ok, so i should have probably expected that i would have been a little
distracted by the primaries, but this is the end of day three of
aimlessness and i didn't want this at all.
i've moved my laptop
back into my bedroom to re-establish a separation between play and
labour. the dangerously obese, parasitic piece of shit upstairs will not
relent on the air conditioner (which i'm paying for), so the heat is
currently set to 31 degrees celsius - and i'm willing to increase it
further. this has an effect on alertness, but it's better than living in
a fucking fridge.
i still haven't heard back from the mri and it's still eating at me. but i'm at least a little more focused. i think.
i
need to be a little bit more strict with myself because i want to
finish what is in front of me by the end of the week so i can get all
the between-things things done at the end of the month.
Wednesday, July 27, 2016
j reacts to the impossibility of feminine men within hierarchical heteropatriarchy
"so why don't you just be a girly dude."
i just got that one. again. the reason is that you can't actually live that way.
i'll just show up to work in a skirt, right? ok, maybe that's not as out there as it was even a few years ago. here's another example that cuts a lot deeper: women just don't ask guys out.
so, why don't i show initiative? why don't i take control? why don't i be a man about it?.
whatever the answers to those questions, i think it gets the point across: you can't just be a girly dude. i think it's a lot easier to be a masculine female. you may even get a little privilege out of it. but, the premise you're throwing at me just really isn't actually feasible, and i don't think that you need to be queer to be cognizant of it.
do you know what would have actually happened had i shown up to work at microsoft in a skirt?
they'd have sent me to hr, and off to a psychiatric assessment - where i would have been given hormones, and probably the option to go on leave for a few months. i may have even been transferred.
...because it was fucking microsoft.
in canada.
it would have been a little different at a mcdonalds in dallas.
but, you get the point. it's not a real option.
i just got that one. again. the reason is that you can't actually live that way.
i'll just show up to work in a skirt, right? ok, maybe that's not as out there as it was even a few years ago. here's another example that cuts a lot deeper: women just don't ask guys out.
so, why don't i show initiative? why don't i take control? why don't i be a man about it?.
whatever the answers to those questions, i think it gets the point across: you can't just be a girly dude. i think it's a lot easier to be a masculine female. you may even get a little privilege out of it. but, the premise you're throwing at me just really isn't actually feasible, and i don't think that you need to be queer to be cognizant of it.
do you know what would have actually happened had i shown up to work at microsoft in a skirt?
they'd have sent me to hr, and off to a psychiatric assessment - where i would have been given hormones, and probably the option to go on leave for a few months. i may have even been transferred.
...because it was fucking microsoft.
in canada.
it would have been a little different at a mcdonalds in dallas.
but, you get the point. it's not a real option.
i've added a new release type...
format:
single: $5
ep: $7
lp: $10
double ep (split digital/physical): $10
double ep (both physical): $14
double lp: $20
this comes up twice in a row, with inri013 and inri014. on the one hand, i have a physical cd (or official cd-length digital release) that i'd like to publish. inri013 is 70+ minutes over two tracks, whereas inri014 is more typical in being a little less than an hour (still a long single). but, i've also decided to be comprehensive over each release, so i've obligated myself to releasing all relevant outtakes - which is an additional hour for inri013 and a whopping 75 minutes for inri014. in both cases, i could not fit the release & bonus material on a single disc. these are also the first two examples of this happening. so, for example, the release for inri009 is 53 minutes, and with outtakes runs to 67 minutes - less than the length of a physical cd, so theoretically packageable. if i were to in theory package inri013 or inri014 with bonus material, i would need two discs. but, i don't actually want to do that, and i have no plans to ever press the releases that way. so, rather than orphan the material, i'd rather drop it on to these download-only virtual discs.
but, then the problem is that i'm releasing double records for the price of an ep. what i'm trying to be more than anything else with the pricing is consistent. the solution i've come up with is to split the difference..
i'm feeling a little more grounded today, but we'll see how things unfold. i very much hope that i get some response on the mri....
format:
single: $5
ep: $7
lp: $10
double ep (split digital/physical): $10
double ep (both physical): $14
double lp: $20
this comes up twice in a row, with inri013 and inri014. on the one hand, i have a physical cd (or official cd-length digital release) that i'd like to publish. inri013 is 70+ minutes over two tracks, whereas inri014 is more typical in being a little less than an hour (still a long single). but, i've also decided to be comprehensive over each release, so i've obligated myself to releasing all relevant outtakes - which is an additional hour for inri013 and a whopping 75 minutes for inri014. in both cases, i could not fit the release & bonus material on a single disc. these are also the first two examples of this happening. so, for example, the release for inri009 is 53 minutes, and with outtakes runs to 67 minutes - less than the length of a physical cd, so theoretically packageable. if i were to in theory package inri013 or inri014 with bonus material, i would need two discs. but, i don't actually want to do that, and i have no plans to ever press the releases that way. so, rather than orphan the material, i'd rather drop it on to these download-only virtual discs.
but, then the problem is that i'm releasing double records for the price of an ep. what i'm trying to be more than anything else with the pricing is consistent. the solution i've come up with is to split the difference..
i'm feeling a little more grounded today, but we'll see how things unfold. i very much hope that i get some response on the mri....
i think that a big part of the reason that i'm floaty is the mri. it's some kind of repressed anxiety. even when i'm not explicitly thinking about it....
we'll have to see what it says. but, i guess the next thing to check is my jaw, if my ear comes back clean. but, i'm kind of still convinced there's something in there. it sure feels like it...
the other big thing i'm concerned about is if it comes back with lesions. i'm actually becoming more and more convinced that it's lyme disease. i had said i would get that checked last month, but i decided i should wait for the mri, first. short of finding a giant tumour in my eustachian tube, that's almost certainly going to be the next thing i check.
you can imagine it's a little distracting. so, cut me some slack for a few days, here.
we'll have to see what it says. but, i guess the next thing to check is my jaw, if my ear comes back clean. but, i'm kind of still convinced there's something in there. it sure feels like it...
the other big thing i'm concerned about is if it comes back with lesions. i'm actually becoming more and more convinced that it's lyme disease. i had said i would get that checked last month, but i decided i should wait for the mri, first. short of finding a giant tumour in my eustachian tube, that's almost certainly going to be the next thing i check.
you can imagine it's a little distracting. so, cut me some slack for a few days, here.
i've been floating all day. i dunno. i'm chipping away at it, but i'm having a hard time focusing.
i'll at least get inri013 closed tonight. we'll have to see about inri014. a little disappointing. i've been reading, watching youtube, ranting...just not focused...
to clarify...
*13 - epic ep
*14 - schizoid ep single
*15 - lp
*16 - eat my fuck ep
17 - stupid ep single
(skinny puppy tribute)
18 - epic 2 ep
19 - boogeyman ep single
20 - lp2
*21 - inrijected (outtakes) ep
*22 - inimixed (glitch mixes) ep
*23 - inriclaimed (direct from tape over 2015, all instrumental) unofficial lp
*24 - inricited (all vocal ep) ep
25 - too cold single
that closes 1.2, and pushes me back into the 1.3 sequence, which is already done.
* basically done
i'll at least get inri013 closed tonight. we'll have to see about inri014. a little disappointing. i've been reading, watching youtube, ranting...just not focused...
to clarify...
*13 - epic ep
*14 - schizoid ep single
*15 - lp
*16 - eat my fuck ep
17 - stupid ep single
(skinny puppy tribute)
18 - epic 2 ep
19 - boogeyman ep single
20 - lp2
*21 - inrijected (outtakes) ep
*22 - inimixed (glitch mixes) ep
*23 - inriclaimed (direct from tape over 2015, all instrumental) unofficial lp
*24 - inricited (all vocal ep) ep
25 - too cold single
that closes 1.2, and pushes me back into the 1.3 sequence, which is already done.
* basically done
Tuesday, July 26, 2016
i just wanted to let you know that i actually can’t stand “indie rock culture” and am simply befuddled by the idea that i may be associated with it in the minds of others. i just don’t know where this idea came from. it’s not even close.
my tastes are pretty eclectic. but, “indie rock” fits about as well into my music tastes as opera does. which isn’t to say that the idea is entirely absent, so much as to say that i’m really pretty far on the fringes of it.
as a culture, though, i think the “indie rock scene” is flat out revolting. it’s not at all something that i would go out of my way to associate myself with.
outside of the group of misfits that i was friends with in high school (which was basically just the scattered outcasts - various ethnic minorities and a couple of goths), the only social grouping that i’ve ever gone out of my way to spend any time in was occupy. i bill myself as an introvert for a reason. i’m just not somebody that likes to spend time with people, or that enjoys making friends.
my tastes are pretty eclectic. but, “indie rock” fits about as well into my music tastes as opera does. which isn’t to say that the idea is entirely absent, so much as to say that i’m really pretty far on the fringes of it.
as a culture, though, i think the “indie rock scene” is flat out revolting. it’s not at all something that i would go out of my way to associate myself with.
outside of the group of misfits that i was friends with in high school (which was basically just the scattered outcasts - various ethnic minorities and a couple of goths), the only social grouping that i’ve ever gone out of my way to spend any time in was occupy. i bill myself as an introvert for a reason. i’m just not somebody that likes to spend time with people, or that enjoys making friends.
refocusing towards on sexual confusion in adolescence (inri013)
so, we’re back to this for the day.
i don’t expect to modify it. i just expect to close it.
https://jasonparent.bandcamp.com/album/on-sexual-confusion-in-adolescence
i don’t expect to modify it. i just expect to close it.
https://jasonparent.bandcamp.com/album/on-sexual-confusion-in-adolescence
Monday, July 25, 2016
j reacts to the absurdity of stealing low quality audio streams
i've been noticing that the bandcamp site is getting many times more visitors than plays. so far in july, i have just over 1100 visits and just under 400 plays. one would expect the opposite. even if everybody shows up and just skips through three songs, that's still three times as many plays as visits. how can i have a third as many plays as visits? what are people doing on my bandcamp site - which has little besides a play button - if not listening?
my best guess is that this is a metric regarding just how bad the problem of bandcamp downloading is. i'd just like to make a few comments.
first: please recognize that i don't prostitute myself to capitalism by selling my labour for a wage, and i'm never going to ever again. this is a basic political position of mine. i consider it more noble to live on welfare than to sell my labour for a wage. for the same reason, i don't have a record label, and i don't want one. i don't make money through advertising, and i don't want to. i'm pushing the point out of principle: do you not think you have an obligation to pay for something if you're enjoying it? i just don't understand the thought process that would take somebody to an audio site to download a low quality file out of the stream that only exists for promo purposes, then tell me i should force people to listen to an ad for condoms if i want to eat. that's not the world i want to live in. that's the world i want to abolish.
second: there's no way around this. if you can stream something, you can pirate it. but, again: i can't understand why this is the arrangement that you actually want.
third: the pirated version that you're getting is absolutely shit. my music is very sonically complex. the 128 kbps mp3 that you're streaming is really worth what you're paying for. i have to clarify that you're not actually getting a proper representation of the sound, that way. i'm not exaggerating, either. there's a reason that i am constantly requesting that you listen to the music though headphones. if you're going to listen through a shitty mp3 (no doubt on your phone speakers or on laptop speakers), you're barely even getting an approximation of it. again, i don't understand what you're getting out of this. this isn't vocally driven music. if you're not listening to the arrangements, what are you listening to? as an example, the most recent track that i uploaded is mixed in such a way that i literally cannot hear the bass part on my laptop speakers. it's not the first time i've noticed this, either. you really need to be listening to it in flac, and through a decent setup. the stream can only give you a taste. to steal the stream is to completely miss the point.
fourth: broadly speaking, i think you're missing the point. the message that sends to me is that you don't understand the art. so, why are you listening to it? you can barely hear it, and you don't understand it.
so, it's hard for me to get angry. it's less that i feel like i'm a victim of theft, and more that i feel like i'm not getting my ideas across very well. or, maybe i am. after all, one of my main messages is the ubiquity of human stupidity. perhaps you're just demonstrating the point.
if you're going to listen to this at all, please do yourself the favour of downloading it in high quality - and listening to it through headphones. that's not a hollow request. you cannot possibly understand what i'm creating, otherwise.
my best guess is that this is a metric regarding just how bad the problem of bandcamp downloading is. i'd just like to make a few comments.
first: please recognize that i don't prostitute myself to capitalism by selling my labour for a wage, and i'm never going to ever again. this is a basic political position of mine. i consider it more noble to live on welfare than to sell my labour for a wage. for the same reason, i don't have a record label, and i don't want one. i don't make money through advertising, and i don't want to. i'm pushing the point out of principle: do you not think you have an obligation to pay for something if you're enjoying it? i just don't understand the thought process that would take somebody to an audio site to download a low quality file out of the stream that only exists for promo purposes, then tell me i should force people to listen to an ad for condoms if i want to eat. that's not the world i want to live in. that's the world i want to abolish.
second: there's no way around this. if you can stream something, you can pirate it. but, again: i can't understand why this is the arrangement that you actually want.
third: the pirated version that you're getting is absolutely shit. my music is very sonically complex. the 128 kbps mp3 that you're streaming is really worth what you're paying for. i have to clarify that you're not actually getting a proper representation of the sound, that way. i'm not exaggerating, either. there's a reason that i am constantly requesting that you listen to the music though headphones. if you're going to listen through a shitty mp3 (no doubt on your phone speakers or on laptop speakers), you're barely even getting an approximation of it. again, i don't understand what you're getting out of this. this isn't vocally driven music. if you're not listening to the arrangements, what are you listening to? as an example, the most recent track that i uploaded is mixed in such a way that i literally cannot hear the bass part on my laptop speakers. it's not the first time i've noticed this, either. you really need to be listening to it in flac, and through a decent setup. the stream can only give you a taste. to steal the stream is to completely miss the point.
fourth: broadly speaking, i think you're missing the point. the message that sends to me is that you don't understand the art. so, why are you listening to it? you can barely hear it, and you don't understand it.
so, it's hard for me to get angry. it's less that i feel like i'm a victim of theft, and more that i feel like i'm not getting my ideas across very well. or, maybe i am. after all, one of my main messages is the ubiquity of human stupidity. perhaps you're just demonstrating the point.
if you're going to listen to this at all, please do yourself the favour of downloading it in high quality - and listening to it through headphones. that's not a hollow request. you cannot possibly understand what i'm creating, otherwise.
no, that nap didn't stick. i'm not sleepy, i'm just kind of drained. sort of bloated from too much pop. again: i can't handle the air conditioning, so i have the heat up higher than i'd like, which is draining. but, i mean the other option is being cold. i'd rather be hot and tired than fucking cold...
the only way that i really know how to deal with that is to turn the heat up to 30 and then open the window. that completely overpowers the air, but it's expensive for the building. so i keep wavering on it, then falling back on it.
it would just be so much easier if he'd turn the a/c down to a point where it's not affecting me. i keep pointing this out. i shouldn't and don't care about him. it's just that he's affecting this unit, because he's being unreasonable. i'm consequently forced to respond with force. you have to fight back in this world. but i wanted to say something else...
the only way that i really know how to deal with that is to turn the heat up to 30 and then open the window. that completely overpowers the air, but it's expensive for the building. so i keep wavering on it, then falling back on it.
it would just be so much easier if he'd turn the a/c down to a point where it's not affecting me. i keep pointing this out. i shouldn't and don't care about him. it's just that he's affecting this unit, because he's being unreasonable. i'm consequently forced to respond with force. you have to fight back in this world. but i wanted to say something else...
well, i'm caught up to the end of the week - but i'm out of batteries. the rants were just really long. i'm going to have to finish it when i have a backup, which may not be for a few days. it's about 15 hours to charge. i have three sets. so, i try to keep one extra, but it gets bogged down from time to time. some times, i have two backups. sometimes i run out. i should probably get some more, soon. i should be out that way in a few days for a compost run.
i'm going to catch a nap, and try to be up a little after midnight. this has been a weird day all around. it might be fruitless, but i could still wake up, too.
i'm going to catch a nap, and try to be up a little after midnight. this has been a weird day all around. it might be fruitless, but i could still wake up, too.
"i think the mri itself is closer to what i listen to than the radio station in the headphones."
i got some sleep when i got back and am just waking up now. this is a better part of the day to be awake for the coming turn over to mixing album 2, so i should be aiming for overnights.
i'm going to need to take the afternoon aside for vlog recitation. this won't be a long process, i hope.
i got some sleep when i got back and am just waking up now. this is a better part of the day to be awake for the coming turn over to mixing album 2, so i should be aiming for overnights.
i'm going to need to take the afternoon aside for vlog recitation. this won't be a long process, i hope.
looking forward to on sexual confusion in adolescence (inri013)
i'm
done for the night - i want to get a short rest in before the mri. but,
this is the first half of what is about to be a major release, some
time in the next few days.
it's the first six tracks of my first official record: first with minimal vocals, then completely instrumental. the record is instrumental. three of these tracks were just released as singles. the other three are connecting, instrumental tracks.
this is really pretty epic. no exaggeration. 36 minutes. and, i refer to it as my first symphony.
https://jasonparent.bandcamp.com/album/on-sexual-confusion-in-adolescence
it's the first six tracks of my first official record: first with minimal vocals, then completely instrumental. the record is instrumental. three of these tracks were just released as singles. the other three are connecting, instrumental tracks.
this is really pretty epic. no exaggeration. 36 minutes. and, i refer to it as my first symphony.
https://jasonparent.bandcamp.com/album/on-sexual-confusion-in-adolescence
publishing i think i feel much better now (inri012)
audio permanently closed for inri012.
==
the roots of this track are a variation on a common theme. this is taken from the write-up for the initial 1996 demo version of the track:
"more silly teenage angst, intersecting with more rejection of religion and quite a bit of misanthropy. i may make an interesting observation or two, but the reality here is that i sound just as brainwashed as the masses of people i was looking down on...and if i'm going to criticize myself, or feel embarrassed, it's on that level of a lack of originality, rather than the actual content."
by 1998, the lyrics had been rewritten to be a little less angsty in an attempt to expand further on the secular humanist basis of the track. yet, i still don't really get over the irony inherent in the track. as much as i want to break free of mindlessness and conformity, i don't have anything particularly original to say. worse, the way i'm saying it is cliched, childish and kind of trite. for these reasons, i've decided to eject the vocal mixes from the official release altogether, although they are available here as a part of the download.
musically speaking, i initially actually wanted this track to be the basis of something more marketable. i remember listening to the first side of the initial demo and lamenting that it was void of anything i could really release as a single and then trying to come up with some kind of "jangle" or "college" rock thing to compensate for it. in the end, the track would warp into some kind of adult prog, but you can hear the initial buckian template in the guitar work.
as with a number of the other tracks from this period, i don't really want to walk anything back - i just wish that i had articulated myself better. it's not the subject matter that's cringey, it's the exact choice of words. yet, that's a scant excuse, in context. word choice is what writing is all about!
the decision to create a single for the track in 2016 was drawn out by two considerations. the first is that there are legitimately two distinct modern versions of the track, along with a collection of discarded mixes, and i do feel the need to offer them together as a package, as i have done with the other tracks. the other is that this is literally the only song on the first demo that is not offered in this format. i felt that it would be absurd for me to offer every track as a single except for this one.
the lead track on this single combines the album version with the connector that follows it on the record, which explains the chosen release date (the actual song was completed on march 22, 1998). that connector is one of the many pieces of sample art that i had created over this period in cool edit, using a number of basic manipulation tactics and noise generation techniques. i had to emulate this in 2016 in order to rebuild the record. while the result is not identical, it is actually pretty close.
initially written in 1996. recreated in the spring of 1998. a failed rescue was attempted in 2013. reclaimed june 29, 2015. corrected to control for malfunctioning electronics on nov 26, 2015. sequenced on jan 10, 2016. released & finalized on july 24, 2016. as always, please use headphones.
this release is compiled on inriℵ0.
jasonparent.bandcamp.com/merch/inri-box-set
regarding the subject matter of the deleted vocals/lyrics, please see the following vlog (which is also available on inriℵ0):
www.youtube.com/watch?v=xuhdwde1YKI&t=778s
credits:
j - guitars, effects, bass, drum programming, drum kit, sequencing, vocals, sampling, found sound (printer), cool edit, digital wave editing, tapes, production
released may 22, 1998
https://jasonparent.bandcamp.com/album/i-think-i-feel-much-better-now
1) this is the version that was sequenced for the record, before it was split into two tracks for it. initially written in 1996. recreated in the spring of 1998. a failed rescue was attempted in 2013. reclaimed june 29, 2015. corrected to control for malfunctioning electronics on nov 26, 2015. sequenced on jan 10, 2016.
https://jasonparent.bandcamp.com/track/i-think-i-feel-much-better-now
2) this is the version that was reconstructed in 2015 from the 1998 source tapes. initially written in 1996. recreated in the spring of 1998. a failed rescue was attempted in 2013. reclaimed june 29, 2015. corrected to control for malfunctioning electronics on nov 26, 2015.
https://jasonparent.bandcamp.com/track/aliens-are-more-likely-than-god-2
3) from the deleted inricycled B compilation. initially written in 1996. recreated in the spring of 1998. remastered in 2013. recycled jan 7, 2014.
https://jasonparent.bandcamp.com/track/climb-up-a-cloud-to-combat-some-hideous-creatures-and-then-fly-away-hidden
4) 2013 remaster of 1996 demo. initially written in 1996. remastered in 2013. dated oct 21, 2013.
https://jasonparent.bandcamp.com/track/guh-2013-remaster-of-1996-demo-2
5) deleted 2013 remaster of 1998 demo cd. initially written in 1996. recreated in the spring of 1998. a failed rescue was attempted in 2013. dated dec 21, 2013.
https://jasonparent.bandcamp.com/track/i-think-i-feel-much-better-now-2013-remaster-of-1998-cd-2
6) deleted original 1996 mix. initially written in 1996. dated nov 24, 1996.
https://jasonparent.bandcamp.com/track/guh-1996-demo-2
7) deleted original 1998 sequence from the initial demo cd. initially written in 1996. recreated in the spring of 1998. the first section is from mar 22, 1998 and the second section is from may 22, 1998.
https://jasonparent.bandcamp.com/track/i-think-i-feel-much-better-now-1998-cd-2
==
the roots of this track are a variation on a common theme. this is taken from the write-up for the initial 1996 demo version of the track:
"more silly teenage angst, intersecting with more rejection of religion and quite a bit of misanthropy. i may make an interesting observation or two, but the reality here is that i sound just as brainwashed as the masses of people i was looking down on...and if i'm going to criticize myself, or feel embarrassed, it's on that level of a lack of originality, rather than the actual content."
by 1998, the lyrics had been rewritten to be a little less angsty in an attempt to expand further on the secular humanist basis of the track. yet, i still don't really get over the irony inherent in the track. as much as i want to break free of mindlessness and conformity, i don't have anything particularly original to say. worse, the way i'm saying it is cliched, childish and kind of trite. for these reasons, i've decided to eject the vocal mixes from the official release altogether, although they are available here as a part of the download.
musically speaking, i initially actually wanted this track to be the basis of something more marketable. i remember listening to the first side of the initial demo and lamenting that it was void of anything i could really release as a single and then trying to come up with some kind of "jangle" or "college" rock thing to compensate for it. in the end, the track would warp into some kind of adult prog, but you can hear the initial buckian template in the guitar work.
as with a number of the other tracks from this period, i don't really want to walk anything back - i just wish that i had articulated myself better. it's not the subject matter that's cringey, it's the exact choice of words. yet, that's a scant excuse, in context. word choice is what writing is all about!
the decision to create a single for the track in 2016 was drawn out by two considerations. the first is that there are legitimately two distinct modern versions of the track, along with a collection of discarded mixes, and i do feel the need to offer them together as a package, as i have done with the other tracks. the other is that this is literally the only song on the first demo that is not offered in this format. i felt that it would be absurd for me to offer every track as a single except for this one.
the lead track on this single combines the album version with the connector that follows it on the record, which explains the chosen release date (the actual song was completed on march 22, 1998). that connector is one of the many pieces of sample art that i had created over this period in cool edit, using a number of basic manipulation tactics and noise generation techniques. i had to emulate this in 2016 in order to rebuild the record. while the result is not identical, it is actually pretty close.
initially written in 1996. recreated in the spring of 1998. a failed rescue was attempted in 2013. reclaimed june 29, 2015. corrected to control for malfunctioning electronics on nov 26, 2015. sequenced on jan 10, 2016. released & finalized on july 24, 2016. as always, please use headphones.
this release is compiled on inriℵ0.
jasonparent.bandcamp.com/merch/inri-box-set
regarding the subject matter of the deleted vocals/lyrics, please see the following vlog (which is also available on inriℵ0):
www.youtube.com/watch?v=xuhdwde1YKI&t=778s
credits:
j - guitars, effects, bass, drum programming, drum kit, sequencing, vocals, sampling, found sound (printer), cool edit, digital wave editing, tapes, production
released may 22, 1998
https://jasonparent.bandcamp.com/album/i-think-i-feel-much-better-now
1) this is the version that was sequenced for the record, before it was split into two tracks for it. initially written in 1996. recreated in the spring of 1998. a failed rescue was attempted in 2013. reclaimed june 29, 2015. corrected to control for malfunctioning electronics on nov 26, 2015. sequenced on jan 10, 2016.
https://jasonparent.bandcamp.com/track/i-think-i-feel-much-better-now
2) this is the version that was reconstructed in 2015 from the 1998 source tapes. initially written in 1996. recreated in the spring of 1998. a failed rescue was attempted in 2013. reclaimed june 29, 2015. corrected to control for malfunctioning electronics on nov 26, 2015.
https://jasonparent.bandcamp.com/track/aliens-are-more-likely-than-god-2
3) from the deleted inricycled B compilation. initially written in 1996. recreated in the spring of 1998. remastered in 2013. recycled jan 7, 2014.
https://jasonparent.bandcamp.com/track/climb-up-a-cloud-to-combat-some-hideous-creatures-and-then-fly-away-hidden
4) 2013 remaster of 1996 demo. initially written in 1996. remastered in 2013. dated oct 21, 2013.
https://jasonparent.bandcamp.com/track/guh-2013-remaster-of-1996-demo-2
5) deleted 2013 remaster of 1998 demo cd. initially written in 1996. recreated in the spring of 1998. a failed rescue was attempted in 2013. dated dec 21, 2013.
https://jasonparent.bandcamp.com/track/i-think-i-feel-much-better-now-2013-remaster-of-1998-cd-2
6) deleted original 1996 mix. initially written in 1996. dated nov 24, 1996.
https://jasonparent.bandcamp.com/track/guh-1996-demo-2
7) deleted original 1998 sequence from the initial demo cd. initially written in 1996. recreated in the spring of 1998. the first section is from mar 22, 1998 and the second section is from may 22, 1998.
https://jasonparent.bandcamp.com/track/i-think-i-feel-much-better-now-1998-cd-2
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