Monday, March 23, 2020

this is a review of the debussy/ravel concert at the dso on feb 16, 2020.

when i saw la mer come up, i knew i'd be prioritizing it fairly heavily, even amidst the cold detroit winter. as it is, this day almost didn't happen - and then turned into somewhat of a catastrophe, in the end.

the dso usually does three performances of each show over the course of a weekend, sometimes starting as early as thursday but usually ending on sunday. i was hoping to make a night out of it by catching the symphony early and hitting something afterwards. initially, it seemed as though the saturday presented the best opportunity, as i would have been able to hit a local act called paint thinner after the set. i've had lukewarm reviews of the disc, but i would still like to see them live to produce a final analysis. unfortunately, paint thinner was replaced at the last minute by something that was much less interesting to me, a local punk band that i think is more or less terrible, and i ended up deciding to take advantage of a turn in the weather to hit the show on a sunny sunday afternoon instead of on a blustery saturday night. you can check out paint thinner's bandcamp site, but i suspect they're probably better live:

https://paint-thinner.com/

unfortunately, this meant i had no after show plans.

did i sleep before i went? well enough - i got a few hours, although i wonder how much i'd slept in the weeks leading up to it. i'd been complaining about strange odours from upstairs for weeks, and i'd been dealing with migraines over the previous few months, as well as complaining about feeling like i'd been drugged against my will. i was clearly dealing with some kind of environmental issue. i can, however, clarify that i was in bed after 3:00 and up around 10:00, a sufficient amount of sleep for most applications.

i made a decision to myself - i'd go to the show if i could finish the liner note package for inri022, which i got done at around 11:00. was that enough time to get to the show for 15:00? i decided i needed to get out of the house and i'd might as well try. i'd need to catch the 14:00 bus....

i was able to get out of the house just before 14:00. barely. could i catch the 14:30 bus and just make it?

moments before i left, i opened a fresh 710 ml bottle of mountain dew (for the caffeine content) and took a couple of shots of vodka, which is my normal predrink on the way out. i hit the bank machine, got some bus tickets, just caught the 14:30 bus and was in detroit around 14:45 - on track to make it worthwhile, but clearly going to miss the first set. so, i got a mike's and a pack of smokes (it's the latter i regret.) at the 7/11 and walked down to the dso to catch the performance of la mer.

i was there about 15:05, got a corona at the bar (hold the virus.) and had to catch the stravinsky set from outside, something that did not bother me much. stravinsky is something that influenced a number of artists that i deeply respect and enjoy, so i don't want to suggest that i don't realize his historical importance, even as i find a lot of the claims about the political significance of his work to be borderline comical. but, i find his work to be ugly, disjointed, obtuse, crass and broadly not very enjoyable to listen to. you're allowed to disagree with me, but i don't find this compelling. at all.

i didn't skip it on purpose, i was just late due to kind of wavering on going at all. but, i don't expect that i would have enjoyed it much. sorry.


the first piece i caught was by ravel, which seemed a little less aimless than normal. this is a lush piece, which makes it more up my alley than the wanton, aimless dissonance of stravinsky. there's a march that kicks in about halfway through that is particularly satisfying when it does. note that "ring around the roses", which is referenced shortly after the march, is actually about the plague. while i've previously criticized it for being a little bit indulgent near the end, it didn't feel that way on this day, for some reason. so, i enjoyed this, even if it wasn't the reason i showed up there on this day.


i went out for a few smokes after that, and ended up grabbing a heineken on the way back.

the first piece after the break was by poulenc, a composer i'm not familiar with, and it just kind of struck me as debussy-light. that's not to say it was awful. really, the thing about this piece is that i'm finding that i don't have much of any reaction to it at all, still. hey, i tried. it happens, sometimes.

i missed the introductory talk so i'm not going to post it here, but it is up at the dso's youtube site and the person they had come out to do it mentioned that poulenc is generally seen as being "lightweight". so, i'm perhaps not falling too far from orthodoxy in my lack of reaction to this piece, actually.


and, then there is la mer, which is one of the most widely analyzed and most important pieces in the history of western civilization, and i will reiterate that i'm not certain i have much to say about this that is important or hasn't been said; i could paraphrase some musicologist, but what's the point? you'd might as well just go to the source.

but, you should probably start by listening to it:


after the show, i had $4.00 left of the $40.00 that i brought with me and most of a pack of cigarettes, which i wanted to get rid of before i made my way home. so, i found myself walking vaguely towards the tunnel, looking for a spot to finish a beer at on my home back to canada. i think i was intending to get something at deluxx fluxx, but they weren't open yet, so i stopped at the skip instead and got a tall hamm's to sip on for a bit, as i worked through that pack of smokes that i wish i hadn't bought. i'm kind of looking around the bar for somewhere to sit...

wow man...you know, i really thought you were a girl, at first.

i decided to sit down and have a chat.

"you know, there's scenarios where gendering somebody isn't appropriate. i don't want to police your speech. but, i'd ask you to think about that in the future. you can see how i identify, clearly. so, was that necessary? what's the point? why do it?"

he seemed to react as though he'd been scolded by his mother, and it wasn't fair, because he really didn't do anything wrong.

bro, listen, i actually really did think you were a girl. seriously.

"you're still gendering me masculinely, even as you acknowledge interpreting me femininely. why?"

(his girlfriend fidgets)

it's what you are, bro.

"listen, like i say, i'm not here to police your language. you're going to say what you're going to say. i can and will react with my feet. i'd just ask you to think about it before you do it, because your oppression here is unnecessary and could be ended with a little bit of self-reflection. if it's not necessary to gender somebody, maybe you should refrain from doing it." 

whatever...bro.

"indeed. whatever..." 

i moved to the other side of the bar and left a few minutes later to catch the bus.

when i got over the border, i found myself with too many cigarettes to want to go home and enough money left for two drinks, so i stopped up the strip in windsor that i stop at and noticed somebody smoking a joint outside villain's. it's 19:20, tops. he passes me his joint, and i got to ranting a little about the symphony, i'm really very chatty in general at this point due to the pot, before i found my way back in and ordered a james ready, which is the cheapest beer available at this bar. 

i have about ten smokes left, and i'm really just passing the time until i get through most of them and am ready to get home. i figure i won't be there late.

i look around the bar, and it's pretty empty. there's the guy that smoked me, on the other side of the physical bar, and two dark skinned males sitting directly in front of me, speaking an african language. so, i found myself sitting quietly, sipping my beer, and i'm wondering - what language is that?

when one of the africans goes away from the bar, i got to chatting up the other one as to what language he's speaking. he vaguely states that it's east african, but i want something more specific than that. it's not semitic, not nilotic, and as i ask him more and more questions, trying to narrow down the area (so, it's a great lakes language?), he becomes more and more impressed with my knowledge of east african geography. i guess he doesn't meet a lot of white people that know that much about east africa, which is when i have to explain to him that i suspect i have african lineage, potentially from madagascar - but that i have a pretty good understanding of the correct geographic spread of the various indigenous african language groups from when i did a human origins project in the early-mid 00s, which had me sorting through all kinds of genetics, linguistics, biology...

he then decides he will buy me a beer, and motions to the bartender, who pauses. am i sure about that?

"well, i'm going to finish the one i've got, first. after."

and, the one i had had about 75% to go, still. she wasn't wrong to pause.

i went in and out for a few cigarettes, and when i did i left my beer on the side, but i'd say it was at least an hour before i asked for a second beer, which was indeed purchased by the person offering to purchase it. at the time, i thought nothing of this.

she asked me a second time if i was sure and i drew attention to how slowly i was drinking; she seemed to agree with my argument and handed me the second beer. if anything, i would have argued that i felt more sober when i bought the second beer than when i bought the first, because i was drinking so slowly....i would have described myself as sobering up, rather than getting more drunk.

i left my drink out several more times as i went out to finish a few more smokes, and found myself talking about such topics as exes having children with friends and how bruce lee died on set...and, then i found myself in the position i expected to eventually be in - done my second beer and without any more smokes. i did, however, have enough cash on me for a third drink and decided i'd might as well get another one before i left, although i was considering maybe seeing what was happening at phog, as i realized there may be a band there. i legitimately did not feel drunk at all at this point.

so, i went outside to see if i could bum a smoke before i ordered a third beer, and there's some kids smoking a joint around the corner. i pulled out my canned line for such situations -

"you know, i was going to ask to bum a smoke, but...."

....and, i was then handed a cigarette and the joint. i guess i'm cute or something, i don't know. trans privilege? it came with a warning though - it was strong.

and we got to talking, and they kept passing it to me. and, then they didn't want any more. so, i smoked a lot of this joint, of which i was warned was quite strong.

when i came back in after that second joint, i was no doubt quite visibly stoned, and i consequently didn't react negatively when i was denied access to a third drink. i decided instantly in my mind that, yes, i could wait to come down a little off the pot, or maybe i'd just leave and go home. so, we agreed i'd come back in a bit, although i was pretty much planning on leaving. what's next, then?

i intended to go to an empty spot of the bar and sit down and think it through, but looked up before i got there and noticed there was somebody setting up near the stage. was there somebody playing there? so i walked toward the stage and asked her if there was a band playing.

"karaoke".

of course. and, i believe that would put the time close to 22:00.

i then sat down in that empty spot for a second to think it through. did i want to stay there for a few minutes? get some change from the machine to bum smokes? buy smokes? how much cash did i have in the bank? should i go to phog?

i'm told that the next thing that happened is that i fell off the stool, but i don't remember that happening. what i remember is sitting in a different seat not far from where i sat down temporarily, and being unable to move while a woman that i don't recognize (she wasn't the bartender) hovered over me, forcing me to drink orange juice, and telling me that i look lovely - i remember her making that trip several times, and essentially being unable to do anything. i'm not sure if the orange juice helped or hindered; i know that i could not move. at all. if you had helped me up, i would have fallen down. i also distinctly recall not responding to questions, although i'm not sure if i'd have been able to or not.

eventually the woman that i don't recognize came back one last time (this was maybe the fifth time) and told me that she was going to call the police because she was worried that i was going to get raped. i remember her telling me that, and under normal circumstances that would have cleared me out pretty quickly, but i couldn't move. i had to sit there and wait.

whether it was due to the imminent threat the police posed when they arrived or due to the effects of whatever had knocked me out easing up, i was able to get up when the cops got there, but they wouldn't let me walk home. i argued the point as strongly as i could, to what was really no avail. i had no cash for a cab, i insisted (technically false). i had nobody to call (that was true, at least). i insisted i'd be fine if i just walked, and i even tried to run off, but they were having none of it. one of the bartenders had to drive me home, instead, and they got me close enough that it was a short walk back.

she couldn't believe i was 39 years old.

"you don't look it."

but, i am...

when i got inside, i was so exhausted that i couldn't even make it to bed, at first; i passed out at the bottom of the stairs for hours, before eventually crawling into bed. so, i don't know what time i got into the car at and i don't know what time i got home at, either. i wasn't able to check the time until about 7:00 am - meaning that, excluding the time it took to get me out of the bar and home, i was passed out nearly cold for roughly nine hours.

so, what happened? did i pass out from the alcohol?

well, this is what i had to drink:

- two shots of vodka in my montain dew, 1:45-2:35.
- one tall mike's hard, 2:45-3:20
- one corona, 3:20-4:00
- one heineken, 4:00-5:00
- one tall hamm's, 6:00-7:00
- two james ready, 7:30-10-ish

on an average day, this would barely be enough to get me drunk. further, let's note the type of alcohol that i was drinking - beer since after 15:00.

i suppose it's not impossible that it was the alcohol, but i'd suggest that that doesn't add up - i'm not likely to pass out for nine hours after drinking a few beers on a sunday afternoon.

is it possible that it was the marijuana, rather than the alcohol?

those that have been following this blog, or have met me in detroit, are well aware of the fact that i can sometimes experience something akin to a panic attack as a result of marijuana. after smoking pot, i have had a handful of seizure-like events that have resulted in me needing to sit down for a few minutes, or even in me temporarily losing consciousness. i suspect that i'm experiencing sudden drops in blood pressure, but i don't actually understand this - i just know it happens.

these events, however, are brief - minutes or seconds long. further, i'm good to go for the rest of the night, afterwards. they don't leave me unable to move for extended periods of time like i was on this night.

as i have a history of panic attack type green-outs, and i had just smoked a lot of marijuana before i passed out, i initially put the pieces together. it must have been the pot, obviously; i've been through this before, i was fine. i consequently got rather frustrated by the turn of events, because i know i green out, and i know i'm fine after. upon some reflection, however, that actually doesn't add up very well, either - i wasn't immediately aware of how zonked out i actually was, but piecing it together as best i can indicates the low likelihood of marijuana being the culprit.

i've held off on writing this review because i wanted to get more information about time frames in order to be absolutely certain, and i haven't been able to receive any of it quite yet. i'm going ahead with this now because this bar is....depending on how long the covid-19 fiasco goes on for, this is a bar that may not reopen at all. i may never get the answer i want.

however, i've thought it through carefully enough to rule out both alcohol and marijuana due to just how passed out i really was - nine hours! no green out is nine hours, and i'd need to be chugging a 40 of vodka to get that kind of reaction from alcohol.

regardless - how long was i out for? what time did the police show up at? what time did i get in the car at? when did i get home? these are the questions i need some help in understanding the answers to.

you have to understand that i was rather confused, and i wasn't really paying attention, but i do suspect that the bar was closed when the police showed up. i don't remember there being people around. i don't remember karoake being on. this would indicate the police probably arrived around or after 2:00 - and that, if i passed out around 22:00, that i was unable to move for around four hours.

having ruled out alcohol and marijuana, what would do that to a person?

(1) what exactly did i smoke? i was told it was "strong marijuana". i have no idea. i know i smoked a fair bit of it.
(2) you'll recall that somebody bought me a drink, and i left that drink out a few times, perhaps foolishly. the woman that was hovering over me told me she thought i was going to get raped - is that because she had concluded i'd been drugged?
(3) i have no history of diabetes, but that doesn't necessarily mean much. i get tested yearly. i'll be tested next in the first week of may.
(4) could i have had a stroke or heart attack? i have very low blood pressure. but, i'd just smoked a pack of cigarettes quite quickly, after having barely smoked at all for two months. some kind of attack due to low blood pressure is more likely than one due to high blood pressure, but something cardio-vascular related is not impossible.

i was able to get some nachos in the morning with the five dollar bill that never made it's way to a third drink.

Sunday, February 23, 2020

but, what i wanted to point out before the machine crashed was that i'm not planning on doing a review for the debussy show just right now, as there's still some open thoughts revolving around what happened.

it's hard to write a review about something, when you're not entirely certain what happened. i think i'm feeling good enough to make it to man or astroman tomorrow.

Thursday, February 20, 2020

so, that was the last one for 2013.

there's another handful of releases i want to get out there for jan, 2014 before i pivot. i'm not done yet....one more month....

i'm going to need to file some things for 2013 locally, first. and, i'm also going to want to create some seeds and otherwise distribute the material for the end of 2013 into the next batch of release notes.

but, if i'm lucky, i can get something for january up by the end of the weekend, i think.

i might sneak out on sunday, but i'm actually planning mostly for monday.

inri023 updated and tested

this is tested and working on the chromebook and on firefox on the windows 7 box.

what's in there, now?

- the 8 songs on the record
- cover.jpg & a jpg of the backsheet for cd-r printing (the insert for the spine)
- a playlist.m3u file stored as raw text
- a 72 page doc file of liner notes over the fall of 2013
- a 72 page pdf file (same)
- an instructions file
- inri023.html.7z.txt is a 1 mb document that must be renamed and unzipped and contains an html version of the liner note package, including an html5 player that can load the purchased audio in the browser.

the full download, in flac, is 155 mb.

there will be further updates to the liner notes as i run through the alter-reality, and as i run through the remastering period that took place over 2015-2016. but, this is likely the last major revision to this collection of glitch remixes from 1998, which is nearing a point of final completion.

https://jasonparent.bandcamp.com/album/inrimixed

it's time to stop to eat and shower.
soon.

first liner note release for inri023

when i sat down in late 2013, my intent was just to collect all of the tracks that were leftover. however, it became apparent quickly that i had a pile of these weird, glitchy remixes that i meant to do something with, but just never did anything with. they seemed to form an idea of their own, so i split them off into this inrimixed ep.

i feel that this decision was a good one, and that this collection has now become an important part of the discography - so much so that i am adding some tracks to it that were initially overlooked and then promoting it to 'remix lp'.

i need to be clear that this is a remix lp full of damaged, glitchy mixes. these tracks were left unscathed by the great remastering of 2013-2016. many of them are sourced from 112 kbps mp3 files, or worse. some are sourced from mono. i'm presenting the artifacts in the compression as a part of the glitch aesthetic. but, these are truly sad excuses for waveforms.

example: the cover art is actually the waveform for track 2; similarities to the mirror reflection of the cover of any seminal eponymous records from the late 60s are purely coincidental. waveforms like that do not bear any resemblance to any physical reality whatsoever. they fail, as waveforms. yet, these are the waveforms we have before us, and these are the sounds that such absurd waveforms make.

i suppose that the reason i have all of these glitchy mixes from the period is that i was planning on making a glitch lp. it's not that i specifically recall that as being wrong, so much as it is that my memories of it being right are not of clear strength. i sort of remember wanting to make a glitch record. the evidence exists that i wanted to make a glitch record. now i have the glitch record that it seems like i always wanted to make. at the least, my current self very much likes the idea that i released a glitch record in 1999.

constructed over 1998. compiled and remastered in late 2013. released dec 27, 2013. the first two tracks were corrected to stereo in sept, 2014. the last two tracks were added for re-release as a remix lp in dec, 2016. re-released & finalized as lp003 on dec 17, 2016. first liner note release added on feb 20, 2020. as always, please use headphones.

this release also includes a printable jewel case insert and will also eventually include a comprehensive package of journal entries from all phases of production (1998, 2013-2020). as of feb 20, 2020, the release includes a 72 page booklet in doc, pdf & html, with an html5 audio frontend, that includes journal entries from the remastering process over sept-dec, 2013.

credits

released January 28, 1999

j - guitars, effects, bass, synthesizers, piano, drum programming, sequencing, vocals, cool edit synthesis, noise generators, found sounds, sampling, loops, sound design, digital wave editing, digital effects processing, noise reduction, a broken tape deck, production.

https://jasonparent.bandcamp.com/album/inrimixed

Tuesday, February 18, 2020

so, i have a tentative 72 page document done for inri023, but i appear to have flubbed the process the first time around (this is an lp, like inri015 or inri021, but i treated it like an ep, like inri022. i have to reverse that.) and will need to go through it very carefully to make sure i haven't missed anything.

unlike the last three updates, inri023 only has one html5 frontend in the package and will not include discarded remasters. that's something that was sort of unique to those specific recordings.

in fact, the html5 part of this should be pretty quick, i just have to actually get it done.

i think i'm going to take a nap just right now, though. i hope it's short...

Sunday, February 16, 2020

inri022 updated and tested

this is tested and working on the chromebook and on firefox on the windows 7 box.

what's in there, now?

- the 10 songs on the record
- cover.jpg. this release is download only, because these tracks are thoroughly rejected.
- a playlist.m3u file stored as raw text
- a 23 page doc file of liner notes over the fall of 2013
- a 23 page pdf file (same)
- an instructions file
- inri022.html.7z.txt is a 50 mb document that must be renamed and unzipped and contains (1) an html version of the liner note package, including an html5 player that can load the purchased audio in the browser and (2) deleted masters of the record from 2013, in standalone 320 kbps mp3 and embedded into the html file.

the full download, in flac, is 304 mb.

there will be further updates to the liner notes as i run through the alter-reality, and as i run through the remastering period that took place over 2015-2016. but, this is likely the last major revision to this period 1.2 outtakes collection, which is nearing a point of final completion.

https://jasonparent.bandcamp.com/album/inrijected

it's time to stop to eat and shower.
so, i crashed this morning during testing. i'm up now and have finished testing the windows box. it won't be long before i'm done here and i should have a post up soon.

i'm still planning on getting to the dso, but it depends on timeframes. i might miss it. it's streaming...

the landlord/main-cop is back and the stinky cop seems to be gone. can i make a request to the force, which i know is reading this, to keep that gross, smelly cop away from here? surely, you can find a cop to stake me out that i can't smell from a distance of 100 yards?

very soon, and then i'll get back to inri023 when i get back, if i go.
it's done.

final testing.

soon.

there's one more after this...
this one is much shorter, and it will be done quite shortly. soon.

Saturday, February 15, 2020

first liner note release for inri022

this is a collection of rejected tracks from the inri/inriched period. it's just chronologically sequenced. download only.

recorded over 1998. compiled and remastered in late 2013. released dec 27, 2013. corrected to normalize for stereo in september, 2014. expanded incrementally between dec, 2014 and dec, 2016. merged with inricycled b and then finalized and re-released on december 16, 2016. first liner note release added on feb 15, 2020, to include the initial 2013 release in 192 kbps mp3 only. as always, please use headphones.

this release will also eventually include a comprehensive package of journal entries from all phases of production (1996-1999, 2013-2020). as of feb 15, 2020, the release includes a 23 page booklet in doc, pdf & html, with an html5 audio frontend, that includes journal entries from the remastering process over sept-dec, 2013, as well as the initial 2013 release in 192 kbps mp3 only.

credits

released January 27, 1999

j - guitars, effects, bass, bass synth, synthesizers, vocoders, octavers, drum programming, sequencers, noise generators, sound design, vocals, found sounds, cool edit synthesis, digital wave editing, loops, windows 95 sound recorder, sampling, production.

https://jasonparent.bandcamp.com/album/inrijected

Friday, February 14, 2020

inri021 updated and tested

this is tested and working on the chromebook and on firefox on the windows 7 box.

what's in there, now?

- the 17 songs on the record
- cover.jpg & a jpg of the backsheet for cd-r printing (the insert for the spine)
- a playlist.m3u file stored as raw text
- a 126 page doc file of liner notes over the fall of 2013
- a 126 page pdf file (same)
- an instructions file
- inri021.html.7z.txt is a 175 mb document that must be renamed and unzipped and contains (1) an html version of the liner note package, including an html5 player that can load the purchased audio in the browser and (2) deleted masters of the record from 1999 and 2013, in standalone 192 kbps mp3 and embedded into the html file.

the full download, in flac, is 570 mb.

there will be further updates to the liner notes as i run through the alter-reality, and as i run through the remastering period that took place over 2015-2016. but, this is likely the last major revision to my second record, which is nearing a point of final completion.

https://jasonparent.bandcamp.com/album/inriched

it's time to stop to eat and shower.
i'm done testing on windows.

the chromebook testing should be relatively quick. soon....

Thursday, February 13, 2020

ok, so i've finally got those typos i told you about on tuesday afternoon updated.

- i removed a "/p>" from the html frontend for inri002 and inri015.
- i removed an extra "</p>" from the html frontend for inri015.
- i unscratched out a track from the html frontend for inri015.

that's it. but, it means reuploading the 7z.txt package and redownloading the end point in flac for archiving.

inri002:
https://jasonparent.bandcamp.com/album/inricycled

inri015:
https://jasonparent.bandcamp.com/album/inri-3

the (hopefully) final update (for now) for inri021 should be up soon, i hope.

and, i may have to make some pasta in the wee hours of the morning because it's -30 out for the first and hopefully last time this year.
alright, i'm back up.

let's hope i can get this done before the debussy show.

Tuesday, February 11, 2020

so, after too much sleeping and too many distractions, i am actually finally done typesetting the html frontend for inri021, which is very similar to the one for inri015.

in the process, i found a couple of typos for inri002 & inri015 that i'll need to correct. these are just literally typos and they won't take long to fix but i have to do it.

and, then i have to take one last run over inri021, including doing proper testing to make sure it actually works. but, i'm at the very end of this. 

there are two more: inri023 (inrimixed) and inri022 (inrijected). and, then it's on to january, 2014.

but, i need to stop to get the recycle out because i've missed the last few, and i'm going to take the opportunity to eat and shower.
this idea that you know exactly who or what you are when you're like three years old is....

i think it's bullshit.

and, i think a lot of trans people are just telling doctors what they want to hear.

this whole thing is fluid, and people can and do change in either direction.
what i say is that i realized i was more like a girl very young, but, i don't pretend i had some kind of early childhood schizophrenia or something. i was a nerdy, bookish kid. i understood which genitalia i had, and wasn't confused by it.

so, i didn't go through this process that trans kids are supposed to go through, where you refuse to accept your birth gender. frankly, i think the literature is kind of lacking, and probably mostly bullshit. but, you have to feed the doctors a certain line to get prescribed, so you end up with a lot of bullshit in the case studies.

i'm willing to be honest in stating that i resigned myself to what existed, and internalized it. i didn't think i was a "girl trapped in a boy's body". rather, i just realized i had more in common with the girls than the boys, and then accepted myself as an effeminate boy and left it at that.

so, there are these songs - confused, screwed up - that were written and recorded when i was roughly 14-17 and are explicitly about gender identity, but they take this perspective of existential angst and dour resignation about it. i didn't think i could actually do anything about it. maybe i wished i was a girl, but i also wished i was rich, and wished i lived in a warmer climate and ... and these are just things one deals with, as reality is that you don't get everything you wish for, in life. and, i thought i could deal with it. maybe i even thought i'd grow out of it.

all i really was sure of at that age was that i wasn't really attracted to girls very much, and that i liked to spend a lot of time by myself.
i was 20 years old when i finally decided i had to deal with it somehow and took steps to transition by contacting a psychologist through the networks at school. i started taking hormones at 21.

i was basically completely emotionally stunted at this point, as i'd never had any kind of meaningful relationship with anybody, romantic or platonic. the best way to describe me is as suffering from extreme arrested development - i never went through the emotional development that most people experience during puberty. i had the sexual, emotional and romantic maturity of a 12 year old girl.

and, that lack of emotional maturity put me through a rough couple of years that dramatically altered the course of my life.

in the end, i decided on a solitary existence. and, i'm not particularly unhappy, i don't think.

but, don't misinterpret these songs - i had absolutely no sex life, and they just aren't about sex, and shouldn't be interpreted as though they are.