the second section - some immobile robots - is a fairly short section and deals with the overlap between computers and robots. sort of. i mean, in principle, but not really, not actually. these were all written in the 70s, and are not asimov's most insightful pieces, to say the least.

- point of view: i was surprised to see this story was written in 1975, as hamming codes (error-correction) had already been in existence for some time. i also wonder if 1975 is a little late to be talking about vacuum tube super computers, given that gates was programming basic into ibms, at the time. so, this is a story where asimov is maybe demonstrating his age, and being a little out of touch. that said, he's also reaching towards the primary problem in quantum computing, which is the lack of error codes. and, he's sort of dancing around floating point error as well, even if the premise of programming vacuum tube driven super computers with punch cards is anachronistic. so, how likely is it that a computer needs to go out and play at recess to get best results? it's a facile, silly suggestion, that probably reflects asimov coming to terms with the age of his audience more than anything else, even if anybody that's worked technical support knows that a reboot is often the best troubleshooting step, and that machines do, in fact, sometimes overheat. is there something else to this, then? i actually don't think he's even intending to be taken seriously, let alone that there's any deeper meaning to this; he's not reaching for something profound and missing it, so much as he's not reaching at all. he's just being silly. ha ha ha.

- think!: you really don't expect asimov to make the mistake of assigning sentience to a computer. the underlying premise that thought is energy, and thus transferable, is another example of asimov contemplating mind-body, which he does a lot, and which he doesn't seem to really resolve. i mean, he clearly realizes the falsity of the problem, but he's just as clearly not happy about it - and i don't think we're really past that. your mind is clearly a part of your body, but that doesn't mean we can't pry it out of it, in theory, however difficult it might be. but, inserting the computer via resonance is woo, and not very helpful or insightful; unfortunately, he's presenting it as the purpose of the discussion.

- true love: this is both a prediction of internet dating (with unrealized accuracy) and an awkward attempt at an ironic plot twist that relies on the absurdity of a computer demonstrating uncontrolled sentience. the idea that a computer might understand "love", which doesn't even exist as a human idea before it's invention by capital to sell bullshit to idiots, is particularly ridiculous.

i have a physical text of the complete robot, so i'll be reading it in bed, which was the intent, and should eliminate some distractions. what is this, exactly?

asimov suggested starting with i, robot when asked, but he wrote quite a bit after that suggestion, and he left quite a bit out. it's for that reason that i started with the early asimov, instead. now that that's done with, i, robot is the author's suggested starting point, or at least was.

in 1982, asimov published an update to i, robot called the complete robot that was actually comprehensive, in terms of robot stories, at least up until 1982. the sequence in i, robot is not disturbed but several texts are inserted in between the existing sequence. further, the text is split into six thematic sections.

so, the way i'm going to do this is to read a section and then come over to write it up. 

the first section is called some non-human robots and has three stories published after the publication of i, robot - two from the 50s and one from the late 70s.

before i do this, i should point out that asimov does remain incredibly relevant, as automation starts to filter out of the factory and into our every day lives. he was perhaps the first person to really address these concerns in a concrete way that is directly applicable to contemporary reality, and the basic crux of the subject matter has changed very little in the last 70-80 years, except to point out that we're just barely catching up to where he imagined we might be, 50 years earlier. so, we're substantively behind his schedule. but, that means he's still relevant, because we haven't truly gotten there yet.

so, as some of these stories could very well have been written last week, i'm going to approach a lot of them as though they were.

while you might not have read all or any of the original versions of these texts, as they developed from asimov's pen, most people sorting through a collection like this will recognize most of these plotlines, via second or third or eighth generation adaptations, either within derivative works of science fiction or via derivative works in a number of related genres, like horror and fantasy.

- a boy's best friend: this is a short, undeveloped piece that really exists strictly to reverse the idea of obsolescence; here, the robot becomes obsolete when the real dog appears, and the kid wants to stick with the robot, instead. it's an empty sort of irony that comes off as sort of trite, in the lack of development. but, there is really a deeper point, here, in relation to asimov's discourse around the use of robots to replace human labour; while i'm going to ultimately agree with asimov about the usefulness of automation, i have to advance the argument that he never fully understood the opposition to robots, and that's what i'm getting here - it's an attempt at irony that exposes the author's longstanding lack of understanding of his opponents. but, i spent some time writing this because it could have been a powerful table-turner, through the three pages it takes up.

- sally: you could either interpret this as a depiction of a future robot revolt or as a commentary on then-contemporary race politics in 1950s america. in the end, the bad guy gets run down by a pack of cars acting somewhat like a pack of killer whales. these robots engage with primitive human concepts like friendship and revenge; this is sort of an outlier, in terms of how asimov tends to deal with what robots are. it's not bad as a story, though. derivatives include christine by stephen king.

- someday: what i find interesting about this is the idea that we might one day have handheld computing devices that talk to us, leading to a decline in literacy rates amongst the younger generation, who are desperate to get around the parental locks on the devices. this was written in 1956. this robot is unusual in an asimovian sense, in that it seems to be able to understand human speech beyond it's programming, a common idea in science fiction, but one which is impossible, and which asimov would, usually, be the first to (refreshingly) write off as nonsense. you don't expect that kind of silliness from asimov. but, asimov uses that unusual ability to allow for the robot to recognize that it's not being respected, and you can again choose to interpret that as futuristic or contemporaneous, in whatever way you'd prefer. someday, indeed.

ok.

so, if i were to jump back into the schedule, i'd be working on the blog stuff until thursday night. i'm, instead, going to jump right back into the alter-reality, and intend to get back to the music on saturday morning.

can i get through 600 pages of robot stories between now and then?

the truth is that it depends on how well i can stay awake.

i think the testosterone schwing is done with now, so let's hope i'm awake for a bit

i got my doctor to prescribe 25s for a while. so let's try to take it down again when i get through the existing rx, which will be the end of october, probably.

ok.

so, this took way too long:

https://thejournalofj.blogspot.com/1989/08/the-early-asimov.html

i initially wanted to catch up first, but that's going to take a very long time. so, i want to click back into the schedule, instead.

so, i'm going to keep a running total of this, as best i can.

the next step is to write the blog entry for 1989, which is going to be written from the perspective of an eight year-old and won't feature nearly as in depth commentary. this is the split nature of this.

this is a comprehensive list of early stories, including ones that were skipped now.

- marooned off vesta: not in this collection. asimov does not look at this fondly and a quick perusal suggests there is nothing to it.

- the weapon too dreadful to use: the idea of life on venus was once taken pretty seriously, before we understood that it was a ball of gaseous sulfuric acid, overtaken by a runaway greenhouse effect. there's a comical exploration of descartian dualism here which is not particularly believable nowadays but is a silly enough mechanism to topple the arrogance of slavery with, nonetheless. remember that asimov was writing from the united states in the late 1930s, here.

- trends: appears to predict neo-liberalism, even if his concept of space travel in 1973 is a little bit optimistic. well, we got to the moon in 1969. and the dark side of the moon in 1973. it's a reminder that moore's law has it's limitations, that these exponential growth curves are just delusional economic theories. but, the prediction of neo-liberalism (and of the kind of ludditism that defined the 60s counterculture, which was the mirror image of neoliberalism, and a prerequisite of it's ability to actually function) is indeed some insight. 

“I know, I know. You’re going to tell me of the First War of 1914, and the Second of 1940. It’s an old story to me; my father fought in the Second and my grandfather in the First. Nevertheless, those were the days when science flourished. Men were not afraid then; somehow they dreamed and dared. There was no such thing as conservatism when it came to matters mechanical and scientific. No theory was too radical to advance, no discovery too revolutionary to publish. Today, dry rot has seized the world when a great vision, such as space travel, is hailed as ‘defiance of God.’ “

.

.

.

However, the masses didn’t take it that way. It seems strange, perhaps, to you of the twenty-first century, but perhaps we should have expected it in those days of ‘73. People weren’t very progressive then. For years there had been a swing toward religion, and when the churches came out unanimously against Harman’s rocket-well, there you were.

standing in 2021, the united states has actually left space travel up to the market, and is getting leapfrogged by not just china and the eu (the russians have long ceded ground, as well), but also by india and japan. we have idiots like elon musk and jeff bezos making fools of themselves in public, while the eu does all of the actually interesting work. meanwhile, the public cares more about religious freedom, as the continent sinks into the sea.

he also predicts the coming of jihad to destroy advanced civilization, which is something currently in the process of happening, as well as the role of the supreme court in facilitating the power of religion to overturn science. we can only hope the pendulum swings once again.

so, he got something with this. but, i wish it was longer and explored the issue in more depth.

- half-breed: this is primarily an allegory of the treatment of minorities (blacks or jews or both) in 1930s america. but, is this also an allegory of einstein's correction of maxwell's equations? of the einstein-bohr debates? of zionism on the brink of the second world war? even of thomas jefferson as benevolent slave owner? there's little bits of all of it. and, like many of these texts, i'm wishing there would be a deeper exploration of pretty much all of it. asimov is still young, here...

- ring around the sun: delivering letters by spaceship is hilariously pre-internet, as a concept. this story has a purpose, namely the foolishness of young men.

- callistan menace: we don't know there aren't giant caterpillars on callisto, and i'd be surprised if we don't one day find some life form that traps it's prey using magnetic fields. but, the story has no actual point to it, no conclusion and no context. it's not even a chapter of a book, it's an idea to be developed, in the abstract.

- the magnificent possession: this is clearly about asimov's views on the corporate dominance in the field of chemistry, and reality not aligning with his expectations, before entering the field. you have the politician, the capitalist and the mobster (if they're not all the same thing), and the silver spoon that smells like shit, on top of it. i can sort of relate to that, as an adult. it's an interesting potential device to go into these three characters, but it's only a few pages long, and doesn't begin to actually do so. it's a shame - it's a good premise.

- robbie: in the complete robot, which is the next text.

- homo sol: federation entrance. besides being disparaging towards humans in an empty manner, the plot has no apparent purpose. this one is throwaway.

- half-breeds on venus: this appears to have been a commissioned piece, and it picks up the plotline of the first part without any kind of interesting undertones. audience-pandering for-profit throwaway.

- the secret sense: i've actually wondered quite a bit in this space about the possibility of magnetism as a sixth sense, and don't remember what sparked it. i vaguely recall reading some genetic studies pointing out that humans (and most other mammals) have the dna to understand magnetism, as our ancestors had it, back when we were fish. we have a few organs that don't seem to have an entirely clear purpose, and it's worth wondering if they might be vestigial. so, it's actually not as insane as you might think to hypothesize that we could bring this back out of our genome, although i suspect that trying to navigate a reality full of cell phone signals and wireless internet would be pretty painful. i'm not particularly interested in the underlying discourse about relativity in art, but he seems to be predicting the way in which a class of retards used lsd in the 60s, down to the flashbacks.

- history: this appears to be an ill-advised commentary about the second world war. being a pacifist in the early 40s would be kind of an invitation to intellectual dead-ends, and can only be firmly condemned, in hindsight. i'm not walking down this path.

- heredity: i thought this was going to be a nature v nurture thing, but it isn't developed. getting stuck in the mud in the canals on mars is an interesting addition to what is actually a kind of marxist dialogue that is developed further, elsewhere. it's interesting to see the first glimpses of it, here; the story is otherwise throwaway. if asimov really thought the opposition to mechanization was cultural rather than economic, he missed the point of the marxist analysis. he's not particularly vicious on this joadian representation of ludditism, but he misses an opportunity for an honest dialogue, resorting instead to what are, in truth, ignorant caricatures, from an ivory tower perspective.

- reason: the complete robot.

- liar: the complete robot.

- nightfall: the complete stories, which is third up. and, this is classic enough that it made it to a university course i took once on science fiction - this is the one they picked. soon.

- super-neutron: appears to be a satire of parliamentary democracy, where he runs off competing boasts of physically impossible (and clearly nonsensical) statements under the sanctity of parliamentary privilege. while somewhat comical on a surface level, he's again just stringing together nonsense for publication - albeit doing so rather openly, this time. that said, he may also be taking a diversionary side-swipe at peer review, and the problems inherent to taking a truth=consensus approach in science, even while acknowledging that it's the best idea that we have (as i'm sure he'd agree that it is). and, then the twist, at the end - the nonsense turned out to be true! clever, but again - not enough development.

- not final!: empty plot. throwaway.

- christmas on ganymede: silly christian-baiting from an atheist jew.

- robot al-76 goes astray: the complete robot

- runaround: the complete robot

- black friar of the flame: has david icke read this one? it was written before he was born. the text explores the cynical use of religion as a nationalistic tool of control by the elite to develop a rather vicious satire of the various nationalist movements that were occurring at the time. the use of a viceroy suggests an influence from the kind of british imperialism that existed in india, but a sinister reading may even suggest a parody of nazism and asimov (much later) suggested greeks and persians. but, the twist is that earth is overrun by reptilian overlords (might nationalist hindus have thought differently of the british?) intent on annihilating humanity. see, and this is something i remember about asimov, this kind of acknowledgement that the insanity of religion might have some pragmatic purpose, if only the right context could be derived. it's an optimistic perspective, i guess; if we're stuck with this, how best to make use of it, then? did the soviets not deduce the same thing? and, i'll say what i remember thinking to myself - let's bring this up again when we need to unite to fight the galactic reptilians, ok? the closest thing we've seen since is climate change, but the thing is that, if you use that example, then climate science becomes the galactic reptilians that the oil industry is using religion to destroy (capital used the same tactic to fight socialism, as well). likewise, the bankers are currently using a common cold virus to bring in a surveillance state by cynically appealing to science in a disturbingly religious sort of way. so, i take his point, but i can't take it seriously. call me an idealist (i'm not...), but i must insist that if we can't win with rationalism, then we haven't truly won - galactic reptilians, be damned.

- time pussy: umm.

- foundation: in foundation, which is a ways down the list

- bridle and saddle: foundation

- victory unintentional: the complete robot

- the imaginary: the idea of using a theory in "mathematical psychology" that is derived in the complex field to solve physical problems in the real world would appear to be a sort of sardonic joke about the actual usefulness of "applied psychology". see, hard science nerds don't tend to take psychology very seriously, so the lark lies in the idea of using the complex (or "imaginary") field to build the theory, and is actually a rather heavy-handed joke, if you're a hard science nerd. it's not that deep, but it's actually a decent work of comedy - and i can only once again wish it was longer. but, to be honest, it sort of seems like what asimov is doing here is just aimlessly making up dialogue with big words to sell to a magazine, strictly for the cash. so, decent joke aside, this is more throwaway, although i also realize that the plot for the foundation series is starting to develop, here, out of the joke.

no, honestly - it's a joke.

i know that asimov is not generally known as a comedy writer, but it's because few people get the dry wit.

his writing is actually loaded with sardonic jokes like this - which i pointed out immediately, when i started this.

so, if you're one of the many, many people that writes off asimov as "dry", i have to tell you that you didn't get it.

it's dry, alright - dry wit.

- the hazing: this is more pre-foundation, and the way he's building this up is to describe humans as not obeying mathematical laws, which i think is correct. i mean, if you can reduce things to hormones, fine. but, there's no evidence at all that you can predict how humans are going to behave, or coerce them into doing things as individuals - in aggregate, statistically, at the population level, perhaps, but, then you're dealing with statistics, not humans; that works due to the laws of probability, like quantum mechanics, and not due to a deep understanding of the subject matter. so, he's deriving this imaginary idea of psychology as a hard, mathematical science and then insisting it applies to every other intelligent species except us. so, what he's doing with this is taking a joke and running with it, out into right field, until he's run so far that he's forgotten why he was running - and dropped the fact that it was initially intended as satire. and, is there some basis to this? i think the argument he persistently makes, as this unfolds, is the opposite - that there isn't, that mathematical psychology really is crazy talk. and i think he's mostly right. again - if you can reduce it to chemicals, to hormones, fine. but, our neural system is so complex....

as before, though, this story has no actual point. i do agree that landing on a planet in a spaceship would make the natives think you're a god, and have hypothesized that this is what our concept of god actually is. but, he doesn't go anywhere with it. again.

there's lots of ideas here in these little stories, but very poor development of them. 

so, is the actual point that asimov is making that psychology isn't actually a science?

i think he's playing with that idea - and toying with people that want to believe otherwise. it appears to be an elaborate joke, really. 

certainly, at the time, in the days of freud and jung (and lacan, but don't listen to that guy), it would not have seemed like psychology was a science, or had much hope of ever becoming one. to a chemistry nerd, it would have seemed like a bunch of utter nonsense - and that is the correct actual reaction.

i think things are a bit better now, but the discipline remains a long ways away from commanding enough respect to call it a science. it's moving in the right direction, but when you move beyond the basic first year textbook, it's still full of shamanistic bullshit and flagrant pseudoscience.

- death sentence: this is a potential plot bridge between the robot and foundation universes that i don't think gets developed further, but might have. i think it's kind of lost, as it is. asimov is mostly kvetching about the bureaucracy he's dealing with in his private life, working on his chemistry research.

- catch that rabbit - the complete robot

- the big & the little, the wedge - foundation

- blind alley: there is something of interest here in asimov's attempts to reconcile two different species, one of which is dominant over the other. but, he's also trying to provide an answer to the question that would follow at the nuremberg trials about just following orders. i mean, how do you get out of that situation if you legitimately want to help without just getting killed, yourself? there's an algorithm, here.

- dead hand: foundation and empire

- escape: the complete robot

- the mule: foundation and empire

- evidence the complete  robot

- little lost robot: the complete robot

- now you see it: second foundation

- the endochronic properties of resublimated thiotimoline: this is just utter silliness.

- no connection: when somebody suggests to me that the bears will inherit the earth, i might imagine something else, altogether. bears are strangely bipedal, though, aren't they? relative to now largely discarded theories of grassland evolution, bears would have somewhat of a...leg up...on other mammals, in terms of developing intelligence, with the help of a little bit of radiation (although i think that's quite optimistic). just keep an eye on your picnic baskets, i guess. but, he's going over a familiar theme, here, which is turning the tables on humans, and, no doubt, specifically, on white ones. he likes that irony, it seems. i'm not sure i'm going along with him on the ant thing, though; that would seem to reflect the now superseded science of the time. we get a little of both with asimov - great foresight and period drudgery. hopefully, i'm of some use in separating it out. so, this is silly, but not altogether useless. i might suggest that the commie ruskie asimov is uncovering his own allegiances in claiming that america will one day be inhabited by bears and not eagles, though. eagles are also bipedal, after all.

i would presume that bear intelligence did, in fact, evolve in yellowstone park.

it is the bears that are smarter than the average ones that will survive and reproduce.

it actually appears to be ten years before the cartoon, though. so, hey.

picnic baskets, of course, provide for a high protein diet, as well.

i'm just applying the theory.

- red queen's race: so, if you had time travel, would your primary concern be sending weapons to the greeks to fend off the arabs? the byzantines actually had a rather sophisticated level of technological development, something asimov seems to have missed - a level that the turks could not emulate and that european civilization did not transcend for centuries, afterwards. they had truly descartian robot animals, and would set them in motion in jungle scenes - no joke, look it up. robot lions, in byzantine greece. really. one of the ways that the emperor used to scare barbarians into submission was to levitate himself in a flying throne that we don't fully understand today, but is thought to have operated using a series of mechanical levers, the likes of which would not be known again until the industrial revolution, in britain. they certainly didn't have nuclear weapons, but i think that suggesting that the empire might have survived if they were granted to them is naive, at best. the greeks truly fell to christianity, and not to the barbarians around them; in a twisted display of religious depravity, they welcomed the end, as they longed for the return of christ. to the delusional byzantine christians, the end of the empire on earth meant the beginning of the kingdom of heaven; they might merely have bombed themselves to bring upon the rapture. so, asimov's philhellenism is blinding, here; greece destroyed itself in a fit of religiosity-induced madness and the greece asimov longs for the extension of was, in truth, very much long gone by the 15th century, collapsed from within. although we still don't know what the greek fire was, do we?

the byzantines did not have a scientifically open society, but one where science was kept as a state secret, to be protected from the barbarians. that is the reason that we have documentation of things we don't understand - history records the results of the advancements in byzantine science, but we have no records of the science, itself.

it's not an exaggeration to compare 13th century byzantium to nineteenth century england.

but, it's a shame that we can only do so by looking at results, and not at theories that were hidden from the outside, and that crumbled with the theodosian walls.

- mother earth: galactic space nazis, huh? there's an interesting projection of how a nazi victory may have worked itself out over time presuming a peace treaty with the united states (and the relationship of america to europe is inverted), but this is really just empty plot. it's maybe the first really identifiable piece here, though.

- and now you don't: second foundation

- the little man on the subway: i made a conscious decision to skip non science fiction pieces as nobody cares about asimov's non science fiction work. no comment.

- the evitable conflict: the complete robot

- legal rites: i made a conscious decision to skip non science fiction pieces as nobody cares about asimov's non science fiction work. no comment.

(...)

- author! author!: some self-reflection on the writing industry. so, it's a short story about writing short stories. kramerian, but not that interesting. wasn't published until the 60s, i think for good reason.

- mother earth: galactic space nazis, huh? there's an interesting projection of how a nazi victory may have worked itself out over time presuming a peace treaty with the united states (and the relationship of america to europe is inverted), but this is really just empty plot. it's maybe the first really identifiable piece here, though.

if i hadn't been forced to sleep this off all weekend, i'd be done by now, but there's one more of these before i turn to the write-up and pivot.

as mentioned repeatedly, i am not voting tomorrow.

the byzantines did not have a scientifically open society, but one where science was kept as a state secret, to be protected from the barbarians. that is the reason that we have documentation of things we don't understand - history records the results of the advancements in byzantine science, but we have no records of the science, itself.

it's not an exaggeration to compare 13th century byzantium to nineteenth century england.

but, it's a shame that we can only do so by looking at results, and not at theories that were hidden from the outside, and that crumbled with the theodosian walls.

- red queen's race: so, if you had time travel, would your primary concern be sending weapons to the greeks to fend off the arabs? the byzantines actually had a rather sophisticated level of technological development, something asimov seems to have missed - a level that the turks could not emulate and that european civilization did not transcend for centuries, afterwards. they had truly descartian robot animals, and would set them in motion in jungle scenes - no joke, look it up. robot lions, in byzantine greece. really. one of the ways that the emperor used to scare barbarians into submission was to levitate himself in a flying throne that we don't fully understand today, but is thought to have operated using a series of mechanical levers, the likes of which would not be known again until the industrial revolution, in britain. they certainly didn't have nuclear weapons, but i think that suggesting that the empire might have survived if they were granted to them is naive, at best. the greeks truly fell to christianity, and not to the barbarians around them; in a twisted display of religious depravity, they welcomed the end, as they longed for the return of christ. to the delusional byzantine christians, the end of the empire on earth meant the beginning of the kingdom of heaven; they might merely have bombed themselves to bring upon the rapture. so, asimov's philhellenism is blinding, here; greece destroyed itself in a fit of religiosity-induced madness and the greece asimov longs for the extension of was, in truth, very much long gone by the 15th century, collapsed from within. although we still don't know what the greek fire was, do we?

- the endochronic properties of resublimated thiotimoline: this is just utter silliness.

picnic baskets, of course, provide for a high protein diet, as well.

i'm just applying the theory.

it actually appears to be ten years before the cartoon, though. so, hey.

it is the bears that are smarter than the average ones that will survive and reproduce.

i would presume that bear intelligence did, in fact, evolve in yellowstone park.

- no connection: when somebody suggests to me that the bears will inherit the earth, i might imagine something else, altogether. bears are strangely bipedal, though, aren't they? relative to now largely discarded theories of grassland evolution, bears would have somewhat of a...leg up...on other mammals, in terms of developing intelligence, with the help of a little bit of radiation (although i think that's quite optimistic). just keep an eye on your picnic baskets, i guess. but, he's going over a familiar theme, here, which is turning the tables on humans, and, no doubt, specifically, on white ones. he likes that irony, it seems. i'm not sure i'm going along with him on the ant thing, though; that would seem to reflect the now superseded science of the time. we get a little of both with asimov - great foresight and period drudgery. hopefully, i'm of some use in separating it out. so, this is silly, but not altogether useless. i might suggest that the commie ruskie asimov is uncovering his own allegiances in claiming that america will one day be inhabited by bears and not eagles, though. eagles are also bipedal, after all.

- blind alley: there is something of interest here in asimov's attempts to reconcile two different species, one of which is dominant over the other. but, he's also trying to provide an answer to the question that would follow at the nuremberg trials about just following orders. i mean, how do you get out of that situation if you legitimately want to help without just getting killed, yourself? there's an algorithm, here.

- death sentence: this is a potential plot bridge between the robot and foundation universes that i don't think gets developed further, but might have. i think it's kind of lost, as it is. asimov is mostly kvetching about the bureaucracy he's dealing with in his private life, working on his chemistry research.

well, of course a systematic review of asimov is going to collapse into a psycho-analysis.

it's inevitable.

i'm awake today and making some progress. obviously, i'm going to have to alter my algorithm a little, because this is taking far too long.

but, if you want to talk psychology...

i'm sorting through this, and i have to point out that asimov seems to be approaching writing these stories as therapy. the text i'm reading through has commentary by asimov, and it's clear enough that he just wrote about what was happening in his life, but the fact that he so frequently does so in a tongue-in-cheek or satirical manner suggests that he's really processing the things around him by turning them into jokes, something every nerd understands fairly well. existence is both painful and absurd, but you can numb the pain by deconstructing the absurd into the comedic. 

was he aware of that? is that a partial, err, foundation, of his persistent mockery of psychology? 

- author! author!: some self-reflection on the writing industry. so, it's a short story about writing short stories. kramerian, but not that interesting. wasn't published until the 60s, i think for good reason.