https://jasonparent.bandcamp.com/album/inriclaimed
Thursday, December 3, 2015
02-12-2015: turning the corner?
tracks worked on in this vlog:
https://jasonparent.bandcamp.com/album/inriclaimed
https://jasonparent.bandcamp.com/album/inriclaimed
Wednesday, December 2, 2015
thoughts on the most recent defeater record
i missed this in august...attention drawn to it by tour dates....just wasn't paying attention...
i've only listened to the record all the way through once, and will have to give it a few more tries. you don't really "get" a defeater record on the first listen. but, i'm comfortable in stating that if i'm going to connect to this at all then it's going to be on a purely lyrical level. that's not impossible.
i wouldn't be surprised to find out that this disc was well received by people that are closer to the mainstream core of the modern "(scr)e(a)mo" sound. hey, there's a relatively big audience there. and, it's not a complete 180 - there's plenty of things that jumped out that seemed very characteristic of the band's previous work. but, the blunt and honest immediacy - the starkly nihilistic juxtapositions and just blatant punk rock, however much adapted - that made them refreshing seems to have been replaced by what are kind of contrived melodramaticisms. i mean, i don't want to sound ridiculous. it was always contrived. but, it was a different kind of contrived - a more thematic and less calculated one. if you're a fan of the centre of the genre that they're moving closer to, you probably won't understand this criticism because it's the perfect description of every band that you're used to listening to. but, if you lean more towards older school punk rock or perhaps even straight up art rock, don't really have any affinity with "emo" and were kind of being pulled into this by bands that hover closer to the core of what punk was, you'll understand what i'm getting at. if you're that person, as i am, you probably really didn't want to hear them walk down this path. but, you probably knew it was coming, too.
i could probably handle some standardization in the aesthetic if the writing compensated for it. musically, i didn't pick up on that the first time through - i got the opposite impression. i'll have to see if i pick up on it, thematically, as i listen to it a few more times.
i'll say this though: i was initially put off by the stronger testosterone level on letters home. but, as i got to understand the story line, i began to realize that it couldn't have been any other way. it had to be badass. i'll have to see if this connects in the same way.
i know this is an extremely tentative review. maybe i'll post another comment in a few weeks or months. but, that's how this band operates. you just don't understand it the first time you listen to it; if you think you do, you definitely don't. that's why elitist critics like me are drawn to them, even if they're consistently cycling around a genre we would generally consider to exist purely in the realm of bad taste.
i've only listened to the record all the way through once, and will have to give it a few more tries. you don't really "get" a defeater record on the first listen. but, i'm comfortable in stating that if i'm going to connect to this at all then it's going to be on a purely lyrical level. that's not impossible.
i wouldn't be surprised to find out that this disc was well received by people that are closer to the mainstream core of the modern "(scr)e(a)mo" sound. hey, there's a relatively big audience there. and, it's not a complete 180 - there's plenty of things that jumped out that seemed very characteristic of the band's previous work. but, the blunt and honest immediacy - the starkly nihilistic juxtapositions and just blatant punk rock, however much adapted - that made them refreshing seems to have been replaced by what are kind of contrived melodramaticisms. i mean, i don't want to sound ridiculous. it was always contrived. but, it was a different kind of contrived - a more thematic and less calculated one. if you're a fan of the centre of the genre that they're moving closer to, you probably won't understand this criticism because it's the perfect description of every band that you're used to listening to. but, if you lean more towards older school punk rock or perhaps even straight up art rock, don't really have any affinity with "emo" and were kind of being pulled into this by bands that hover closer to the core of what punk was, you'll understand what i'm getting at. if you're that person, as i am, you probably really didn't want to hear them walk down this path. but, you probably knew it was coming, too.
i could probably handle some standardization in the aesthetic if the writing compensated for it. musically, i didn't pick up on that the first time through - i got the opposite impression. i'll have to see if i pick up on it, thematically, as i listen to it a few more times.
i'll say this though: i was initially put off by the stronger testosterone level on letters home. but, as i got to understand the story line, i began to realize that it couldn't have been any other way. it had to be badass. i'll have to see if this connects in the same way.
i know this is an extremely tentative review. maybe i'll post another comment in a few weeks or months. but, that's how this band operates. you just don't understand it the first time you listen to it; if you think you do, you definitely don't. that's why elitist critics like me are drawn to them, even if they're consistently cycling around a genre we would generally consider to exist purely in the realm of bad taste.
Tuesday, December 1, 2015
i got some blood test results back today.
the real reason for the blood test was to check my estrogen levels, which was actually done on my request. i've been thinking for a while now that i should get my dose boosted. but, i was running around from doctor to doctor and just didn't really get a chance to get an empirical test done to determine what the levels were and whether they should be boosted. as expected, they're a little low.
that's actually pretty normal. it's an expected part of transitioning to increase dosages after a while. i'm actually way past due on this. so, i've been boosted from 4 mg/day to 6 mg/day. but, i'm going to wait until i quit smoking first before i do it.
i've been stuck on this remix project for months because my machine just won't behave, and have been waiting until i'm done the project before i give myself a few weeks of filing to occupy myself with. for me, quitting smoking is primarily a problem at the mental level. basically, i find myself unable to focus on anything. it's a huge problem for me because i'm always focusing on something or other. the only way i'm going to get over the smoking is by giving myself something menial to do for, like, weeks. i just have to throw that time away. that's really hard for me - even if i get the long term benefits of it - because i interpret time as the only meaningful quantifiable in the entire universe. the filing is the perfect opportunity for this. but i can't get to it because i can't get the machine to co-operate.
i've been getting impatient, anyways. i only budgeted myself $60 for cigarettes this month. that needs to be a hard limit, now. smoking ends when that budget runs out, whether i'm done the project or not. the hormone switch is just an added incentive.
first, nicotine is an estrogen suppressant. second, smoking on estrogen can cause blood clots. i shouldn't be smoking at all, really - well, *at all*, but at all when i'm taking hormones. it's a risk for people on birth control, which is something like 100 mcg/day. i'm about to jump to 6 mg/day. i'm hesitant about the safety of this. i should really be hesitant about the safety of it at 4 mg/day.
but, he also told me that i'm the "healthiest person he's ever seen". he's "never seen lower blood cholesterol". it seemed obvious to him to ask me about my diet, but he seemed rather disappointed in my responses.
in the 96 hours before the blood test, i had consumed 5 rockstar vodkas, several pots of coffee, several packs of cigarettes and had even smoked a couple of bowls. ten hours previous to the blood test, i had a large meal that included a giant plate of pasta with a third of a brick of cheese, caesar dressing (not light.) as an alfredo sauce, eight slices of crumpled salami, tomatoes and green peppers. i also had a smoothie with a banana, five strawberries, two scoops of ice cream and about 500 ml of soy milk. i've actually had exactly that meal almost every day for the last two months - although i got a pizza one day, and have had some doritos in between as well.
i'll post the link to the culinary series in my vlog as a comment.
that doesn't come off as a particularly healthy diet. he liked the soy smoothies, and didn't like the salami and the cheese. he thought i must be eating some kind of miracle foods like quinoa or something.
while my diet is consciously designed to ensure i get sufficient nutrients (the soy smoothies are key to this, but i also would normally eat a lot of eggs to get my amino acids), it is really not designed to minimize so-called harmful foods - except in the sense that i do not eat a lot. i eat, at most, once a day - most days. once in a while, i won't eat at all.
the correct way to interpret the test results is as confirmation of my approach to food, which i've posted here a few times over the last few years. that is, the important thing to realize is that it isn't the content of the food that is important, but the quantity of it that you consume.
basically, your body stores everything almost exactly the same way. it may not be the most politically correct thing to say, but the actual hard reality of it is that if you're too fat or you have too much cholesterol then you simply eat too much. the way to minimize excess fat storage in the various ways that your body stores fat - which includes blood cholesterol - is to ensure that you're not giving your body too much fuel, because it will then store it as some kind of fat.
my blood cholesterol is not low because of what i eat. it's low because of how much i eat.
but, even that said, there is an even more dominant factor, and it's lifestyle. i walk everywhere. i walked about 40 minutes to the doctor's office today, in fact. i then walked to the grocery store to get some more very high fat caesar dressing for my high fat pasta diet. the reason i do this is that i don't have a car.
that is the actual takeaway: i am the healthiest person the doctor has ever seen because i do not have a car. and, if you want to be that healthy, too? then, stop using your car on a day-to-day basis. walk as much as you can.
i'm proof of it. most nutritionists would claim my diet is terrible (but they're wrong, because the quantity of what i consume is low). i smoke two things. i don't drink a lot of alcohol, but i had consumed some within a few days of the blood test. and, i drink at least a pot of coffee a day.
but, my heart is in pristine condition!
and, it's simply because i don't have a car.
the real reason for the blood test was to check my estrogen levels, which was actually done on my request. i've been thinking for a while now that i should get my dose boosted. but, i was running around from doctor to doctor and just didn't really get a chance to get an empirical test done to determine what the levels were and whether they should be boosted. as expected, they're a little low.
that's actually pretty normal. it's an expected part of transitioning to increase dosages after a while. i'm actually way past due on this. so, i've been boosted from 4 mg/day to 6 mg/day. but, i'm going to wait until i quit smoking first before i do it.
i've been stuck on this remix project for months because my machine just won't behave, and have been waiting until i'm done the project before i give myself a few weeks of filing to occupy myself with. for me, quitting smoking is primarily a problem at the mental level. basically, i find myself unable to focus on anything. it's a huge problem for me because i'm always focusing on something or other. the only way i'm going to get over the smoking is by giving myself something menial to do for, like, weeks. i just have to throw that time away. that's really hard for me - even if i get the long term benefits of it - because i interpret time as the only meaningful quantifiable in the entire universe. the filing is the perfect opportunity for this. but i can't get to it because i can't get the machine to co-operate.
i've been getting impatient, anyways. i only budgeted myself $60 for cigarettes this month. that needs to be a hard limit, now. smoking ends when that budget runs out, whether i'm done the project or not. the hormone switch is just an added incentive.
first, nicotine is an estrogen suppressant. second, smoking on estrogen can cause blood clots. i shouldn't be smoking at all, really - well, *at all*, but at all when i'm taking hormones. it's a risk for people on birth control, which is something like 100 mcg/day. i'm about to jump to 6 mg/day. i'm hesitant about the safety of this. i should really be hesitant about the safety of it at 4 mg/day.
but, he also told me that i'm the "healthiest person he's ever seen". he's "never seen lower blood cholesterol". it seemed obvious to him to ask me about my diet, but he seemed rather disappointed in my responses.
in the 96 hours before the blood test, i had consumed 5 rockstar vodkas, several pots of coffee, several packs of cigarettes and had even smoked a couple of bowls. ten hours previous to the blood test, i had a large meal that included a giant plate of pasta with a third of a brick of cheese, caesar dressing (not light.) as an alfredo sauce, eight slices of crumpled salami, tomatoes and green peppers. i also had a smoothie with a banana, five strawberries, two scoops of ice cream and about 500 ml of soy milk. i've actually had exactly that meal almost every day for the last two months - although i got a pizza one day, and have had some doritos in between as well.
i'll post the link to the culinary series in my vlog as a comment.
that doesn't come off as a particularly healthy diet. he liked the soy smoothies, and didn't like the salami and the cheese. he thought i must be eating some kind of miracle foods like quinoa or something.
while my diet is consciously designed to ensure i get sufficient nutrients (the soy smoothies are key to this, but i also would normally eat a lot of eggs to get my amino acids), it is really not designed to minimize so-called harmful foods - except in the sense that i do not eat a lot. i eat, at most, once a day - most days. once in a while, i won't eat at all.
the correct way to interpret the test results is as confirmation of my approach to food, which i've posted here a few times over the last few years. that is, the important thing to realize is that it isn't the content of the food that is important, but the quantity of it that you consume.
basically, your body stores everything almost exactly the same way. it may not be the most politically correct thing to say, but the actual hard reality of it is that if you're too fat or you have too much cholesterol then you simply eat too much. the way to minimize excess fat storage in the various ways that your body stores fat - which includes blood cholesterol - is to ensure that you're not giving your body too much fuel, because it will then store it as some kind of fat.
my blood cholesterol is not low because of what i eat. it's low because of how much i eat.
but, even that said, there is an even more dominant factor, and it's lifestyle. i walk everywhere. i walked about 40 minutes to the doctor's office today, in fact. i then walked to the grocery store to get some more very high fat caesar dressing for my high fat pasta diet. the reason i do this is that i don't have a car.
that is the actual takeaway: i am the healthiest person the doctor has ever seen because i do not have a car. and, if you want to be that healthy, too? then, stop using your car on a day-to-day basis. walk as much as you can.
i'm proof of it. most nutritionists would claim my diet is terrible (but they're wrong, because the quantity of what i consume is low). i smoke two things. i don't drink a lot of alcohol, but i had consumed some within a few days of the blood test. and, i drink at least a pot of coffee a day.
but, my heart is in pristine condition!
and, it's simply because i don't have a car.
Monday, November 30, 2015
Sunday, November 29, 2015
Saturday, November 28, 2015
finalizing if god somehow does exist, it is sadistic and should be destroyed
this track is also finalized.
there's actually three versions of this done, but only two up. i'm considering splitting it off to a single with a couple of extra mixes, as well. this is the instrumental electronic mix.
regarding the singles, my thoughts have evolved on this. at first, i was skeptical about it because of the need to add numbers - now, i think i'll need to add in an extra series between integers, somehow. then, i wanted to work it down to just a couple. now, i'm thinking that if i do any, i should do all of them.
as before, my focus right now is to finish all of the versions of all of the songs. afterwards, i'll check each possible single for listenability value.
and, i still haven't completely ruled out renumbering. i've only mailed three discs. it will just make them that much more valuable, right?
https://jasonparent.bandcamp.com/track/dohgye
full remix:
https://jasonparent.bandcamp.com/track/if-god-somehow-does-exist-it-is-sadistic-and-should-be-destroyed
there's actually three versions of this done, but only two up. i'm considering splitting it off to a single with a couple of extra mixes, as well. this is the instrumental electronic mix.
regarding the singles, my thoughts have evolved on this. at first, i was skeptical about it because of the need to add numbers - now, i think i'll need to add in an extra series between integers, somehow. then, i wanted to work it down to just a couple. now, i'm thinking that if i do any, i should do all of them.
as before, my focus right now is to finish all of the versions of all of the songs. afterwards, i'll check each possible single for listenability value.
and, i still haven't completely ruled out renumbering. i've only mailed three discs. it will just make them that much more valuable, right?
https://jasonparent.bandcamp.com/track/dohgye
full remix:
https://jasonparent.bandcamp.com/track/if-god-somehow-does-exist-it-is-sadistic-and-should-be-destroyed
Friday, November 27, 2015
Thursday, November 26, 2015
26-11-2015: aliens are more likely than god
tracks worked on in this vlog:
1) https://jasonparent.bandcamp.com/track/aliens-are-more-likely-than-god
1) https://jasonparent.bandcamp.com/track/aliens-are-more-likely-than-god
finalizing aliens are more likely than god
i've got a final mix of this up. it really sounds a lot better, and i'm very much relieved about it.
i wanted to get more done today, but at least i got that done. i've been playing with it the last few days. i need to do beginning/end of the month stuff tomorrow, but things should accelerate over the weekend.
initially written in 1996. recreated in march, 1998. reclaimed june 29, 2015. corrected to control for malfunctioning electronics on nov 26, 2015.
https://jasonparent.bandcamp.com/track/aliens-are-more-likely-than-god
i wanted to get more done today, but at least i got that done. i've been playing with it the last few days. i need to do beginning/end of the month stuff tomorrow, but things should accelerate over the weekend.
initially written in 1996. recreated in march, 1998. reclaimed june 29, 2015. corrected to control for malfunctioning electronics on nov 26, 2015.
https://jasonparent.bandcamp.com/track/aliens-are-more-likely-than-god
Wednesday, November 25, 2015
25-11-2015: the vampire diaries
tracks worked on in this vlog:
1) https://jasonparent.bandcamp.com/track/aliens-are-more-likely-than-god
1) https://jasonparent.bandcamp.com/track/aliens-are-more-likely-than-god
Tuesday, November 24, 2015
Monday, November 23, 2015
21/22-11-2015: daydreaming...
tracks worked on in this vlog:
1) https://jasonparent.bandcamp.com/track/aliens-are-more-likely-than-god
1) https://jasonparent.bandcamp.com/track/aliens-are-more-likely-than-god
Sunday, November 22, 2015
one last night out before the major detox
so, i will fully acknowledge - despite rationalizations otherwise - that the reason i went to the show on friday night was to get a last night of smoking in. which, on the bright side, at least suggests i'm serious about stopping. i think i have to be.
that said, i also felt the headliner was worth documenting. to an extent, this is partly what a lot of these show reviews have always been about. now that i have the camera (however low quality it may be....), i feel an added sense of responsibility to be curating. because my taste is superior. of course.
--
i wasn't sure if i was going to miss the opening act or not, and wasn't really concerned about it if i did. i kind of expected the show to start late, but not quite as late as it started - i did catch the opening act, and snapped a little bit of footage.
it very mildly piqued my interest in what it was, namely a splice of mathy indie rock with alt-country-pop-whatever. i don't know who to blame for it (wilco?), but indie rock turned into country music at some point a little over ten years ago and has basically been tedious and boring ever since. this act certainly demonstrated tedium and boredom, but the mathier aspects almost saved it...
i said almost. not quite. i'd say the rhythm section should drop the singer, if it can't convince her to drop the alt-country-pop-whatever schtick. there's nothing interesting going on there.
between sets i went out and had a smoke; i was feeling a little light-headed when i came back. probably the weather. but, it meant i watched most of the next set sitting down, and didn't get a chance to catch any footage.
the name of the band is exceedingly relevant: this is creepy shit. in an unsettling way. i think i'll leave it at that.
while it was meant to be comical, my general reaction was more that i felt embarrassed for them. which is no doubt in the range of intended reactions.
however, there was one song that had me doubled over laughing, and nearly crying. it may have been because i was feeling a little light-headed from the weather, but it was still one of the best laughs i've had in a while. i've found old footage of this track:
here is a full set:
the next band up was called nudie suits, and they seemed to be defined by a conflict: the violin player wants to do loop-heavy, post-gaze drone stuff whereas the keyboard player wants to do more conventional noir pop. the end result was that they were trying to play over each other. not always. they stopped and listened to each other a few times. but it was that conflict that overpowered.
i'm not entirely adverse to the idea of a riff-off in the context of gaze/drone vs. noir pop, but the truth is that neither had the chops to do it. the violin parts often just fizzled out into static feedback loops or two note patterns, and flopped on the builds. and the keyboard player often cycled around simple progressions, bent entirely on rooting herself in dynamics that were being completely paved over by the electronics.
the lack of footage was a conscious choice.
--
it was the material on valley hush' bandcamp page that drew me out (and made the smoking night worthwhile). While certainly pop, and maybe operating somewhere close to a successful and critically acclaimed contemporary act like tune yards, the overall songwriting struck me as worth documenting.
i only film one song and tend to pull it from between the second and fourth track. there's always the nightmare that you screw up the first track, which is also often going to be chosen to let the scragglers in. two-four is usually the meat of the set.
i pulled the third track, which meant i got one of the poppier numbers. overall, the set was a bit more developed than this, with more extended tracks that leaned into the realm of psychedelic rock without really falling into it.
it's pop. i know not everybody likes pop. i actually have a pretty hefty soft spot for it. but, realize i'm very picky about it, too. i'm only going to bite at a pop band if it's a really good one.
the show was late, as expected, but far more so than i realized. the last band was slotted for 11:15 - meaning they should have been done around 11:45. i knew it was later than that, but wasn't checking the time. the show wasn't done until 12:40; i would have guessed it was more like 12:15. but, had i been checking the clock more closely, i would have left a few minutes earlier.
while i do believe i got to rosa parks on time and should have been able to cut the bus off at the pass, i ended up missing it (unless it came out of customs well after 2:00, which is unlikely) by what could not have been more than a few minutes. i can only understand how this could happen by concluding that the bus left early.
you can imagine why this should not happen. there's more on this topic in the day's vlog:
http://dghjdfsghkrdghdgja.appspot.com/categories/shows/2015/11/20.html
that said, i also felt the headliner was worth documenting. to an extent, this is partly what a lot of these show reviews have always been about. now that i have the camera (however low quality it may be....), i feel an added sense of responsibility to be curating. because my taste is superior. of course.
--
i wasn't sure if i was going to miss the opening act or not, and wasn't really concerned about it if i did. i kind of expected the show to start late, but not quite as late as it started - i did catch the opening act, and snapped a little bit of footage.
it very mildly piqued my interest in what it was, namely a splice of mathy indie rock with alt-country-pop-whatever. i don't know who to blame for it (wilco?), but indie rock turned into country music at some point a little over ten years ago and has basically been tedious and boring ever since. this act certainly demonstrated tedium and boredom, but the mathier aspects almost saved it...
i said almost. not quite. i'd say the rhythm section should drop the singer, if it can't convince her to drop the alt-country-pop-whatever schtick. there's nothing interesting going on there.
between sets i went out and had a smoke; i was feeling a little light-headed when i came back. probably the weather. but, it meant i watched most of the next set sitting down, and didn't get a chance to catch any footage.
the name of the band is exceedingly relevant: this is creepy shit. in an unsettling way. i think i'll leave it at that.
while it was meant to be comical, my general reaction was more that i felt embarrassed for them. which is no doubt in the range of intended reactions.
however, there was one song that had me doubled over laughing, and nearly crying. it may have been because i was feeling a little light-headed from the weather, but it was still one of the best laughs i've had in a while. i've found old footage of this track:
here is a full set:
the next band up was called nudie suits, and they seemed to be defined by a conflict: the violin player wants to do loop-heavy, post-gaze drone stuff whereas the keyboard player wants to do more conventional noir pop. the end result was that they were trying to play over each other. not always. they stopped and listened to each other a few times. but it was that conflict that overpowered.
i'm not entirely adverse to the idea of a riff-off in the context of gaze/drone vs. noir pop, but the truth is that neither had the chops to do it. the violin parts often just fizzled out into static feedback loops or two note patterns, and flopped on the builds. and the keyboard player often cycled around simple progressions, bent entirely on rooting herself in dynamics that were being completely paved over by the electronics.
the lack of footage was a conscious choice.
--
it was the material on valley hush' bandcamp page that drew me out (and made the smoking night worthwhile). While certainly pop, and maybe operating somewhere close to a successful and critically acclaimed contemporary act like tune yards, the overall songwriting struck me as worth documenting.
i only film one song and tend to pull it from between the second and fourth track. there's always the nightmare that you screw up the first track, which is also often going to be chosen to let the scragglers in. two-four is usually the meat of the set.
i pulled the third track, which meant i got one of the poppier numbers. overall, the set was a bit more developed than this, with more extended tracks that leaned into the realm of psychedelic rock without really falling into it.
it's pop. i know not everybody likes pop. i actually have a pretty hefty soft spot for it. but, realize i'm very picky about it, too. i'm only going to bite at a pop band if it's a really good one.
the show was late, as expected, but far more so than i realized. the last band was slotted for 11:15 - meaning they should have been done around 11:45. i knew it was later than that, but wasn't checking the time. the show wasn't done until 12:40; i would have guessed it was more like 12:15. but, had i been checking the clock more closely, i would have left a few minutes earlier.
while i do believe i got to rosa parks on time and should have been able to cut the bus off at the pass, i ended up missing it (unless it came out of customs well after 2:00, which is unlikely) by what could not have been more than a few minutes. i can only understand how this could happen by concluding that the bus left early.
you can imagine why this should not happen. there's more on this topic in the day's vlog:
http://dghjdfsghkrdghdgja.appspot.com/categories/shows/2015/11/20.html
Saturday, November 21, 2015
reaction to the new bowie single, pt 2
Brooklyn Allman
Bowie always tends to reflect the world around him. I think this video is a metaphor for the darkside of religion. The book he holds up. The scarecrows in crucifix formation (scarecrows symbolic of fear which is a key element of organized religion). The blindfolds. The people who seem to be possessed by something. Somehow he ties Major Tom into all of this as his skull is treated like a sacred artifact perhaps meaning that anything can be turned into god and spun out of control. I think "Blackstar" might be like a faux-prophet or fervent disciple going around convincing people god is speaking through them. I think it definitely reflects what's going on in the world right now. I'm sure there are many ways to interpret this though, it's very abstract.
deathtokoalas
+Brooklyn Allman
the kind of ritual you're seeing in the video is something that "kids nowadays" actually seriously do. there's a pretty sizable movement built up around this amongst women that are roughly university aged. they get together in forested spaces and perform magical rites to what they perceive of as pagan spirits.
if you want to get into it, it's likely a reaction to the upbringing brought on by the previous generation - a kind of rebellion against the value system enforced by the "moral majority" in the reagan revolution. the women i've spoken to about this speak in these terms. they talk of how their christian upbringing created a lot of repressed desires. they talk of catholic guilt. yet, as the rituals become so massively enforced and engrained, they create a sense of safety, as well. so, they realize there's something oppressive about the ritual, but can't quite discard the sense of peace that the oppression provides. the result is rebellion on the terms of praying to a false deity, rather than simply discarding it. on that level, it's blowback.
on another level, the ideas are all around us in our culture. there was a movie released in the 90s called the craft that is very popular in these circles, and there have been a number of similar films released since then. it comes out musically in a couple of styles, like witch house. there's a band called esben and the witch that is kind of seminal (even if all the ideas trace back to the 70s, through artists like coil, who were themselves drawing on existing themes). and, remember: this is a generation raised on magic, from disney through to lord of the rings. magic is no longer seen as an archaic relic of the past to be shunned as a process of ignorance. rather, it's become quite normalized.
i think bowie is reflecting on something here, but it's the youth culture. this is, in fact, what he's always done. what i'm getting is that he's both amused by this (it is really quite ridiculous) and somewhat disturbed by it.
the key shot in the video is at the very end, when he's dramatically recoiling from the images being presented on the screen.
"on the day of execution,
only women kneel and smile."
it's the secular society being executed. but, from the inside out.
Bowie always tends to reflect the world around him. I think this video is a metaphor for the darkside of religion. The book he holds up. The scarecrows in crucifix formation (scarecrows symbolic of fear which is a key element of organized religion). The blindfolds. The people who seem to be possessed by something. Somehow he ties Major Tom into all of this as his skull is treated like a sacred artifact perhaps meaning that anything can be turned into god and spun out of control. I think "Blackstar" might be like a faux-prophet or fervent disciple going around convincing people god is speaking through them. I think it definitely reflects what's going on in the world right now. I'm sure there are many ways to interpret this though, it's very abstract.
deathtokoalas
+Brooklyn Allman
the kind of ritual you're seeing in the video is something that "kids nowadays" actually seriously do. there's a pretty sizable movement built up around this amongst women that are roughly university aged. they get together in forested spaces and perform magical rites to what they perceive of as pagan spirits.
if you want to get into it, it's likely a reaction to the upbringing brought on by the previous generation - a kind of rebellion against the value system enforced by the "moral majority" in the reagan revolution. the women i've spoken to about this speak in these terms. they talk of how their christian upbringing created a lot of repressed desires. they talk of catholic guilt. yet, as the rituals become so massively enforced and engrained, they create a sense of safety, as well. so, they realize there's something oppressive about the ritual, but can't quite discard the sense of peace that the oppression provides. the result is rebellion on the terms of praying to a false deity, rather than simply discarding it. on that level, it's blowback.
on another level, the ideas are all around us in our culture. there was a movie released in the 90s called the craft that is very popular in these circles, and there have been a number of similar films released since then. it comes out musically in a couple of styles, like witch house. there's a band called esben and the witch that is kind of seminal (even if all the ideas trace back to the 70s, through artists like coil, who were themselves drawing on existing themes). and, remember: this is a generation raised on magic, from disney through to lord of the rings. magic is no longer seen as an archaic relic of the past to be shunned as a process of ignorance. rather, it's become quite normalized.
i think bowie is reflecting on something here, but it's the youth culture. this is, in fact, what he's always done. what i'm getting is that he's both amused by this (it is really quite ridiculous) and somewhat disturbed by it.
the key shot in the video is at the very end, when he's dramatically recoiling from the images being presented on the screen.
"on the day of execution,
only women kneel and smile."
it's the secular society being executed. but, from the inside out.
reaction to the new bowie single, pt 1
see, i think the key to understanding this is having a clue about contemporary youth culture.
the images in the video are what the contemporary musical underground looks like. the exaggeration is only very slight. true to form, bowie is merely reacting to the underground. and, my interpretation is that he's both legitimately amused and seriously disturbed by it.
musically, i'm glad we're getting another "serious" bowie disc and am quite excited about that. i was a little worried he was going to leave us with that last one.
but, only a fool claims to be able to understand the scope of a bowie record via the lead single.
the images in the video are what the contemporary musical underground looks like. the exaggeration is only very slight. true to form, bowie is merely reacting to the underground. and, my interpretation is that he's both legitimately amused and seriously disturbed by it.
musically, i'm glad we're getting another "serious" bowie disc and am quite excited about that. i was a little worried he was going to leave us with that last one.
but, only a fool claims to be able to understand the scope of a bowie record via the lead single.
20-11-2015: why the detroit/windsor area needs a pedestrian crossing option
concert footage:
river spirit: https://www.youtube.com/watch?v=btunBJsfq38
the creepers: https://www.youtube.com/watch?v=_ZforNU_VKY (old footage)
nudie suits (none taken)
valley hush: https://www.youtube.com/watch?v=VmU8iOhObz8
review:
http://dghjdfsghkrdghdgja.appspot.com/categories/shows/2015/11/20.html
river spirit: https://www.youtube.com/watch?v=btunBJsfq38
the creepers: https://www.youtube.com/watch?v=_ZforNU_VKY (old footage)
nudie suits (none taken)
valley hush: https://www.youtube.com/watch?v=VmU8iOhObz8
review:
http://dghjdfsghkrdghdgja.appspot.com/categories/shows/2015/11/20.html
Friday, November 20, 2015
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