first liner note release for inri000

these are the first demos i recorded, written 1994-1996 and recorded in the second half of 1996. this corresponds to the end of my 15th year and the beginning of my grade 10 school year. on the one hand, it's an intriguing document of a socially maladjusted teenage punk. on the other hand, it's a 15 year-old kid learning how to use a recording studio (and how to play the drums). influences are displayed on my sleeve just a little too loudly at times.

i was attempting to create something that could be described by the words disturbing, schizophrenic, unique, bizarre, twisted. looking back, i think i succeeded more than i realized at the time. this is a difficult listen that would be appealing to fans of the obscurantist reaches of 80s punk and 90s grunge. i manage to maintain a strange sense of melody, though. in truth, my current adult self is somewhat impressed with my teenaged self at this current point.

that being said, it should not be forgotten that i was fifteen. i am at times rather crude, and i display a childlike understanding of certain issues. most poetry written at the age of fifteen is not particularly insightful. again, though, i surprise myself at points.

this is the first time i'm publishing these demos in any form. i've remained frighteningly self-conscious of them over the years. over the last seventeen years, the audience has been extremely limited. initial reactions suggested i take some time to perfect my performance skills, particularly my drumming skills. however, this indicated a lack of understanding of my intent in the overall sound. the playing is quite purposefully abstract with the aim of exploring mental illness.

the demos were initially dub-mastered onto a 110 minute tape that would have flipped after the eighth track. that tape was at some point recorded into a soundblaster and compressed very heavily; this is the only source of the material that i still have. so, i had to decompress the files from those 128 (or worse) kbps mp3s and run them through some digital mastering equipment in an attempt to "undo" the compression. what that is is a half-effective trick to recover data that is in actuality forever lost. nonetheless, i should point out that while these files were recorded entirely in 1996, they were substantially digitally modified in late 2013. finalized on june 26, 2016. first liner note release added on sept 30, 2019. as always, please use headphones.

i consider this an archival release with little direct listening value. i've pointed out repeatedly that i was 15. however, various segments have been isolated and pulled out for a higher listenability value over here:
jasonparent.bandcamp.com/album/inricycled-a

this release also includes a printable j-card insert and will also eventually include a comprehensive package of journal entries in doc & pdf from all phases of production (1993-1996, 2013-2019). as of sept 30, 2019, the release includes a 47 page booklet that includes journal entries from the remastering process over sept-oct, 2013. 

credits

released December 25, 1996

j - guitars, effects, bass, drums, vocals, keyboards, tapes, found sounds, percussion, production. 

https://jasonparent.bandcamp.com/album/inri-cassette-demo-1

so, as promised, here is an example of the first run of the liner notes.

https://drive.google.com/open?id=1TybN3uKUhEH1KKD8HphcYoFc-r59NqrN

this is just a dummy file; the final result will be three or four times this length. but, considering that my music archive is now nearly 700 pages, why did i cut it down to a mere 47 pages?

a mere 47 pages? these are liner notes. back in the day, when people bought records, a 47 page booklet with digital photos would be the deluxe edition, guys.

the bulk of the writing in the music journal actually exists for the context of the aleph discs, where it will be used as the front-end for an interactive multimedia presentation. this is coming down the road. for right now, what you get is a truncated version of the journal that is relevant solely in the context of it being liner notes. if you want the full journal, it's up for download, too. 

this is one of the things that we've lost in the digital age, so what i'm doing is trying to find a way to bring that back, in a way that makes sense to people that think that physical media is an anachronism. but, they're liner notes - you don't put things like reviews of other people's work, or conversations with friends, in your liner notes. you save things like that for the actual journals.

the above document will be inserted into the following download within a few minutes, in pdf and doc form. future liner notes will not be posted in this fashion.

https://jasonparent.bandcamp.com/album/inri-cassette-demo-1

the liner notes are also a perpetual work in progress, and they have to be. the next update will be at the finalization stage in mid-2016, which i hope to get up asap, but will also include notes published to youtube over 2014-2015, as well as other things. there will need to be a third update in 2026 (or 2027) that adds all of the loose ends, including the alter-reality posts.

the fourth entry in the music journal series, which is the month of october, 2013 and is 99 pages long. i am not going to summarize the story, but it is available on the web over here: musicofjessicamurray.blogspot.com/2013/10/.

this is a compilation of written correspondences that occurred around me over october, 2013. it includes facebook posts, messenger chats and emails with friends and family members, in an attempt to tell the story of how i set my studio back up in windsor after relocating from ottawa and republished my first demo, from 1996. the contents of this download are the dummy track, a word doc file and a pdf file, both written in a more readable, chronological ordering. i've also added the respective files for my other three blogs, for general interest, as well as 98 separate txt documents (essays, notes, scripts and web pages) that are referenced in the journal.

the events documented in this journal occurred in october, 2013 and were compiled into a narrative in several stages over the years 2014-2019. journal completed on sept 10, 2019. released and finalized in doc and pdf format on sept 28, 2019. doc201310.

credits

released November 1, 2013

j - editing, participant

esa (aka shelly teagan) - participant
mom - participant
the oldest aunt's wife - participant
the initial landlord - participant
teksavvy technical support - participant
cbsa technical support - participant

https://jasonparent.bandcamp.com/album/10-2013-music-journal

here - finally - is the noise trade smashwords link for the readable version of the october, 2013 archive of this blog.

https://books.noiseTrade.com/j/102013-music-journal
https://www.smashwords.com/books/view/1026608

inri097

last one for the night.

================

inri086?

these are actually rock songs, albeit weird ones. i was shopping them around in the mid-00s, and nobody bit. we'll have a compilation demo up here as i found it, but i'm also going to need to actually finish them up.

i didn't want this to be a studio project, but what do you want me to tell you? i can't find anybody to jam with...and i've been looking for twenty years....

the cd-r from 2005 that i have consists of the first eight tracks, and i'm going to publish it that way, as is. i was considering adding a ninth track that i cut at some point, but decided against it - this will come up elsewhere. there is also a tenth demo in this collection that was dismantled into different tracks, and will eventually come up as a part of a similar collection dated to mid-2004.

there are two different types of tracks in this collection. some of these tracks will be worked into the trivial group or proverbs symphonies, whereas others will need to be completed as standalones in the 2004-2005 space, depending on where i think they best fit.

see, i'm tempted to label this proverbs, but don't actually want to. the tracks that weren't put aside for it don't have vocals. but, they weren't supposed to be trivial group, they were supposed to be a band project. i was using the pseudonym "whore to culture" for a little bit, but, in hindsight, i don't really like it - and i never finished anything under the label. i think that was mostly xenophanes, which is definitely trivial group, now.

on the other hand, were any of the trivial group tracks intended to be studio projects? no...they just all ended up that way...so that's less a difference and more a commonality...

and, are these tracks that different than trivial group? not in the form they're in. if i were to just play the trivial group tracks on guitar, they'd be sort of similar, wouldn't they?

in fact, i could conceivably expand this collection by isolating some of the other guitar tracks in the other trivial group stuff, but i don't want to do that, either. i mean, i could take the style way back - this isn't my first demonstration of impressionist jazz punk. i may consider creating a second companion disc that just has the guitar parts from all of the trivial group material, but i want to leave this specific disc exactly as it is, which is exactly as i found it.

these specific tracks were written at various points between 2003-2005 and performed via a line-in directly into my soundcard, with no effects, in my apartment on prince of wales in ottawa on august 21, 2005. a handful of cds were then burned, and left out randomly at various places around town where i hoped a drummer would find them. ripped back to digital on april 12, 2014. uploaded and published without further modification on sept 19, 2019. as always, please use headphones.

cover art by sarah. 

credits

released August 21, 2005

j - guitar 

https://jasonparent.bandcamp.com/album/impressionist-jazz-punk

so, i want to get the journal for 10/2013 up first, but i think i can publish download-only versions of inri075, inri077, inri079, inri080, inri081, inri082, inri083, inri087, inri088 & inri090 over the next few days, and am going to make it a priority after i get a rough run on the legal stuff done..

what i can't do would be the lost symphony (inri076), the cycles per second lp (inri085), the throatmotor fragment (inri086), inri089 (the trivial group 2xlp needs the lost symphony, first), inri091 (the crash), inri092 (genesis) or inri093 (percussive works). these numbers are not very useful right now, but you get the idea.

i'm just itching to get some more structure in place. i want to get back to recording...

i've also put this ep up for download.

===============

the very beginning of a long paused project built around the idea of converting ratios directly into music using matlab.

i'm going to leave this as a one-track single dated to november, 2004 and finish the idea, for release in....2020?

this was created for the requirements of math 4822, a course on wavelet theory, at carleton university in the fall semester of 2004. programmed entirely in matlab over a weekend in nov, 2004. uploaded and published without further modification on sept 19, 2019. as always, please use headphones.

credits

released November 30, 2004

https://jasonparent.bandcamp.com/album/the-spontaneous-combustion-of-leonardo-pisano

so, i'm not republishing this as download only just quite yet.

but, i will be in a few days.

i'm going to need to set up the other machine, briefly, to do it, and i'll need to get the fan back up and running in here before i can do that. it's just a question of setting up cubase to line the samples up via phase reversal. i can't do that on the laptop....

it's otherwise settled on and done.

https://jasonparent.bandcamp.com/album/ftaa

inri079

so, we'll need to re-publish this as physical media when the time comes, but the music is at least finished, so why not acknowledge as much and allow for download?

=============

an art show demo, uploaded as is. inri078.

it's not a complex story - sarah wanted to have a showing of some of her paintings in her apartment, so she asked me to write some music for it. i just took some of the things i was working on and put them together.

this would eventually become the core of the next symphony.

initially written and recorded over the second half of 2003 and the very beginning of 2004. compiled on january 23, 2004. ripped from cd-r on april 11, 2014. finally uploaded and published without further modification on sept 18, 2019. as always, please use headphones.

credits

released January 23, 2004

j - all sound

https://jasonparent.bandcamp.com/album/art-show-demo

inri091 & inri092 cover art

so, we've got some new cover art up on what will probably inri085:
https://jasonparent.bandcamp.com/album/the-spontaneous-combustion-of-leonardo-pisano

leanardo pisano is fibonacci - leonardo of pisa. i might change that to a wrinkled shot of fibonacci, but that gets the point across for now.

...& also for what will likely be inri087:
https://jasonparent.bandcamp.com/album/xenophanes

But if cattle and horses and lions had hands
or could paint with their hands and create works such as men do,
horses like horses and cattle like cattle
also would depict the gods' shapes and make their bodies
of such a sort as the form they themselves have.
...
Ethiopians say that their gods are snub–nosed and black
Thracians that they are pale and red-haired

what did i even to today? this was a bad month, in terms of productivity, really.

i can't get it back.

but, i need to pivot dramatically and really focus. i've been scatter-brained far too long, now. let's see if i can order myself a little....

there's not any use in finishing up the legal stuff for tomorrow, i'd might as well wait until monday.

i did want to start the alter-reality when i got through the rebuild. i wanted to start it for mid-1989. i guess it's not so bad if i do catch up, but i wanted to be done the rebuild by now. i don't want to juggle that - let's just pick up the pace on the rebuild.

i can plan around cleaning in here tomorrow or the next day. the p-trap seems to have held since this morning. i think it had something to do with his air conditioning, and it's actually getting cold tonight, so maybe i've put that off for a bit.

and, i'll see what i want to do this weekend when i find out oif the cash has come ino r not.

is that everything?

i wanted to publish the 10/2013 documents before the end of september, so that's what i'll be doing tonight. i have eaten. i may have to shower later, if it gets cold in here (and the heat doesn't turn on, which it maybe should).

i'm just banging my head against the wall on the political file - we're not in a revolutionary moment, we're in a reactionary moment, and it's just a question of navigating through it.

i can't be too hard on myself, or i'll get apathetic. the uploads and planning last week weren't awful; it had to be done, at some point, and i wasn't feeling well. i got some documents filed at the beginning of the week. yesterday was largely about the gas leak, and i'm just starting today, really. it's not so bad....

i just get upset with myself, sometimes. you might imagine that i'm mad at myself for other reasons, but i actually wish i had more writing and more music available. i can't get depressed, i just need to pivot.

so, i'll have to run these files through spell checks, cross-reference everything and clean them up. hopefully, they'll be published by sunrise, or so.

the liberals are supposed to do better than this.

so, we're going to stop there at the end of period 3.

that is by no means comprehensive or exhaustive, but it's a good teaser (and a good plan) for what i've got in front of me for period 3, which was about 08/2003-03/2007.

most of it is mostly done. there's really just the lost symphony, the throatmotor fragment, the crash and the matlab project....

inri11x

inri092?

https://jasonparent.bandcamp.com/album/percussive-works

inri11x

inri091?

most of my songs begin as conventional guitar songs before they get ripped apart and demented into various abstract concoctions. that means that a lot of my pieces have two different versions. i've always deferred the raw guitar versions to eventual live performances, but i'm at a space in life where i realize that these live performances are not likely to ever materialize. so, i'm going to compile the live/guitar versions of my larger pieces here.

it's unclear to me at this point where i will space this in my discography, but it will probably be around 2008.

https://jasonparent.bandcamp.com/album/genesis

inri101

inri090?

this is the introduction of a symphony i started at the end of 2006 and had to abandon due to life circumstances.

this introduction is very noisy, and i'm somewhat impressed by myself listening to it right this minute.

but, the second - incomplete and unreleased - section sounds like al di meola jamming with the aphex twin, and that's a better way to describe the overall intent.

this might end up as a tetris release and is probably the end of period 3.

https://jasonparent.bandcamp.com/album/the-crash

inri093

inri088?

this is the upcoming ninth album. disc 1 is the first two tracks, disc two is the second two.

for now, just fast forward through the three minutes of silence. the lost symphony will be the fourth track; to an extent, xenophanes is just the introduction to it.

https://jasonparent.bandcamp.com/album/e

inri092

inri087?

this extended ep will be a comprehensive exploration of all of the versions of this recording. i've never been fully certain if this recording is done or not, but i'll have to decide sooner than later.

for now, here is the newest version that exists, which is instrumental (there are vocals.) and from early 2007.

https://jasonparent.bandcamp.com/album/xenophanes

inri097

inri086?

these are actually rock songs, albeit weird ones. i was shopping them around in the mid-00s, and nobody bit. we'll have a compilation demo up here as i found it, but i'm also going to need to actually finish them up.

i didn't want this to be a studio project, but what do you want me to tell you? i can't find anybody to jam with...and i've been looking for twenty years....

the cd-r from 2005 that i have consists of the first eight tracks, and i'm going to publish it that way, as is. i was considering adding a ninth track that i cut at some point, but decided against it - this will come up elsewhere. there is also a tenth demo in this collection that was dismantled into different tracks, and will eventually come up as a part of a similar collection dated to mid-2004.

there are two different types of tracks in this collection. some of these tracks will be worked into the trivial group or proverbs symphonies, whereas others will need to be completed as standalones in the 2004-2005 space, depending on where i think they best fit.

see, i'm tempted to label this proverbs, but don't actually want to. the tracks that weren't put aside for it don't have vocals. but, they weren't supposed to be trivial group, they were supposed to be a band project. i was using the pseudonym "whore to culture" for a little bit, but, in hindsight, i don't really like it - and i never finished anything under the label. i think that was mostly xenophanes, which is definitely trivial group, now.

on the other hand, were any of the trivial group tracks intended to be studio projects? no...they just all ended up that way...so that's less a difference and more a commonality...

and, are these tracks that different than trivial group? not in the form they're in. if i were to just play the trivial group tracks on guitar, they'd be sort of similar, wouldn't they?

in fact, i could conceivably expand this collection by isolating some of the other guitar tracks in the other trivial group stuff, but i don't want to do that, either. i mean, i could take the style way back - this isn't my first demonstration of impressionist jazz punk. i may consider creating a second companion disc that just has the guitar parts from all of the trivial group material, but i want to leave this specific disc exactly as it is, which is exactly as i found it.

these specific tracks were written at various points between 2003-2005 and performed via a line-in directly into my soundcard, with no effects, in my apartment on prince of wales in ottawa on august 21, 2005. a handful of cds were then burned, and left out randomly at various places around town where i hoped a drummer would find them. ripped back to digital on april 12, 2014. uploaded and published without further modification on sept 19, 2019. as always, please use headphones.

cover art by sarah. 

credits

released August 21, 2005

j - guitar 

https://jasonparent.bandcamp.com/album/impressionist-jazz-punk

inri096

is this inri085?

i don't know. i'll need to do something with this, but i may work it into one of the other pieces...

there's about another 15 minutes to this piece, btw.

https://jasonparent.bandcamp.com/album/throatmotor-fragment

inri091

inri084?

the very beginning of a long paused project built around the idea of converting ratios directly into music using matlab.

i'm going to leave this as a one-track single dated to november, 2004 and finish the idea, for release in....2020?

this was created for the requirements of math 4822, a course on wavelet theory, at carleton university in the fall semester of 2004. programmed entirely in matlab over a weekend in nov, 2004. uploaded and published without further modification on sept 19, 2019. as always, please use headphones.

credits

released November 30, 2004

j - matlab programming, digital wave editing.

https://jasonparent.bandcamp.com/album/the-spontaneous-combustion-of-leonardo-pisano

inri088

inri082?

this extended ep will be a comprehensive exploration of all of the versions of this recording.

for now, here is the maximal version, which contains a poem that was written in mid-2004 but not added to the track until 2011 (and will be removed for the album version).

https://jasonparent.bandcamp.com/album/interplanetary-isomorphism

inri081

inri079. seventh record.

audio needs to be replaced, items need to close..

...except that i think i did replace the audio, already. so, i'm just looking at final sequencing decisions; this is just about done.

it's the sample-free, (mostly) instrumental reclamation of my seventh lp.

https://jasonparent.bandcamp.com/album/ftaa

publishing inri079

an art show demo, uploaded as is. inri079.

it's not a complex story - sarah wanted to have a showing of some of her paintings in her apartment, so she asked me to write some music for it. i just took some of the things i was working on and put them together.

this is the sum total of material worked on in my mother's apartment, where i stayed from about december, 2003 to about may, 2004.

this would eventually become the core of the next symphony.

initially written and recorded over the second half of 2003 and the very beginning of 2004. compiled on january 18, 2004. ripped from cd-r on april 11, 2014. finally uploaded and published without further modification on sept 18, 2019. as always, please use headphones.

released january 18, 2004

j - electric & acoustic & classical guitars, effects, vocals, flute, synthesizers, electric air reed organ, drum programming, piano programming, sound design, noise generators, sequencers, generative synthesis, audiomulch, sounder, digital wave editing, sampling, composition, production

sarah - cover art photo, as taken from the top of the alexandra bridge in ottawa, ontario, during the winter of 2003/2004.

the acoustic guitar played on quantum psychosis belonged to heather.

inri079

an art show demo, uploaded as is. inri078.

it's not a complex story - sarah wanted to have a showing of some of her paintings in her apartment, so she asked me to write some music for it. i just took some of the things i was working on and put them together.

this would eventually become the core of the next symphony.

initially written and recorded over the second half of 2003 and the very beginning of 2004. compiled on january 23, 2004. ripped from cd-r on april 11, 2014. finally uploaded and published without further modification on sept 18, 2019. as always, please use headphones.

credits

released January 23, 2004

j - all sound

https://jasonparent.bandcamp.com/album/art-show-demo

inri077

inri077.

these are some demos that i recorded on my 4-track in sarah and heather's apartment on dalhousie in ottawa in late 2003. i still have the tape, but i haven't digitized, yet.

the only thing i transferred was a section that became "like divine amoebas", because i was using it, directly. the non-digitized sections were mostly for the lost symphony, iirc.

https://jasonparent.bandcamp.com/album/bedroom-cassette-demoes

first inri078 upload

i will finally complete this symphony, soon.

for now, here's a demo that was recorded in the winter of 2007.

inri076.

https://jasonparent.bandcamp.com/album/the-lost-symphony

inri075

inri075.

i wrote this song on a beach in kelowna in mid 2003. it looked a lot like the picture...

there's a lot of space in the track, which is intentional. in the final recording, i filled it out with birds chirping, but the initial intent was something out of a john cage piece - listen to what's around you. relax...

that said, a live version of the track at the time would have featured me playing multiple parts at once, which were separated in the recording for tonal variance. i'm hoping that i find a fuller recording, but here's a background track, for now.


https://jasonparent.bandcamp.com/album/kelowna

so, we're going to put some teasers up for inri075-inri???.

here we go...

it's been too long, so i should remind people what the next stage is, once i get all this journal writing done.

period 3 is next and will start in seriousness when i get back from bc in mid-2003.
this period was unstable, and unfocused, overall, but i got a fair number of demoes down, at least.

i've also made some tracks public that were previously hidden, even though it's going to take forever to do it.

1) inri075 needs to be cleaned up, but is essentially done.
it's some demos recorded over the second half of the summer of 2003 in a psychedelic-prog style that document my immediate feelings after getting back.
this should be an ep.
sept 1, 2003.
https://jasonparent.bandcamp.com/album/kelowna

2) inri076 is the second of four half hour epics that will make up the trivial group 2xlp.
there are rough demoes dated to much later, but i'd be starting this from scratch, and it will be a major project to finish.
there are no serious demoes because i was living on sarah's floor at the time, due to being thrown out of my parents' basement.
i don't even remember why. i think i called my stepmother psychotic (which was just a statement of fact).
this will likely be a lengthy ep that will at least include instrumental and vocal versions.
this is more of a rock symphony than reflections, but the end project will be quite psychedelic.
i had been listening to a lot of 'soundtracks for the blind', and you can tell.
this would be symphony 9.
nov 1, 2003.
note, however, that i may have to extend the inri numbers if i decide to release some singles dated to october, 2003.
https://jasonparent.bandcamp.com/album/the-lost-symphony

3) inri077 is literally a couple of four-track acoustic demoes that i recorded on sarah's floor.
these pop up elsewhere, but they're their own thing, too.
this should come up as is, i'm just waiting for inri #s.
dec 1, 2003
https://jasonparent.bandcamp.com/album/bedroom-cassette-demoes

4) inri078 is a recording that sarah asked me to create for an "art show" she put on in her apartment.
it's just some rough versions of some things i was doing, but it's it's own document, too.
this should come up as is.
jan 23, 2004.
https://jasonparent.bandcamp.com/album/art-show-demo

5) inri079 is the ftaa lp, which is my sixth official record.
i'm dating it to june 1, 2004 because that's when i first constructed it, but the audio needs to be replaced with final versions of each of the tracks.
there is an older version of the record there, already.
this should otherwise be quick.
https://jasonparent.bandcamp.com/album/ftaa

6) the tenth symphony is dated to aug 15, 2004. while it is done, a nice compilation will need to be constructed.
no audio here, yet.
https://jasonparent.bandcamp.com/album/interplanetary-isomorphism

7) the cycles per second ep came out of a course on wavelet compression that i took in 2004.
this ep is done, it just needs an inri #.
it's also the front-end for a noisy matlab project that will be entirely prgrammed and will be my eight or ninth record.
if i ever get through this, it may be the template for further post-discography composition.
nov 1, 2004.
https://jasonparent.bandcamp.com/album/the-spontaneous-combustion-of-leonardo-pisano

8) i briefly played bass, as a favour to the guitarist, for an ottawa pop-punk band called throatmotor.
there was some discussion around doing actual interesting music, but it never materialized.
this is an attempt on my behalf to contribute to the writing which was, as always, simply ignored.
i'm not exactly sure what will be done with this, yet.
may 1, 2005
https://jasonparent.bandcamp.com/album/throatmotor-fragment

9)  this is the trivial group lp, which i have dated to june, 2005 but will probably move to past the fourth symphony, xenophanes.
the components will be reflections (8th), the lost symphony (9th), interplanetary isomorphism (10th) & xenophanes (11th).
the first and last two are largely done, while i haven't started recording the second.
https://jasonparent.bandcamp.com/album/e

10) i made an attempt over mid 2005 to start a more conventional rock band by floating some rock songs that i described, at the time, as "impressionist jazz punk".
these tracks were actually written between mid-2003 and mid-2005, but they never got beyond the guitar stage, because i wanted to perform them with an actual band.
the compilation is dated to mid-2005, but we'll have to see what i do about actually completing them.
https://jasonparent.bandcamp.com/album/impressionist-jazz-punk

11) this is the fourth trivial group symphony and 11th overall, entitled 'xenophanes'.
dated to sept 1, 2005 for now.
https://jasonparent.bandcamp.com/album/xenophanes

12) when i get there, i'll create an lp of music i created from 1998-2006 for a scholastic reason.
dated to may, 2006.
https://jasonparent.bandcamp.com/album/scholastic-pieces

13) this is the introduction of a symphony i started at the end of 2006 and had to abandon due to life circumstances.
this introduction is very noisy, and i'm somewhat impressed by myself listening to it right this minute.
but, the second - incomplete and unreleased - section sounds like al di meola jamming with the aphex twin, and that's a better way to describe the overall intent.
this might end up as a tetris release and is probably the end of period 3.
https://jasonparent.bandcamp.com/album/the-crash

period 4....the bronson years.

14) this is a good way to start period 4.
it will need to compile just the guitar parts for all of the later period symphonies.
dating it to early 2007 makes sense, but we'll see if it's actually right or not when i get there.
https://jasonparent.bandcamp.com/album/genesis

15) this will need to come up at the end of period 3, and will be a collection of midi percussion renders for tracks composed over 2000-2007.
https://jasonparent.bandcamp.com/album/percussive-works

16) this is a messy, out of sync demo that represents the beginnings of what was supposed to be the tetris project.
https://jasonparent.bandcamp.com/album/evil-is-a-human-construction

17) by combining this with the guitar demos, it is possible to get a rough idea of what the first three movements of this lp will sound like. there are five written movements.
dating is unclear.
https://jasonparent.bandcamp.com/album/proverbs

18) i started writing this concept record weeks before i got evicted from the apartment on bronson, in mid-2011.
it's very much the end point of the discography, at this point.
https://jasonparent.bandcamp.com/album/orb-symphony