Thursday, July 14, 2016

13/14-07-2016: i mother earth & tea party at edgefest ninety.....bluesfest 2016?

concert footage:
1) jeff martin: https://www.youtube.com/watch?v=fEEpUJAofbY
2) tea party: https://www.youtube.com/watch?v=T7Jtjw6U39Q
3) i mother earth: https://www.youtube.com/watch?v=6FTEh-Xiij0

review:
http://dghjdfsghkrdghdgja.appspot.com/categories/shows/2016/07/14.html

tracks worked on in this vlog:
https://jasonparent.bandcamp.com/album/period-1

so, i'm going to let my ears rest for the day, and do a little bit of editing. there could very well be a few vlogs for early july up.

remember - this is documentation, mostly for historical reasons. i'm a composer. could you imagine vlogs for beethoven? this would be of the ultimate historical value. i actually don't know if we have journal writing. we very well might. but, video evidence is a different level of documentation.

this can double as a kind of advertisement, so it's useful for me to upload it - so long as it's not eating into too much of my time.

the point is just that this wasn't the first time i disappeared for a few weeks, and it won't be the last time. don't take extended periods of inactivity as some kind of sign of disinterest. it's not likely that these vlogs are going to stop any time soon, even if they're paused for weeks at a time.

Wednesday, July 13, 2016

12-07-2016: swans.

show footage:
https://www.youtube.com/watch?v=meMFTR8eAJc

review:
http://dghjdfsghkrdghdgja.appspot.com/categories/shows/2016/07/12.html

tracks worked on in this vlog:
https://jasonparent.bandcamp.com/album/period-1

my ears are a little fatigued; swans are known to play kind of loud, sometimes. ear plugs are such a terrible solution. it's like listening to the show underwater. so, i go ear-commando. always.

i'm still toying with i mother earth on thursday. it's likely, but not certain. i'll need to crunch the numbers and see how they come out.

for the short term, i'm going to give my ears some rest. i had a nap yesterday afternoon, but i'm otherwise running on a 36 hour day. i'm going to get something to eat, get some rest and then spend the overnight doing some filing. we'll see how i feel about the show tomorrow. i wouldn't expect it to be nearly as loud, so if i go i should be back to mixing on friday.

listening to swans tonight

swans were expectedly awesome. but, my brain is confused. it just dealt with two hours of ridiculous noise. it doesn't know whether to be excited or to shut down. i'm consequently kind of floating.

i haven't heard the new disc yet. i'm kind of thinking that what i want to do for the rest of the night is listen to it in the fetal position.

https://swans.bandcamp.com/album/the-glowing-man

Monday, July 11, 2016

10-07-2016: closing inri007 & inri008 & discussing inri009

tracks worked on in this vlog:
https://jasonparent.bandcamp.com/album/confused-2
https://jasonparent.bandcamp.com/track/a-sickening-obsession
https://jasonparent.bandcamp.com/album/hey-god-2
https://jasonparent.bandcamp.com/album/period-1

finalizing hey god (inri008)

audio permanently closed for inri008.

==

my recollection of the initial recording of this track is unfortunately somewhat vague. when we push our memories like i'm trying to, we become more likely to imagine the past in terms that never actually existed. so, how real is this vague memory of wanting to hear some backwards guitars? i fear that it's perilous to try and force my mind to be more specific.

it's at least fully consistent with what i know about the situation. this was initially the second track recorded in my basement studio in the fall of 1996. so, i was still at the point where i was looking to try things in the studio for the first time. as for backwards guitars? i was very interested in both zappa and hendrix (two of my biggest guitar influences) at the time, and that is actually blatantly obvious if you listen to inri000. they both used backwards guitars. there are multiple occasions on inri000 (and afterwards...) where the nods to both of these players are beyond heavy-sleeved. so, my vague memory at the very least makes sense.

how i made the jump from trying to create a backwards guitar solo to turning a song into a palindrome is another question and i don't really have a good answer besides stumbling upon it as i was listening to it. clearly, it is the case that this struck me as a good idea at some point along the way.

when i went to recreate the track in early 1998, i felt the need to recreate the palindrome effect. so, i never saved any version of the track in forward order (without the backwards overdub) or released it in any kind of way. for all these years, there has simply never been a forwards version of the track.

the remastering process over 2015 has finally given me the opportunity to create a forwards version and spin it off as a single for the express reason of documenting the track as it was actually initially written, which was as a fairly straight forward alternative pop song. that's a description that i do believe is very old. yet, i may be imagining the past, too...

the new album mix is a palindrome, as it always has been. the electronics mix is constructed using the same algorithm. the backwards mix is just literally that. combined together, the forwards and backwards mixes create the album version. the 2013 remasters are appended as bonuses.

initially written in 1996. recreated in feb, 1998. a failed rescue was attempted in 2013. reclaimed june 29, 2015. remixed july 15, 2015. compiled on jan 4, 2016. finalized on july 11, 2016. as always, please use headphones.

regarding the subject matter of the deleted vocals/lyrics, please see the following vlog (which is also available on inriℵ0).

credits
j - guitars, effects, bass, drum programming, digital wave editing, loops, vocals, drum kit, tapes, production

released february 11, 1998

there's going to be some links posted to the facebook timeline that are being temporarily renamed in order to get a proper embed. from what i can tell, it seems like bandcamp seems to have a messy backend and redirects are interfering with each other. i don't really care about facebook - i mean, it's a useful presentation tool but it's useless for promotion. so, it's not worth my time to get past the most basic hack i can find. but, that's the explanation, anyways.

Sunday, July 10, 2016

09-07-2016: finalizing inri007 and ranting about some things

tracks worked on in this vlog:
https://jasonparent.bandcamp.com/album/confused-2
https://jasonparent.bandcamp.com/album/period-1

so, confused is completely closed, now.

that was a big one, actually. probably the most important track in this demo sequence.

i think the next batch should be a little quicker, but i'm not sure how much longer i'll be awake for.

finalizing confused (inri007)

audio permanently closed for inri007.

===

so, how exactly does one go about being transgendered, anyways? i mean, like anything else, i guess you have to come to terms with it, first. then, what?

it was the "what next?" part that took me a very long time to grapple with before i was able to come to some kind of course of action. i don't remember exactly how old i was when i realized that i was more like a girl than a boy, but i will state that my thought process was always that i was like a girl, rather than that i was a girl. i have to be blunt: i was a precocious child. i understood the biology of sexual organs at a pretty young age. i knew which organ i had, that it was the same as the one my dad had and that it was different than my mom. i never felt as though i was in the wrong body - that's not how i'd articulate it. i knew i was male. but, all my friends were girls. i preferred to do "girl things". so, i realized at a very, very young age that i was more similar to the girls in my life than to the boys, despite being well aware that i was genetically a boy. it functioned more on the level of social inclusion and conscious choice of gender role than it did on the level of anything biological. am i really that atypical? i don't know. but, i know that i never had any difficulty at all, whatsoever, in separating between sex, gender and gender roles. so, for example: i have very early memories of asking my mom to let me wear lipstick, and of asking to get my ears pierced (3,4 years old) but i don't attach those memories to feelings of gender dysphoria. i didn't see any reason why boys couldn't wear make-up. further, nobody really "corrected" me on it. so, i grew up without any shame or second thoughts attached to being a boy that was more like a girl, and consequently without any particularly strong urges to become a girl. my very early life actually finds it's best explanation in the theories of radical feminism: because the gender binary was never enforced on me, i never felt oppressed by it. i have to argue for a very healthy early upbringing.

what screwed me up and set me back a good ten years was the school system. when i got there at the age of four and a half, i wouldn't talk to the boys. i wanted to skip rope and play hopscotch with the girls. well, all my friends were girls. i didn't know how to play with the boys. what's a marble? i just didn't know. i got stuck with a fossil of a kindergarten teacher that actually flat out banned me from skipping rope. worse, she banned me from reading books. my absolutely docile and clinically rational temperament at that age probably worked against me. but, i had two choices: i could play with the trucks with the boys in the corner or i could go to sleep.

in fact, i slept a lot.

but, gradually, the system socialized me as a male. or, at least it seemed like it did.

my path through elementary school didn't really ease up on the gender segregation until the seventh grade, at which point it was essentially too late. the system had successfully prevented me from socializing with girls, but had never taught me how to socialize with boys. so, i had spent the last twelve years of school in social isolation, usually without any friends at all. i'd lost the opportunity to have all the gendered experiences one associates with childhood - which means i was deeply socially stunted. i was still pretty smart, academically speaking. however, i was operating at the social level of a much younger child because the school system had arrested my social development through segregating me into a gender role that i didn't understand how to fulfill.

by the time i got around to writing this song at the age of 16, i'd just become entirely stoic about the whole thing. i knew i was more like a girl, but what exactly was i going to do about it? i guess i had the perspective, at 16, that life was largely about managing misfortune and you just have to deal with shit, whether you like it or not.

rational? perhaps, from a certain perspective. it gnawed at me, though. the trauma underlying the track was the realization that i was a good part of the way through puberty, without ever having signed up for it. this was by no means unexpected, either, and i didn't ultimately feel that i had any recourse of action in preventing it. but, i felt like i'd been cheated out of something and was being forced into something i didn't remotely want.

as with the rest of the early tracks, the lyrics here are at their core the exploration of a morbid fantasy. i'm taking things too far, i'm taking any excuse i can to keep taking things too far and i'm enjoying watching you squirm when i do it. in one sense, it's a sarcastic allegory on the question of thinking with one's cock, which is a bio-chemical problem that all testosterone producers are forced to come to terms with at some point. in another sense, it's a transgendered teenager carrying out a sort of morbid fantasy and desperately looking for a way to prevent the masculinization of my body.

it took me another five years or so of internal struggle before i could get to the point where i saw hormone therapy as a realistic option, rather than a kind of utopian fantasy that would be perpetually out of reach until i finally expired.

this is the only period 1 piece that was further expanded through the addition of some bass and piano sequencing near the start of the piece. the vocals were also brought back in without redaction. so, this ep starts off with a full reconstruction of the piece that is only available on this single. the ep further comprehensively documents all other released versions of the track.

initially written in 1997. recreated in feb, 1998. a failed rescue was attempted in 2013. reclaimed july 5, 2015. remixed july 12, 2015. electronics added on july 16, 2015. compiled on jan 4, 2016. sequenced on jan 6-8, 2016. finalized on july 10, 2016. as always, please use headphones.

credits:
j - guitars, effects, bass, vocals, synthesizers, drum programming, drum kit, sequencing, sampling, digital wave editing, production

released february 6, 1998

Mastering service

distonart
Hi Jessica

Im a freelance mastering artist from Sweden.

I work online with bands /artists from around the world.

I really like your music!

Do you do mastering yourself or have you considered hiring someone too master your music?

If so I love too work with you!

I charge 30 Euro/ single , 120 Euro / EP 3-5 tracks and 300 Euro/ Album.

If you are looking for someone too master a EP/Album I can do a 30 seconds “demo” master of a track free of charge. Too see if you like my style.

Contact me on info@distonart.com if your interested and we take it from there.

Here is my webpage for some samples of my work:

www.distonart.com

Hope too hear from you and stay creative!

jessica
you know, i have thousands of physical records and i don't think any of them are from sweden. at least, i can't think of a single musician that i like from sweden. jaga jazzist is from norway. gustav holst was english.

i'm curious. how would you feel about mastering something to give it a really 90s and overwhelmingly american GRUNGE sound? i want good range, mind you. the way bands master their material nowadays through limiters and compressors is just horrendous. but that really raw, live sound is absolutely key.

i might be willing to let you pick a track and send it back to me, just out of curiosity, if you think you can get that really dirty, american punk rock sound. no promises that i'l actually use it, though. let me know what track you'd like to play with.

distonart
Hi Jessica and thanks for replying!

It would be awesome to try mastering one of your tracks. I get what you mean by compression since that is kinda the norm nowadays in mastering and music production overall.

I do like raw kind of productions as well and it would be cool to really try too aim for that sound.

Can you give me the link too your bandcamp since I didnt save your page?

Or why dont you send me a track that you would think fit the sound you are aiming for.

Just send me a download link and I can get started. Speaking about limiters, maybe you can give me a reference in terms of loudness of some other production since that affects how much dynamics that should be left in the music. From what you describe I think you want too keep as much of the dynamics in the music as possible, right?

Also I want too check that you are willing to pay for a one track master since I dont do free work, ok with you?

Cheers and again, nice too hear from you / Jonas (Distonart)

compiling a tracklisting for confused

i'm pretty solid on this tracklisting. i've swapped releases with the stub to allow the tracks to stream over facebook, removed the 1998 duplicate, dumped the original tracks to bonus-only and moved the inricycled cut from a secret ending up to a transitional movement of conceptual segregation.

https://jasonparent.bandcamp.com/album/confused-2

Saturday, July 9, 2016

am i finally awake? i'm a little groggy, but i think it's the air. overall, i think i'm feeling refreshed.

it's taken me some careful listening to decide how i want to organize the confused ep. i almost immediately removed the duplicate from 1998, as it was immediately clear that this was pointless. i've noticed repeatedly, now, that the archived 112 kbps mp3 sounds better than the cd-r - probably because it was converted to mp3 one less time. i keep blaming everything on the fact that i'm 17. but i really am 17. in fact, i just turned 17. you can't expect kids to get through life without making mistakes. further, i know that the music is very intricate at points, but this whole technology thing was still a different world. it's not just that i'm 17. it's that i'm 17 in 1998. back then, using a computer was still something that got you taunted for being a nerd. this was before the concept of hipster geekdom - nerds were really just flat out fucking nerds. so, digital media still had this taint to it, by way of being associated with a circuit board. in 1998, i'm still the elite nerd kid that even knew what an mp3 even was in the first place. and, fuck napster, by the way - you get the good stuff through private ftp servers.

the point is just that i didn't really know how badly an mp3 breaks the audio quality. in fact, i thought that the result actually sounded better over mp3. i had seriously convinced myself that an mp3 compression was a crude mastering process. psycho-acoustics, indeed. this excuse will go away soon, but right now it's still very real.

what's left can be partitioned into three sections.

1) the first five tracks, which were all remastered and finished in 2015/2016.
2.1) original mixes from 1997/1998 (this track was written in '97 and recreated with the machine in '98).
2.2) remasters of those mixes from 2013, including the inricycled cut.

the question is whether i want to cut the disc off at section 1, leaving all of section 2 for bonus material, or whether i want to cut section two in half. i've opted for the latter - keeping 2.2 on the disc, and 2.1 off of it.

on the one hand, it may be easy to argue that i don't need any of the vocal parts because i remastered the vocal version for this track. but, it's also true that the 1998 vocal mix is very different than any of the first five tracks, and the 1997 mix is practically a different song. i did not find that also holding on to the original mixes was worthwhile, but i do think that they should be accounted for.

i want to separate them out a little bit, though. just a gap in the audio, making the last two tracks seem like they're hidden in plain sight. so, what i'm going to do is drop the inricycled mix in to track 6, and then leave an audio gap in between. the original versions will then be bonus mixes, in addition to that.

i am pretty much certain on that track listing, but i will need to listen to the material before i finalize it.

08-07-2016: burning out repeatedly at the end of the head clear (some inri007 listening)

tracks worked on in this vlog:
https://jasonparent.bandcamp.com/album/confused-2
https://jasonparent.bandcamp.com/album/period-1

well, i'm awake for now...

i'm going back to a concept of time that is more familiar to me, which is to order time around the completion of a task. the last year or so has just been so chaotic....i reject the concept of scheduling with the strongest amount of disdain possible, but a more flexible concept of organizing time and prioritizing outcomes is really essential. of course, i haven't exactly lacked this over the last year - i was consistently meandering in one direction or another, half-blind and often inebriated. what i lacked was the order that comes from organizing yourself around small victories. before i shifted to reconstructing the aleph-disc, and closing all of the discs one-by-one, the last new project that i started was really back in january. life over the last few months of 2015 was likewise related to ending a project i had started in june of that year - and was bogged down by what was eventually isolated as interference from an environmental magnetic field.

i should also point out that i went through a stressful process of disability renewal over 2015. in august, i was finally given five years. that was after almost two years of medical review. i found myself living as though i had nothing to lose, due to the increasing certainty that i was going to run out of time. getting the extension was a complicated thing, emotionally, and i think the results demonstrate that. i lost a source of stress, which is good, but i also lost the sense of urgency attached to it. that in itself was a kind of trauma. quitting smoking was both a function of that and a factor in how things developed. however you want to analyze the situation, it appears that i'm in the process of reasserting a more ordered existence for myself.

as mentioned, my concept of order is probably still insane for most. i do not want a daily schedule. i do not want a weekly schedule, either. but, a more familiar way for me to live is to segment time in such a way that isolates ideas and events within it.

i think you get a little bit of a taste of this in the way i've broken the vlogs into episodes. as of right now, these are imprecise. but, normally, my life would actually decompose pretty efficiently into sets defined by different purposes.

my immediate task is to get my energy back up, and while i may have short days for the weekend i think i'm actually most of the way there. while i am catching on sleep, i will be completing up until the end of my first record. right now, that is up until inri013. i cannot commit to numbers.

when that is done, i will need to stop and clean. this will include a compost run and full run through the living space. this is also when i will start the vlog catch-up.

i will then need to begin on the next project, which is completing the string of singles for the second record (currently thought to be inri018) and the resequencing the second record, itself.

so, that's three upcoming segments of time. it's unclear where they begin or end. they don't have lunch hours or smoke breaks. they may be measured in days or weeks, but hopefully not months. yet, as loose as they are, they are an ordering of time - and that is required, in some abstraction, or no work will ever get done.

i don't know what i'll want to do directly after i finish the second record (and offshoots of it). i suppose that the next chunk of time will be about finishing period 1.3. and then period 2. but, real life things will no doubt assert themselves in between. what i do know is that it is likely that this stronger ordering of time will reassert itself, until some further crisis (temporarily) collapses the concept of order back into irrelevance.

inri007-inri014 are actually basically done. i'm sober this weekend. so, this will be comparably fast. i'll be republishing mar-july, 1998 tonight and then working to make sense of it over the next week or so.

Friday, July 8, 2016

listening to confused (inri007) for the night.

this is the only track from this pile that got expanded as i was remixing it. it now includes some sequenced bass and piano parts at the start. it's pretty snazzy. the single for this track was also meant to preserve the vocals, so i don't expect to pare the ep down. i may remove the duplicate 1998 file, as i did with skaters. otherwise, this single is another narration and needs to be comprehensive, so paring it down or splitting it off wouldn't make much sense.

i'll be listening to this (inri007) and inri006 (useless) for the night.

https://jasonparent.bandcamp.com/album/confused
i ended up burning out three times in a row at the end of the head clear. it's what happens when you go for more when you haven't truly slept it off yet - you just fall back asleep again. i was stuck in that ambiguous area where it just wasn't clear if i should get up or fall asleep, but i wanted to push myself to carry out the the binge. i'm still not sure if i should get up or not, but i'm hungry enough that i'm going to try.

i'm not going to push myself, now. it's gone. i'm going to catch up on my sleep. that's the whole point.

now, i must eat. but i may sleep most of the weekend, to catch-up.

the last week seems productive in contrast to the several previously, but the truth is that i could have worked more quickly if i was less baked. that's ok. the point of the last week was not efficiency, but establishment of clarity. once i wake up, i'll be more productive than i would have been otherwise.

07-07-2016: closing inri006 & beginning to understand the clinton email case a little bit better

tracks worked on in this vlog:
https://jasonparent.bandcamp.com/album/skaters
https://jasonparent.bandcamp.com/album/useless
https://jasonparent.bandcamp.com/album/period-1