i completely forgot about that...
Wednesday, August 4, 2021
i had a hard time finding information about the guy that briefly taught me classical guitar, so i'm going to post this here.
it's from a glebe newspaper article from 1993. and, that is indeed his wife, cathy. i took lessons from early 2000 to about mid 2001.
a different rollins band than you were expecting, perhaps.
Tuesday, August 3, 2021
this is a good demo.
i used the pitch banks quite a bit, because i wanted a good harpsichord sound.
what he doesn't point out is that the layering on the drum triggers, while polyphonic, is limited by a number of things, including available memory. so, the demo songs sound great, but two or three tracks like that, and you've run out of memory.
i need to keep going with the gear replacement before i move on to the next thing. we'll split these into by-basement posts.
the thing i'm still missing from basement #1 is a medium sized bass amp that i can use for bass, keyboard or amp simulation. although, i do still have a 120 watt fender combo amp/cab that can be used for that purpose, so it's not much of a missing item. the problem is it's too loud, so i'm not going to get an "amped" sound from it unless i piss off the neighbours. it has an exaggerated bottom end, as well - it's a bass amp. a smaller keyboard amp would be far more useful to me, for recording - which is why i bought all these little amps. i'm pretty sure it was a kb60, but i'd actually rather take it down to 30ish. i'm very seriously looking at that little vox amp for this, although i wish they made it in lower wattage options than 50. 50 watts is pretty loud, and the point is to crank it most of the way.
i was also looking at a sennheiser e609 as a potential mic upgrade, but stopped short because the altec is probably pretty similar.
so, this is basement #2...
- the ry30 is an irreplacable item, in any reasonable sense, except with itself. there's really no hardware drum machine that does quite what it does, at much of any price point. but, when i had sold it, the truth is that i'd grown out of it because i started writing longer, more complicated sequences in an actual score writer...or found it easier to do repetitive, simple loops in basic software.
so, this is my ry30 record, which is an example (not comprehensive) of what i was able to do with the ry30:
in order to write in that kind of detail, i had to slow the tempo down to the lowest possible speed and fill everything in in quadruple or higher time. this had the effect of limiting the complexity of the compositions that could be built on the device, as well. this is a deficit of the device's lack of memory, as an early 90s computer. you could buy expansion slots, but they weren't cheap, and it didn't really solve the problem. so, you could only do so much with the device, as a sequencer, due to the limitations of the technology.
that said, it was also one of the most advanced machines of the period, and the entire concept of a standalone drum machine disappeared with the move to computers for recording. so, while i may have outgrown it's limitations, it was also just about top of the line for a device of it's sort - there isn't really an upgrade path, besides moving to cubase.
the technical thing i used to replace the ry30 was a program called noteworthy composer which is a scorewriter, like sibelius or finale. i like the interface a lot better, as it's keyboard driven rather than mouse driven:
while the ry30 had a primitive synthesizer built in, i no longer found it useful once i had access to a jx along with cool edit, and while no tool is ever truly obsolete, it wouldn't be my go to for sound generation, if i had one, today. there's a million other ways to generate noise and hook it up to a sequencer, and there was nothing particularly unique about the device for that purpose - even if it was exceedingly useful to have the thing in house, so long as you had enough memory.
on the other hand, what you could do with noteworthy composer is anything you can do with written music. there are no limitations regarding bar lengths, time signatures, numbers of patterns, "polyphony" in drum types, song complexity or anything else - you're just writing into a score editor. in theory, you should be able to interface those midi parts with any kind of sampler, but in practice you end up limited to general midi, meaning you'll need another approach to integrate sound effects and sampling. to me, that's fine, as i found myself more drawn to wave editors (like audacity, although i still use an old version of cool edit) for that kind of sound generation.
this is an example of something i created in noteworthy composer (and using a soundcard emulator for playback) that i could have never created using the ry30 due to the intricacies in time signatures and the sheer number of "patterns":
further, this is my noteworthy composer record, as ported to more contemporary vst software:
of course, i also have an electronic kit, and that's actually going to be what i'm focusing on using for most of what's left of period 3, at least, as these tracks were actually intended to be recorded with sarah on the drums. sarah used to play drums for her dad, and found it upsetting to have me dictating instructions to her, which is the only way i knew how to work, musically. i may be a little less controlling nowadays. but, she couldn't deal with me yelling at her to stay in fucking time...and i had to play my drum parts, myself.
but, a good way to look at the ry30 is as a device of medium complexity; it's not detailed enough for very carefully written parts (because it is ultimately a drum machine, meaning you have to build up patterns in blocks, however much detail it allows for), but it's far too developed a device for simple, repetitive loops. as such, i really did grow out of it, as i couldn't do with it what i needed from a device of it's sort, and it was just a lot easier to use a 909 emulator if i just wanted some simple beats.
so, the replacement for the ry30 is as follows:
- hammerhead + leaf + whatever other simple 808-style emulator is around for loops and simple beats and weird sounds, in a strictly sequenced manner
- fully written-out sections in noteworthy composer for actual drum parts <---this is the real replacement/upgrade, namely moving to scored parts in midi rather than drum machine sequences in beats/bars/patterns
- i can use a scorewriter for midi sequencing (some of the earlier sequencer parts that sound like synths were actually created on a ry30)
- cool edit + various synthesizers for sampling and whatever other noise generation
while it's not exactly the same - and i'd jump at an emulator if i found one - i'm not really missing anything in no longer having the device, except the idiosyncrasies of the device itself, which can only be replaced by the device. i know of no other drum machine that can really replace the ry30, in the sense that i used it - which was in quite a lot more depth than your average user. but, i still outgrew it. that's ok - it was my first programming device, and we all outgrow our first devices, right?
that said, the one thing i don't have that the ry30 had is those velocity-sensitive pads, and i'm looking at a way to remedy that, even if i'm less convinced about the importance of it. i have velocity sensitive keyboards and velocity sensitive electronic drum heads, is there really any use in having velocity sensitive drum pads, especially for period 3? i can't say it's worth much to me, no. but, if i can get one of those mini akais for $20 or something, i'll do it.
as it is, the scorewriter is an upgrade to the sequencer in the ry30 by a long shot, and i've got a million software synths to generate sound with, and a million other ways to sequence it. i miss my ry30, for sure. but, i realize i have more important things to expend scare resources on.
you see those akai pads come up on kijiji relatively often and they don't sell, so i'll get one when i can get somebody to cut the price enough, just give me time.
so, here's the ry30:
and here's the upgrade to it, in any meaningful sense (although i am using a program called noteworthy composer, not finale):
you can then take the sequences once they're written, export them to midi and line them up in a daw (i use cubase) to make it easy to layer in sequenced sound effects, samples, etc.
- i also started using noteworthy composer as a sequencer around this time, and i still use it to write midi parts (and then export them to use with different playback engines)
- i don't use the windows 95 sound recorder anymore, but i still use cool edit as a wave editor
- i still have the portastudio 414 and do still use it from time to time as a buffer for things like bass parts. but, the replacement mixer is the alesis:
(post from july 19th inserted here:
so, i spent the day running around (technically, walking and biking around) and now have the following in my possession:
- the two purple and pink tanktops came in the mail
- i picked up the behringer umx61 this morning. mine is grey, with some mild yellow staining, presumably from being near to an ashtray for an extended period. i had to play through some pops (indicating it hadn't been used in a while), but the keys all work, and, if anything, they're a little hyper-sensitive. that's fine.
it cost me $95 cdn, used.
this device has two major purposes for me:
- it replaces the keys on the jx-8p, which were stuck. it's a common problem with 80s rolands, and i just never fixed it. but, my 49 key dx100 is just a little lacking. i guess i never counted it - i though the jx had 88 keys. it turns out it has 61, too. so, if anything, i'm getting two extra octaves with the behringer...
- it will finally give me access to a control surface, if a minor one. i'm probably not going to go all knob-twiddly, but it is useful for tactical use to be able to physically turn a sweep, and i've really never been able to do that. the jx has a control surface, but i didn't get it in the package, second hand. it's just something i've never had in front of me...and something i've long intended to rectify...)
- i still install goldwave regularly, although i haven't used it in years. it was more useful as a noise generator than cool edit, and it had a different selection of effects that i found were more pronounced. it's still there if i want it.
- i could never get sound raider to work in nt (xp on), but it's one of the things i'll want to try to install on the 90s pc. it's a unique program that has no direct parallel. but, i'm probably past it, as well.
- i recently replaced the wood flute my aunt gave me in 1998. i actually still have the old one, but it's splintered at the top. i may also get a plastic recorder. this is less about the sound and more about the breathing, which you can't really get out of midi, unless you have a breath controller, which is a lot more than a plastic recorder. if i ever find a million dollars on the ground, i'll definitely get a breath controller. for now, i'm happy with my line to midi interface, which is coming.
- hammerhead is a basic 909 emulator that still works in nt. it's one of the types of programs i found myself going to for simpler drum patterns when i needed something quick.
- i still have the three epiphones & the ms-2, too.
- coagula did still work the last time i tried it. i still install it, but i haven't used it for years. i always wanted to do more direct sampling with it, but it never really happened.
Monday, August 2, 2021
i'm dating this to around the point where i'll start the alter-reality:
i think this was from the first part of 1989. my dad didn't understand my existential ennui about the meaninglessness of winterlude and insisted i play in the snow, to little response from myself besides boredom. this is feigned reaction to a request for a smile. i remember that, and wish it wasn't from outside the bounds of the story. maybe i'll do a flashback.
this is a picture of me on a bicycle from the summer of 1989.
i had a number of stuffed animals and other doll-type toys that i personified for quite a few years. judging from my hair, i believe it's the same period as the other shots.
i'm surprised i don't have more shots like this, actually:
so, i'm looking at some old pictures...
i knew that old black ibanez was the second electric guitar, but i couldn't remember what the first one was, other than that it was a hondo. it turns out it was a hondo telecaster copy - clearly, from the pictures. i was very young, but i think i always assumed it was some kind of strat. nope - most obvious telecaster, ever.
so, when the hannah montana washburn mini telecaster arrives, it can be the replacement for the first tele, which was traded in for the ibanez.
there was also an unbranded acoustic guitar, which would have been traded for the tele, and would have ultimately been replaced by the epiphone, which i still have. it looks like it was probably 3/4 size, but i couldn't tell you that at the time.
so, that's two more guitars that needed replacements, and it's all already dealt with.
i can't think of anything else to take note of that young, except that i learned to play recorder at school in the 5th grade
i'm working on the next batch of replacements.
Sunday, August 1, 2021
so, here's the theme, if you want just the notepad without the goofy shit:
this should line up well, just keep in mind the following:
- you need to title every post. if you post something without a title, it will misalign.
- it will eventually go out of alignment if your post is too long - well over 100 lines.
- new posts will realign, so long as those posts have titles.
- you want to use normal breaklines and not the weird ones it defaults to nowadays. i use the following as a template:
<div style="text-align: left;"></div>
that simple line will default everything to normal line breaks, and let the formatting work correctly.
it's entirely functional, but it has some limitations that are probably hardcoded into the html, and may even reduce to floating point errors within the processor. computers aren't as good at math as people think...
so, i'm ready to get going, now.
ok, so that took far longer than intended, but i've got my template down:
the mechanism is that i'm writing in a little book, and i find it somewhere and scan it. hence, the lines - and the trouble i'm taking to line the writing up.
here's the trick - i used a 12 line image because that's when it starts to overlap, but even that will only take me so far before i need to reset. it's like a calendar - you need a leap year every four years to make up for the measurement error. but, i posted many test posts to make sure that the cycle resets on a new post, so long as i post it with a title.
i'll have to keep an eye on it and make adjustment if necessary but i think this is sufficient.
i just want to finish the template, and then i'll upload it for anybody, as i think this is useful and am happy to share it.
this will run from 1989-1996, and is intended as a preface - these are childhood year notes, from before i did any recording. the alter-reality will run from 1996-2013 and occupies the actual writing phase. and, current reality runs from 2013-death and is the cleanup and finish phase.
Saturday, July 31, 2021
i'm starting in 1989, though.
what of that was relevant to me?
not much. some rem. some u2. that gowan record. tears for fears. actually, i loved that klf record...
beatles, yes; genesis, floyd, crimson...not yet.
that also seems to be a somewhat sanitized version of the list. the next oldest version i have is from 2001, and it has a lot more stuff that i didn't include....things like bryan adams cassettes.
we'll do this next week.
this week is just going to be an introduction.
so, i found this from 1999 at the tripod site, which finally let me in...
Automatically generated by MusicCat
Last updated on 9/27/99
by inri
the crosswinds site is still dead.
i think this is the earliest file i have.
Music Collection
| 1000 Homo DJ's | Supernaut | CD |
| 54-40 | Dear Dear | CS |
| Smilin' Buddha Cabaret | CS | |
| Alice In Chains | Facelift | CD |
| Dirt | CS | |
| Jar Of Flies | CD | |
| Alice In Chains | CD | |
| Nothing Safe | CD | |
| Autechre | Bass Cadet | CD |
| Barenaked Ladies | Gordon | CD |
| Born On A Pirate Ship | CD | |
| Borland | C++ | CD |
| Brian Eno | Ambient 1/ Music For Airports | CD |
| Bush | Sixteen Stone | CS |
| Razorblade Suitcase | CD | |
| Deconstructed | CD | |
| Candlebox | Candlebox | CS |
| Lucy | CS | |
| Canon | Canon Creative | CD |
| cEvin Key | Music For Cats | CD |
| Chris Connelly | Phenobarb Bambalam | CD |
| Coil | Horse Rotorvator | CD |
| Love's Secret Domain | CD | |
| The Snow | CD | |
| Bee Stings | CD | |
| Musick To Play In The Dark Volume 1 | CD | |
| Songs Of The Week | 2-CD | |
| Collective Soul | Hints, allegations, and things left unsaid | CS |
| Collective Soul | CS | |
| Disciplined Breakdown | CD | |
| Coma Lodge | What Kind of mind do you have? | CD |
| Cop Shoot Cop | White Noise | CD |
| Cyberaktif | Temper | CD |
| David Bowie | Aladdin Sane | CD |
| 1. Outside | CD | |
| The Hearts Filthy Lesson | CD | |
| Earthling In The Ciity | CD | |
| I'm Afraid Of Americans | CD | |
| Earthling | CD | |
| Dead Voices On Air | Hafted Maul | CD |
| New Words Machine | CD | |
| Piss Frond | 2-CD | |
| Die Warzau | Big Electric Metal Bass Face | CD |
| Engine | CD | |
| DMSO: DRUGMURDERSEXORGY | Marezine Halloween | CD |
| Phantom Freakshow | CD | |
| Doubting Thomas | Father Don't Cry | CD |
| Download | Furnace | CD |
| Microscopic | CD | |
| Sidewinder | CD | |
| III | CD | |
| The Eyes Of Stanley Pain | CD | |
| Eco-Hed | S/t | CD |
| Econoline Crush | Purge | CD |
| Affliction | CD | |
| The Devil You Know | CD | |
| Einsturzende Neubauten | Tabula Rasa | CD |
| Eleven | S/T | CD |
| Filter | Erkenntnis Theorie | CD |
| Short Bus | CS | |
| Short Bus | CD | |
| Title Of Record | CD | |
| Firewater | The Ponzi Scheme 3 track promo | CD |
| Foetus | Thaw | CD |
| Butterfly Potion | CD | |
| Boil | CD | |
| Null / Void | 2-CD | |
| Foofighters | Foofighters | CS |
| Foofighters | CD | |
| Big Me | CD | |
| The Color And The Shape | CD | |
| Frank Zappa | Apostrophe'/Overnight Sensation | CD |
| Joe's Garage Acts 1-3 | 2-CD | |
| Garbage | Garbage | CS |
| 20-May-98 | 2-CD | |
| Version 2.0 | CD | |
| Version 1.0 Rarities | CD | |
| Genesis | Trespass | CD |
| Selling England By The Pound | CD | |
| The Lamb Lies Down On Broadway | 2-CD | |
| Wind & Wuthering | CD | |
| A Trick Of The Tail | CD | |
| Invisible Touch | CD | |
| God Lives Underwater | EP | CD |
| Life In The So Called Space Age | CD | |
| Rearrange | CD | |
| God Speed You Black Emperor! | F#A#oo | CD |
| Slow Riot For New Zero Kanada | CD | |
| Gowan | (You're A) Strange Animal | CS |
| Gravity Kills | Gravity Kills | CD |
| Manipulated | CD | |
| Perversion | CD | |
| Hater | Hater | CD |
| Hewlitt-Packard | Cd Writer Plus Software Package | 3-CD |
| Hilt | Call The Ambulance Before I Hurt Myself | CD |
| Get Stuck | CD | |
| Journey To The Centre Of The Bowl | CD | |
| Hole | Live Through This | CS |
| I Mother Earth | Dig | CS |
| Scenery And Fish | CD | |
| Blue Green Orange | CD | |
| IBM | World Book Encyclopedia | 2-CD |
| id Software | Doom II | CD |
| Quake 1 + 2 + addons | CD | |
| inri | inri | CD |
| inrimake | CD | |
| inriched | CD | |
| warning | CD | |
| Jane's Addiction | Nothing's Shocking | CD |
| Jesus H. Christ | H | CS |
| John Lennon | Shaved Fish | CD |
| Joy Division | Still | CD |
| Killing Joke | Changes - Spiral Tribe Mixes | CD |
| King Crimson | The Concise King Crimson | CD |
| AAA Sampler | CD | |
| KMFDM | UAIOE | CD |
| Angst | CD | |
| Naive (Hell To Go) | CD | |
| Light | CD | |
| Brute | CD | |
| Nihil | CD | |
| Xtort | CD | |
| Adios | CD | |
| KMFDM Vs. Pig | Sin Sex & Salvation | CD |
| Korn | Korn | CD |
| Life is peachy | CS | |
| Follow The Leader | CD | |
| Limblifter | Limblifter | CS |
| Live | Mental Jewelry | CS |
| Throwing Copper | CS | |
| Secret Samadhi | CS | |
| Ludwig Van Beethoven | Piano Concerto #2 ; Symphony #7 | CD |
| Machine Gun Kelly | Boy In A Mansuit | CD |
| Machines Of Loving Grace | S/T | CD |
| Mad Season | Above | CS |
| Mark Lanegan | Whiskey For The Holy Ghost | CD |
| meathead | Dick Smoker Plus (w/ Cop Shoot Cop) | CD |
| Micronaut | S/t | CD |
| MicroProse | Civilization II | CD |
| Microsoft | VB4 | CD |
| VB5 | CD | |
| VB5, Learning Edition | 2-CD | |
| Mastering VB5 | CD | |
| Learn VB5! | CD | |
| Encarta 97 Encyclopedia | 2-CD | |
| Developer Network Library - Visual Studio 97 | CD | |
| Windows 98 | CD | |
| Ministry | Twitch | CD |
| 12 Inch Singles | CD | |
| The Land Of Rape And Honey | CD | |
| The Mind Is A Terrible Thing To Taste | CD | |
| In Case You didn't Feel Like Showing Up | CD | |
| KEIANHNH (Psalm 69) | CD | |
| Filth Pig | CD | |
| The Dark Side Of The Spoon | CD | |
| Moby | Animal Rights | CD |
| Honey | CD | |
| Play | CD | |
| Mother Love Bone | Mother Love Bone | 2-CD |
| Muslimgauze | Maroon | CD |
| Neil Young | Live Rust | CD |
| Mirrorball | CD | |
| Nine Inch Nails | Purest Feeling | CD |
| Pretty Hate Machine | CD | |
| Down In It | CD | |
| Head Like A Hole (Opal) | CD | |
| By Bizarre Hands | CD | |
| Head Like A Hole | CD | |
| Sin | CD | |
| Fixed (American) | CD | |
| Demos And Remixes | CD | |
| Fixed | CS | |
| Broken | CD | |
| Broken Rarities | CD | |
| Crossed Nails | CD | |
| The Downward Spiral | CD | |
| Disturbed | CD | |
| Closer | 2-CD | |
| March Of The Pigs | CD | |
| Further Down The Spiral | CD | |
| Further Down The Spiral V2.0 | CD | |
| Children Of The Night | CD | |
| Blue Lies | CD | |
| Quake Soundtrack | CD | |
| The Perfect Drug | CD | |
| Closure | VHS | |
| The Perfect Drug (complete) | CD | |
| Videos (89-98) | CD | |
| Related Side Projects Vol. 1 | CD | |
| The Fragile | 2-CD | |
| Multimedia Disc | CD | |
| The Day The World Went Away | CD | |
| Nirvana | Bleach | CD |
| 10/08/89 | CD | |
| Bleach | CS | |
| Nevermind | CS | |
| Smells Like Teen Spirit | CD | |
| Lithium | CD | |
| Live In Minneapolis 10/14/91 | CD | |
| 082591 w/misc. covers | CD | |
| Nevermind | CD | |
| Incesticide | CD | |
| Incesticide | CS | |
| Heart Shaped Box | CD | |
| In Utero | CS | |
| Roma | CD | |
| Unplugged In New York | CS | |
| Rarities | CS | |
| Live From The Muddy Banks Of The Wishkah | CS | |
| Nitzer Ebb | Showtime | CD |
| Godhead | CD | |
| Ebbhead | CD | |
| Option 30 | Option 30 | CD |
| Our Lady Peace | Naveed | CD |
| Naveed | CS | |
| Clumsy | CS | |
| Happiness Is Not A Fish That You Can Catch | CD | |
| Pearl Jam | 011090 | CD |
| Ten | CS | |
| Vs. | CD | |
| Vitalogy | CD | |
| Merkinball | CD | |
| No Code | CS | |
| Yield | CD | |
| Peter Gabriel | Self-Titled | CD |
| Security | CD | |
| So | CD | |
| Passion | CD | |
| Us | CD | |
| Phil Western | The Escapist | CD |
| Philip Glass | Koyaanisqatsi Soundtrack | CD |
| Pigface | Truth Will Out | CD |
| Pink Floyd | Animals | CD |
| The Final Cut | CD | |
| A Momentary Lapse Of Reason | CD | |
| Prick | Prick | CD |
| PTP | S/T | CD |
| Puff Daddy | Victory Remixes | CD |
| Radiohead | Pablo Honey | CS |
| The Bends | CD | |
| OK Computer | CS | |
| Karma Police | CD | |
| Live From The 10 Spot | CD | |
| Red Hot Chili Peppers | The Best Of The Red Hot Chili Peppers | CD |
| One Hot Minute | CS | |
| Californication | CD | |
| REM | Murmer | CS |
| Green | CD | |
| Out Of Time | CS | |
| Automatic For The People | CD | |
| Automatic For The People | CS | |
| New Adventures in Hi-Fi | CS | |
| E-Bow The Letter (Colectors Edition) | CD | |
| Up | CD | |
| Daysleeper | CD | |
| Revolting Cocks | Beers, Steers + Queers | CD |
| Beers, Steers And Queers (Remixes) | CD | |
| Ric Ocasek | Troublizing | CD |
| Rx | Beside Toxicology | CD |
| Scott Weiland | 12 Bar Blues | CD |
| Shudder To Think | First Love, Last Rites | CD |
| Silverchair | Frogstomp | CS |
| Sister Machine Gun | Sins Of The Flesh | CD |
| Burn | CD | |
| Metropolis | CD | |
| [R]evolution | CD | |
| Skinny Puppy | Remission | CD |
| Bites | CD | |
| Live In Horst 86 | CD | |
| Fractal Zoom | CD | |
| Cleanse Fold And Manipulate | CD | |
| Addiction | CD | |
| VIVIsectVI | CD | |
| Testure | CD | |
| 12 Inch Anthology | CD | |
| Rabies | CD | |
| Too Dark Park | CD | |
| Worlock | CD | |
| Tormentor | CD | |
| Ain't It Dead Yet? | CD | |
| Last Rights | CD | |
| Inquisition | CD | |
| Brap : Back And Forth Vol 3 + 4 | 2-CD | |
| The Process | CD | |
| Remix Dys Temper | CD | |
| Process Demos/Outtakes | CD | |
| Skold | S/T | CD |
| Sonic Youth | Confusion Is Sex/Kill Your Idols | CD |
| Sister | CD | |
| Goo | CD | |
| Dirty | CD | |
| Washing Machine | CD | |
| Muzikale Vergezichten | CD | |
| Perspectives Musicales syr #1 | CD | |
| Silver Sessions (Jason Knuth) | CD | |
| Soundgarden | Flower | CD |
| Louder Than Love | CD | |
| Big Dumb Sex | CD | |
| Badmotorfinger / SOMMS | 2-CD | |
| Badmotorfinger | CS | |
| Superunknown | CS | |
| Songs From The Superunknown | CD | |
| Down On The Upside | CS | |
| Live In Austin Texas | CD | |
| Sponge | Rottong Pinata | CS |
| Wax Ecstatic | CS | |
| New Pop Sunday | CD | |
| Squarepusher | Music is Rotted One Note | CD |
| Stabbing Westward | Early Demoes | CD |
| Ungod | CD | |
| Wither Blister Burn And Peel | CD | |
| Mailing List Compilation Video | VHS | |
| Darkest Days | CD | |
| Stevie Ray Vaughn | Texas Flood | CD |
| Couldn't Stand The Weather | CD | |
| Soul To Soul | CD | |
| In Step | CD | |
| The Sky Is Crying | CD | |
| Stone Temple Pilots | Core | CS |
| Purple | CS | |
| Sunny Day Real Estate | Sunny Day Real Estate | CD |
| Radio Sampler | CD | |
| Swans | Omniscience | CD |
| Omniscience | CS | |
| Sweet 75 | S/T | CD |
| Talkshow | Talkshow | CD |
| Tears For Fears | Songs From The Big Chair | CS |
| Temple Of The Dog | S/T | CD |
| The Beatles | The Beatles (AKA The White Album) | 2-CD |
| The Innocent | Livin' In The Street | CD |
| The KLF | Doctorin' The Tardis | CD |
| The White Room | CD | |
| The Meat Puppets | Too High to Die | CS |
| No Joke | CS | |
| The Offspring | Ignition | CS |
| The Year That Punk Broke | CD | |
| Smash | CS | |
| Ixnay On The Hombre | CS | |
| The Offspring | CS | |
| The Presidents Of The United States Of America | The Presidents Of The United States Of America | CS |
| The Prodigy | The Fat Of The Land | CD |
| The Smashing Pumpkins | 100588 | CD |
| 89 Demo Tapes | CD | |
| 160690 | CD | |
| Lull | CD | |
| 02/12/91 | CD | |
| Gish | CD | |
| Tribute To Blue Oyster Cult | CD | |
| Peel Sessions | CD | |
| I Am One | CD | |
| Siamese Dream | CS | |
| Disarm | CD | |
| Cherub Rock | CD | |
| Mashed Potatoes ? | CD | |
| Today | CD | |
| Siamese Dream | CD | |
| Pisces Iscariot | CS | |
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| Earphoria | CD | |
| Mellon Collie And The Infinite Sadness | CS | |
| Mellon Collie And The Infinite Sadness | 2-CD | |
| Double Door | 2-CD | |
| 1995 Demo Tape | CD | |
| 666 | CD | |
| The World Is A Vampire | CD | |
| Sequence 4 | CD | |
| Tonight, Tonight | CD | |
| Zero | CD | |
| 1979 remixes (Holland import) | CD | |
| The Aeroplane Flies High (Condensed) | CD | |
| Mellow, Jolly And The Infinite Madness | CD | |
| 1979 | CD | |
| 33 | CD | |
| Bullet With Butterfly Wings | CD | |
| The End Is The Beginning Is The End (all mixes) | CD | |
| The End Is The Beginning Is The End Fluke Mixes (UK Promo) | CD | |
| Children Of Gotham | CD | |
| Perfect | CD | |
| Adore | CD | |
| 05.19.98 Aula Magna; Lisbon, PT + misc | 2-CD | |
| 103198 | CD | |
| Intimate And Interactive | CD | |
| Viper Room | CD | |
| Perfect EP | CD | |
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| 041099 | 2-CD | |
| 042399 | CD | |
| Vinyl + 042399 | CD | |
| live 2 | CS | |
| live 3 | CS | |
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| The Tea Party | S/T | CD |
| Splendor Solis | CS | |
| The Edges Of Twilight | CD | |
| Alahambra | ECD | |
| Transmission | CD | |
| TRIPtych | CD | |
| The Tear Garden | Tired Eyes Slowly Burning | CD |
| To Be An Angel Blind, The Crippled Soul Divide | CD | |
| The Who | Meaty, Beaty, Big And Bouncy | CD |
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| Tool | Undertow | CD |
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| Under A Blood Red Sky | CD | |
| The Joshua Tree | CS | |
| The Joshua Tree | CD | |
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| Mysterious Ways | CD | |
| Zooropa | CS | |
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| Please | CD | |
| The Best Of 1980-1990 & B-Sides | 2-CD | |
| US Robotics | 56k Installation Disc | CD |
| Various | The Tyranny Of The Beat | CD |
| In Defense Of Animals | CD | |
| Sweet Relief II: Gravity Of The Situation | CD | |
| Lost Highway Soundtrack | CD | |
| Escape From LA Soundtrack | CD | |
| Ransom | CD | |
| Spawn Soundtrack | CD | |
| Paradigm Shift | CD | |
| J | CD | |
| Regular Set-Up Files | CD | |
| Skinny Puppy Related Side Projects And Rarities | CD | |
| Foxtrot | CD | |
| Songs Of The Witchblade | CD | |
| Transistorized Spectra Sonic Sound | CS | |
| Hyms Of The Warlock : A Tribute To Skinny Puppy | CD | |
| Nothing Changes | CD | |
| Skinny Puppy Related Rarities And Side Projects Vol. 3 | CD | |
| Videos1 | CD | |
| Music Set Up Files | CD | |
| Cd Covers | CD | |
| Skinny Puppy Related Side Projects And Rarities Vol. 2 | CD | |
| The Souls That Create | CD | |
| Stigmata | CD | |
| Music I'm Embarrassed To Listen To Vol 1 | CD | |
| Voivoid | The Lost Machine/Jack Luminous | CD |
| Westwood Studios | Command & Conquer | CD |
| White Zombie | Astro-Creep : 2000 | CS |
| Supersexy Swingin Sounds | CD | |
| Supersexy Swinging Sounds | CS | |
| William S. Burroughs/Kurt Cobain | The 'Priest' They Called Him | CD |
| Wiseblood | PTTM | CD |
Automatically generated by MusicCat
Last updated on 9/27/99
by inri
ok, where was i?
it's saturday night (31st).
- i slept in until the afternoon today and haven't done anything
- yesterday was a short day that never got started. the one thing i did do was clean the fridge, a little more. or, try to, anyways.
- thursday, i got out to get some bloodwork, bought some books, got some clamps
- tuesday & wednesday were spent looking at the takeharu guitar
- monday, i went to get the mic stand, and got some books
- sunday was a kind of a down day
- saturday (24th) was a running around day, and i got the takeharu, the bottom of the vox (video coming...) and the mini xylophone
- most of last week (18th-23rd)) was spent sorting through kijiji, etc ads and also in researching gear
- 17th, these were uploaded, and i started working on a big post about the old gear i had and how to replace it.
- on the 16th, i uploaded a rough mix of the lost symphony to the trivial group lp as a placeholder, uploaded some rough xenophanes mixes, bought a microcasette, did some orange testing...
- on the 15th, i was looking at dna sequencing and spent a lot of time filing the recording machine
- on the 14th, i decided to get a pignose when i went in to get the mini vox (and didn't, yet)
- i got a mini vox and a mini orange to go with the mini ms-2
- on sunday morning / monday night (11/12th), i started adding gear to the alter-reality page, which included a ms-2 mini marshall amp and i started researching mini-amps for period 3 recording...
- friday the 9th was back to alter-reality,
- the rest of the week was spent looking at blood tests, genetics, shopping online & cleaning./
- i got some more bloodwork on the 5th
- i stopped filling in the blog on monday morning (the 4th)
- the bookcase (required to access cds for reviews) came in on the 2nd
- on the 1st, i decided july would be extremely productive and continued transferring the facebook page to the new blog, which was my friday project
so.
let's update this first:
already purchased:
- one person coffee maker
- backup fan
- big bookcase
- new broom
- new computer keyboard
- 4 gb backup ram for 32-bit pc, 1 gb backup ram for 16-bit pc, 2 gb of ram for 90s laptop
- micro orange crush 3w amp
- vox ac30 headphone plug
- all four tanktops (one blue, two pink, one purple)
- behringer umx61midi controller
- fender squire mini strat
- micro cassette recorder
- wood flute
- sennheiser replacement headphones
- marantz microphone
- 2 of 3 gig bags
- bottom of the vox combo
- soldering iron, solder & a pink pool thing for a sponge
- mini xylophone
- mic stand
- takeharu guitar (w/ case)
- no-name mini classical guitar (w/ case for epiphone electro-acoustic)
- a stack of old books
- ancestry dna test
- another stack of old books
- 3 c-clamps, wood glue & a sanding block
these items are in a weird limbo due to alipay not working correctly with paypal:
- xylophone sticks
- melodica
and this is what is coming:
- pignose (not now though, later) *
- midi guitar*
- 21 fret classical*
- 1 of 3 gig bags
- hannah montana guitar
- audio to midi converter (with extra cord)
i don't want to buy anything else until i can get some tickets to toronto for the orchiectomy.
and, because i think we're going back into lockdown, i need to take advantage of this time window as best i can. so, i need to call on tuesday and get this booked.
right this minute, i need to start my first post in the alter-reality and take it from there. then, i'm going to want to finish that gear replacement post. it's the end of the month, so i need to clean - although this is being bottlenecked by the fridge. and, i can get back to the blog clean-up, maybe, early in the week.
again, this is the intent:
- friday: alter-reality
- sat--->mon: period 3 recording
- tues--->thurs: liner note rebuild (and general writing workthrough)
the last diet update was on may 19th.
so, let's do this one thing at a time and hope i don't get any other major disruptions in what i'm doing.
but, i may have to ask him to take the fridge out of here - i've given it until tuesday to decide.
Friday, July 30, 2021
so, i also picked up some c-clamps and a sanding block at home depot yesterday, and have some glue coming in the mail.
i grabbed a few more books as well, including some bradbury, which is relevant for the alter-reality.
is this going to work? i think it should.
i want to actually start writing this weekend. and, how am i going to do this? i wanted to started in 2019 and do it in real-time...
the real-time portion of the blog doesn't really get interesting until about 1993 or 1994, but i still wanted to be clicked into it by now.
if i do monthly entries every week, i can catch up by early 2022. i guess i got my first electric guitar around early 1992, so that's a reasonable catch up point.
and, these little asimov and bradbury tests can be read by an adult in an afternoon.
i needed to do the filing on the main computer before i got back to recording, and i'm actually pretty close.
and, if i can get back to the blogging process on monday, i guess i'm getting back to the diet, first.
i need to look over the last few weeks and refocus, but i think i stopped in mid-june.
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