 or so releases; i'm over the hump, and into material i spent 2014 & 2015 on. it's daylight...
i'm going to have to mail that form this morning, too, as well as figure out how i track down the affidavit in the file.
i should get 32 done, but likely won't be back at 31 until i wake up next.
the thing is printed and ready to go. so, that's inr011 & inri033 shipping in the first package, within hours. the next will have what will be something like inri049 and inri057 in it - so i have a lot of liner notes to get through.
i skipped over 31 and 32 just to get the first package out. 32 is download only and will be a quick fix; 31 is going to apparently require a few days to approach. after that, it will just be liner notes for the next 20 or so releases; i'm over the hump, and into material i spent 2014 & 2015 on. it's daylight...
i'm going to have to mail that form this morning, too, as well as figure out how i track down the affidavit in the file.
i should get 32 done, but likely won't be back at 31 until i wake up next.
Wednesday, September 20, 2017
sept 19, 2017 vlog, where i intend to take advantage of the unseasonable weather by putting closing inri031-inri034 on hold and going to a dj set for a few hours, but instead follow a local sound art label owner to somebody's house in an attempt to network, and then don't get home until the morning.
Tuesday, September 19, 2017
so, i slept the day yesterday and didn't want to, but so be it. i
think i'm up, now. i need to take a shower and get back to inri031.
there was no response on the email to the paralegal, so i guess i need to prepare to take this to court. i intend to win both of these battles - and because we now have concrete evidence of the landlord's intent of trying to evict me, there isn't a potential solution - this is a final battle, that will either end with me homeless or with them bankrupt. any belief i had that these people may act rationally is now gone - they are clearly out to harm me, and have been from the start. this is well documented, and should be easy to show.
they have the burden of proof to demonstrate they need this apartment, and they're not going to meet it because it isn't true. it's also going to get messy, as i'm going to need to do research into who this person is, and potentially either catch an old woman in a lie in a court of law or force them to turn on their own daughter. they can't expect to win the case without a cross-examination, as that is an admission of bullshit - and i'll push for an extension and a subpoena, if necessary.
when i reopen the harassment case, the new claim will be for $4680 and i will not allow them the opportunity to apply for good faith, in the future. they have squandered that privilege. all future actions will be met with immediate legal retaliation. it has to be this way, for my own protection. and, the end point has to be for them to sell the property - which i believe they are doing, anyways.
i gave them plenty of opportunities to avoid this, and all i've received in return is furthering levels of harassment. i'm patient, but things have to change; they've thrown away their last chances, and will now need to be brought to justice - which means having their privilege to hold property taken away from them, and a restitution to the victim of their behaviours.
welcome to canada.
now, as for the vlogs, i'm going to have to put them on pause for the remainder of the legal proceedings. they're still coming, but they won't be being published. we'll have to see what happens, but i'll probably increase the lag by whatever is necessary. that will kick in on oct 1 / july 1st.
the plan for this week is to finish inri031-inri033, then get to the post office and then get on the phone with the tenant board about the affidavit, and then get back to the music for a few more weeks. this doesn't happen until next month, so i have plenty of time to prepare the case and win.
there was no response on the email to the paralegal, so i guess i need to prepare to take this to court. i intend to win both of these battles - and because we now have concrete evidence of the landlord's intent of trying to evict me, there isn't a potential solution - this is a final battle, that will either end with me homeless or with them bankrupt. any belief i had that these people may act rationally is now gone - they are clearly out to harm me, and have been from the start. this is well documented, and should be easy to show.
they have the burden of proof to demonstrate they need this apartment, and they're not going to meet it because it isn't true. it's also going to get messy, as i'm going to need to do research into who this person is, and potentially either catch an old woman in a lie in a court of law or force them to turn on their own daughter. they can't expect to win the case without a cross-examination, as that is an admission of bullshit - and i'll push for an extension and a subpoena, if necessary.
when i reopen the harassment case, the new claim will be for $4680 and i will not allow them the opportunity to apply for good faith, in the future. they have squandered that privilege. all future actions will be met with immediate legal retaliation. it has to be this way, for my own protection. and, the end point has to be for them to sell the property - which i believe they are doing, anyways.
i gave them plenty of opportunities to avoid this, and all i've received in return is furthering levels of harassment. i'm patient, but things have to change; they've thrown away their last chances, and will now need to be brought to justice - which means having their privilege to hold property taken away from them, and a restitution to the victim of their behaviours.
welcome to canada.
now, as for the vlogs, i'm going to have to put them on pause for the remainder of the legal proceedings. they're still coming, but they won't be being published. we'll have to see what happens, but i'll probably increase the lag by whatever is necessary. that will kick in on oct 1 / july 1st.
the plan for this week is to finish inri031-inri033, then get to the post office and then get on the phone with the tenant board about the affidavit, and then get back to the music for a few more weeks. this doesn't happen until next month, so i have plenty of time to prepare the case and win.
Friday, September 15, 2017
so, i did get my court order in today, and i'm kind of flabbergasted
that they would do this, as it's the smoking gun i needed for my
harassment suit.
it's really the absolutely dumbest thing they could do, in context.
see, i sued them a few weeks ago for harassing me with the intent to remove me from the apartment. i gave them another chance (to fuck up). the day i gave them another chance, they put through an obviously false eviction notice to remove me from the apartment - thereby giving me the clear evidence i need to reopen the harassment suit. any lingering doubts about the veracity of my claims are now ameliorated - they actually filed the notice, proving my point.
worse is that they have to actually take it trial, because if they don't then they're clearly admitting the harassment. if i show up and walk into a grovelling paralegal, pleading with me to avoid a trial, he's going to have himself on the legal record demonstrating the initial claim. this all seems to have gone entirely over their head, right. in order to get out of this, they have to actually succeed in evicting me - otherwise it's obvious harassment. but, that was the point of the whole thing - this isn't supposed to go to trial, it's just supposed to scare me out of the place. so, they've walked right into a self-imposed trap: if they don't go to trial, it's harassment; if they do go to trial, and they lose, it's harassment.
so, can they win?
in order to win their case, they're going to have to demonstrate the following:
1) they need the unit. "i can save money" is not a need. "i want to" is not a need. this is a difficult burden. one usually puts their kids in there. they're claiming it's a parent, but that would probably mean it's the upstairs tenant's ex-wife (i can look into this), which is laughable.
2) this process is in good faith. but, they just signed a mediation order in bad faith moments before they signed the eviction notice. these people are pathological liars, and i can demonstrate it.
on top of that, they're going to have to get around the following realities, which are definitely not in their favour:
1) they have been repeatedly threatening to evict me for months.
2) there is a negative history at hand.
3) they appear to be selling the building.
4) this unit has problems with insects and with air quality. who wants to move mom into a cockroach infested basement full of sewer gas and cigarette smoke?
it would be hard to imagine a more obviously bullshit case. if i can't win this case, there isn't a case on the topic to be won. so, i expect the paralegal to do everything he can to avoid it. this is a dumb gamble, but it's his clients that no doubt put him up to it.
the hearing is on the 19th. i wouldn't expect an answer until the beginning of november. so, i should be here until december 1st at the earliest....
....but i do expect to win. and, i expect to win the dove-tailed harassment case as well, which i'm hoping gets scheduled after the ruling on the first, so i can use it to demonstrate the point. if not, i may have to refile :\. that's going to cost them a fortune...we're at eight months rent, now, and counting.
what should they have done?
given that they're obviously selling, they should have just waited it out. i gave them a chance to let it blow over, and they blew it.
but, i'll point something out: they have not been harassing me since. or, at least, not since the first day. my hope that legal counsel would straighten them out is working a little bit, at least. we'll see how long it lasts.
i'll also give them another way out: if i show up on the 19th, and they admit that the whole thing is bullshit, i'll drop everything. in fact, i'm going to send them the offer.
that's going to be their last chance. and, it's not by my choosing - they've run out of options.
it's really the absolutely dumbest thing they could do, in context.
see, i sued them a few weeks ago for harassing me with the intent to remove me from the apartment. i gave them another chance (to fuck up). the day i gave them another chance, they put through an obviously false eviction notice to remove me from the apartment - thereby giving me the clear evidence i need to reopen the harassment suit. any lingering doubts about the veracity of my claims are now ameliorated - they actually filed the notice, proving my point.
worse is that they have to actually take it trial, because if they don't then they're clearly admitting the harassment. if i show up and walk into a grovelling paralegal, pleading with me to avoid a trial, he's going to have himself on the legal record demonstrating the initial claim. this all seems to have gone entirely over their head, right. in order to get out of this, they have to actually succeed in evicting me - otherwise it's obvious harassment. but, that was the point of the whole thing - this isn't supposed to go to trial, it's just supposed to scare me out of the place. so, they've walked right into a self-imposed trap: if they don't go to trial, it's harassment; if they do go to trial, and they lose, it's harassment.
so, can they win?
in order to win their case, they're going to have to demonstrate the following:
1) they need the unit. "i can save money" is not a need. "i want to" is not a need. this is a difficult burden. one usually puts their kids in there. they're claiming it's a parent, but that would probably mean it's the upstairs tenant's ex-wife (i can look into this), which is laughable.
2) this process is in good faith. but, they just signed a mediation order in bad faith moments before they signed the eviction notice. these people are pathological liars, and i can demonstrate it.
on top of that, they're going to have to get around the following realities, which are definitely not in their favour:
1) they have been repeatedly threatening to evict me for months.
2) there is a negative history at hand.
3) they appear to be selling the building.
4) this unit has problems with insects and with air quality. who wants to move mom into a cockroach infested basement full of sewer gas and cigarette smoke?
it would be hard to imagine a more obviously bullshit case. if i can't win this case, there isn't a case on the topic to be won. so, i expect the paralegal to do everything he can to avoid it. this is a dumb gamble, but it's his clients that no doubt put him up to it.
the hearing is on the 19th. i wouldn't expect an answer until the beginning of november. so, i should be here until december 1st at the earliest....
....but i do expect to win. and, i expect to win the dove-tailed harassment case as well, which i'm hoping gets scheduled after the ruling on the first, so i can use it to demonstrate the point. if not, i may have to refile :\. that's going to cost them a fortune...we're at eight months rent, now, and counting.
what should they have done?
given that they're obviously selling, they should have just waited it out. i gave them a chance to let it blow over, and they blew it.
but, i'll point something out: they have not been harassing me since. or, at least, not since the first day. my hope that legal counsel would straighten them out is working a little bit, at least. we'll see how long it lasts.
i'll also give them another way out: if i show up on the 19th, and they admit that the whole thing is bullshit, i'll drop everything. in fact, i'm going to send them the offer.
that's going to be their last chance. and, it's not by my choosing - they've run out of options.
i want to provide a little idea of what it was like.
i knew i had to stop, so i opened up notepad and tried to type up some notes. i had determined that the mp3 version and the 2014 mix were somehow phase reversed, and i'm trying to type it out.
1999/1914
no.
1989/18
what.
18990/1999...19....wait...oh...2001...wait...2014. ok.
first sicteon was
(backspace)
gowt swivtion
what?
like, the letters weren't even close.
when i realized what was happening, i slowed down and tried to enunciate, but, even so, i couldn't remember where the letters were on the keyboard. i sat and stared, looking for the 'f'. the 's'. it just wasn't coming...
they weren't obvious typos. it was really all over the place.
the first time this happened, back in 2016, it manifested itself in a difficulty speaking. i wasn't nearly as fucked up this time, although the headache was a lot worse. but the typing was....
....well, you know i'm a sucker for the surreal. if my head wasn't so brutal, i might have even had some fun with it.
i'm realizing that this was a classic hemiplegic. i didn't get an aura this time; i did in 2016. what i got this time was the arm tingling. it was very much mimicking a stroke...
the temperature is coming up this weekend, so i should get the windows open, and i know that will help a lot. but, it means i need to venture out to clean up the cat shit, first. i'm hoping it's not too bad.
i knew i had to stop, so i opened up notepad and tried to type up some notes. i had determined that the mp3 version and the 2014 mix were somehow phase reversed, and i'm trying to type it out.
1999/1914
no.
1989/18
what.
18990/1999...19....wait...oh...2001...wait...2014. ok.
first sicteon was
(backspace)
gowt swivtion
what?
like, the letters weren't even close.
when i realized what was happening, i slowed down and tried to enunciate, but, even so, i couldn't remember where the letters were on the keyboard. i sat and stared, looking for the 'f'. the 's'. it just wasn't coming...
they weren't obvious typos. it was really all over the place.
the first time this happened, back in 2016, it manifested itself in a difficulty speaking. i wasn't nearly as fucked up this time, although the headache was a lot worse. but the typing was....
....well, you know i'm a sucker for the surreal. if my head wasn't so brutal, i might have even had some fun with it.
i'm realizing that this was a classic hemiplegic. i didn't get an aura this time; i did in 2016. what i got this time was the arm tingling. it was very much mimicking a stroke...
the temperature is coming up this weekend, so i should get the windows open, and i know that will help a lot. but, it means i need to venture out to clean up the cat shit, first. i'm hoping it's not too bad.
i stopped around 1:00 to take a nap.
i was back up around 3:00. but, it triggered a nasty migraine, including arm tingling and aphasia. i couldn't find words. and, i couldn't operate the keyboard. i had to go back to sleep...
that itself was bizarre. i think we're all so used to just typing nowadays without thinking about it; i was stuck in a scenario where i had to stare at the keyboard and look for individual letters. even so, i couldn't find them - or i picked the wrong ones. scary shit.
was it a stroke? well, it hit my right arm, sure. but, i've been through this before, and i know i'm prone to migraines. further, my mom has told me that she get migraines like this, too.
what are the triggers?
- when i don't sleep
- when i don't eat
- when i don't get enough water
- when i don't get fresh air
there is somebody dealing with a "fire system" in the back. he's been there for two days. it's quite odd. the air quality in the back might be a factor.
i got enough sleep. i'm going to eat and drink and go from there.
my head is still throbbing, as of right now.
it's not looking like i'm going to ship today, and if my head doesn't resolve itself, i'm not going out tonight, either.
i was back up around 3:00. but, it triggered a nasty migraine, including arm tingling and aphasia. i couldn't find words. and, i couldn't operate the keyboard. i had to go back to sleep...
that itself was bizarre. i think we're all so used to just typing nowadays without thinking about it; i was stuck in a scenario where i had to stare at the keyboard and look for individual letters. even so, i couldn't find them - or i picked the wrong ones. scary shit.
was it a stroke? well, it hit my right arm, sure. but, i've been through this before, and i know i'm prone to migraines. further, my mom has told me that she get migraines like this, too.
what are the triggers?
- when i don't sleep
- when i don't eat
- when i don't get enough water
- when i don't get fresh air
there is somebody dealing with a "fire system" in the back. he's been there for two days. it's quite odd. the air quality in the back might be a factor.
i got enough sleep. i'm going to eat and drink and go from there.
my head is still throbbing, as of right now.
it's not looking like i'm going to ship today, and if my head doesn't resolve itself, i'm not going out tonight, either.
Thursday, September 14, 2017
no. i'm going to have to a/b it.
i can get through inri031 first, though.
i badly wanted to remix this track in 2014, but i couldn't figure out how to do it in cool edit. i may have better luck in cubase.
it's going to come up with a few alternate mixes, as well - which could push the aleph discs forward.
i think i can still ship tomorrow. this is my fault, and i immediately owned it - but i hope he's patient. well, i'm doing what i can.
i need to eat, and get back to this fresh. i have a plan, anyways.
i can get through inri031 first, though.
i badly wanted to remix this track in 2014, but i couldn't figure out how to do it in cool edit. i may have better luck in cubase.
it's going to come up with a few alternate mixes, as well - which could push the aleph discs forward.
i think i can still ship tomorrow. this is my fault, and i immediately owned it - but i hope he's patient. well, i'm doing what i can.
i need to eat, and get back to this fresh. i have a plan, anyways.
this is the botched version.
and, it was the version of hummer - reburned it because it was left unfinished.
and, in fact, i'm starting to think i tossed the disc away because it was scratched. memories are strange things.
in fact, i did work this in 2014, but i've forgotten exactly what i did. i know it led to me cutting out the synth intro as 'missed connection'. i'm going to check my journal, that's what it's there for....
and, it was the version of hummer - reburned it because it was left unfinished.
and, in fact, i'm starting to think i tossed the disc away because it was scratched. memories are strange things.
in fact, i did work this in 2014, but i've forgotten exactly what i did. i know it led to me cutting out the synth intro as 'missed connection'. i'm going to check my journal, that's what it's there for....
so, i'm remembering something, and it's going to need some careful reconstruction.
when i went over the tracks from inri032 - including inri031 - in 2014 (we've pushed ahead to the next year, now), i hadn't set my system up for cubase yet, so i wasn't able to line anything up for a proper a/b. now that i've done so, i'm noticing that the mp3 has a significant difference in sound texture.
this isn't a degradation issue. it's a different mix.
and, this triggered a thought in my mind: i did, in fact, burn this disc twice - and it was, in truth, partly due to quality. i vaguely recall the issue having something to do with dithering. that is, i accidentally dithered and it sounded awful and i had to reburn. and, i carried these two discs around with me for a long time.
i can't find the other disc. i've looked through everything.
to complicate the issue, i remember that the second burn completed one of the tracks - i think it was the nin mix.
i vaguely recall giving away the other disc. now, i'm concerned i gave away the wrong one.
i should be able to figure this out. and, there's an upside to this - i don't have waves or source material for this, but i at least have decent quality mp3s.
i'm going to have to go through inri032 first and figure out which disc i have. did i even rip this disc, or did i rip the other? you'd think i'd have ripped both if i had both. grargh.
i'm thinking the one i wanted to have should have said MASTER in red. and it doesn't - it says demo.
it's a minor concern, in the end - it will just mean i'll have to replace some files. but, i need to figure it out. and, i'm kind of surprised i had forgotten about this, at the time.
when i went over the tracks from inri032 - including inri031 - in 2014 (we've pushed ahead to the next year, now), i hadn't set my system up for cubase yet, so i wasn't able to line anything up for a proper a/b. now that i've done so, i'm noticing that the mp3 has a significant difference in sound texture.
this isn't a degradation issue. it's a different mix.
and, this triggered a thought in my mind: i did, in fact, burn this disc twice - and it was, in truth, partly due to quality. i vaguely recall the issue having something to do with dithering. that is, i accidentally dithered and it sounded awful and i had to reburn. and, i carried these two discs around with me for a long time.
i can't find the other disc. i've looked through everything.
to complicate the issue, i remember that the second burn completed one of the tracks - i think it was the nin mix.
i vaguely recall giving away the other disc. now, i'm concerned i gave away the wrong one.
i should be able to figure this out. and, there's an upside to this - i don't have waves or source material for this, but i at least have decent quality mp3s.
i'm going to have to go through inri032 first and figure out which disc i have. did i even rip this disc, or did i rip the other? you'd think i'd have ripped both if i had both. grargh.
i'm thinking the one i wanted to have should have said MASTER in red. and it doesn't - it says demo.
it's a minor concern, in the end - it will just mean i'll have to replace some files. but, i need to figure it out. and, i'm kind of surprised i had forgotten about this, at the time.
update:
Shipping and return policies for jessica murray
- Shipping Info
-
format:
single: $5
ep: $7
lp: $10
double ep (split digital/physical): $10
double ep (both physical): $14
double lp: $20
compilation discs: $10/hr (official releases) + free out-takes
period discs: $10/hr (all sound on disc)
releases are categorized conceptually, rather than by length.
there are 70 minute eps and 65 minute records.
compilation formats (dvd, bd) will be priced at $10/hour of music.
so, a 7.5 hour dvd flac disc will be priced at $75.
i've been unable to derive a flat pricing that makes sense.
types of compilation discs will be:
- dvd flac "box sets" of all singles around an lp. may include free out-takes.
- dvd/bd mp3/flac compilation discs are a running chronological total with no overlap. no extras on these discs.
note that flac is higher quality than mp3.
therefore, mp3 discs contain more music.
pricing is relative to length, only.
be sure to purchase what you WANT.
period discs will be as comprehensive as i can make them, meaning they will include all sound, all notes and all vlogs relevant to the period in question. the pricing will also be absolute. so, if the disc contains 35 hours of official releases, 20 hours of outtakes and 15 hours of vlogs, it will come up to $700. these discs are meant to be thought of as donations to the artist, not as economical market purchases. they will need to ship 20 years after the period closes, to sync properly with the alter-reality.
shipping:
$5 - can
$10 - us/intl
shipping rates are flat to the max, meaning i may gain slightly but i won't lose on shipping. it's otherwise about $3 to make a package. 20% of the sale price goes to transaction fees. this is as cheap as it can be while still being worthwhile to produce. if you buy a very large package (five cds or more), shipping will come down substantially and i'll contact you to talk about ways to make it more fair.
for right now, all discs will have planned limited edition, numbered handmade runs and will be made on demand up to 5000 copies sold, at which point they will be professionally pressed without numbers.
if you want me to send you something twice, you'd better be able to prove it got lost. there will be very few exceptions. sorry.
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