in completing this track, i have now filled up both sides of a 100-minute tape and have therefore completed my first demo. as mentioned last week, the topic of the final track is suicide - following the character that felt unheard.
i guess that the character must have committed suicide in a wave of hopelessness, but i've kept a distance from the character and instead decided to insult it for being defeatist. the song is meant to broadcast a type of dark humour that people will either appreciate or condemn.
like the last track, this track was written out in the old house and slowly appended to until i felt it was complete. i even had the piano part notated, properly, in my notes. recording the final piano parts meant sneaking into my sister's room again; as it was christmas holidays, and she was going to be home all week, i finally just asked her if i could use her keyboard, and while she initially made a fit, my parents eventually made her let me use it. that was unexpected all around - she thought she was going to get me in trouble, but was instead forced to share. i told her that it would only take a few minutes because it was scored, and i was right.
i've incorporated parts of the kurt cobain suicide note into the track. the reason i did this was to incorporate the aesthetic of reading a suicide note into the song; i could have picked some other suicide note, it was the aesthetic of the note that was important and not the author or contents of the note itself, but i went with this one because it's recognizable. it also serves to obfuscate the messaging by adding another layer onto it. it can be interpreted or ignored, at your own choosing.
that really takes me to the end of a long demo tape. what am i going to do with these demos? a lot of them are written as rough ideas. the initial intent was to get ideas down to show to a drummer, but that idea seems impossible. are they good enough to send anywhere? well, i could try, right...
i heard that my aunt knows the new bassist for hole, melissa auf der maur. i don't know what concrete advantage giving her a tape may accomplish, but maybe it might land in interesting hands if she gets a demo. or maybe not. but maybe. so, maybe i'll send her a copy to listen to.
otherwise, i don't know what else to do with these demos besides listen to them. so, i think i'm going to take a few days to do just that.
maybe i'll make some liner notes or something when i send the tape out...